• Foliate and interlace initial 'C'(apitulum), at the beginning of the sermons based on John., De verbis domini, preceded by (ff. 1v-2v) a table of contents (index Sermons)

the sermons based on John. 1 large initial in green, blue, gold outlined in red, and silver (tarnished to metallic black), at the beginning of the sermons based on Matthew (f. 3). 2 large initials infilled with foliage in red,

• Illuminated initial 'E'(vangelium), at the beginning of the sermons based on Matthew., De verbis domini, preceded by (ff. 1v-2v) a table of contents (index Sermons)

sermons based on Matthew. 1 large initial in green, blue, gold outlined in red, and silver (tarnished to metallic black), at the beginning of the sermons based on Matthew (f. 3). 2 large initials infilled with foliage in red, or

• Text page., Part leaf of a noted Missal with part of the text for Holy Saturday including the Canticle of Moses

Text page. ff. 69-72 are fragments from the same manuscript as Stowe 1061 f. 125. Musical notation in many fragments.Mostly removed from bindings.ff. 1-21v; 24-47v; 51-57v; 61-63v; 65; 67-68v; 73 are various fragments, including of the Laws of Alfred

• null, Enarrationes in Psalmos (volume 1)

at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials in green with penwork decoration in red or blue, initials in purple with penwork decoration in red or/and green, some with the penwork

• null, Enarrationes in Psalmos (volume 1)

at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials in green with penwork decoration in red or blue, initials in purple with penwork decoration in red or/and green, some with the penwork

• Inhabited initial 'B'(eatus) with dragons and griffins, at the beginning of the commentary to Psalm 1., Enarrationes in Psalmos (volume 1)

at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials in green with penwork decoration in red or blue, initials in purple with penwork decoration in red or/and green, some with the penwork

• null, Enarrationes in Psalmos (volume 1)

at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials in green with penwork decoration in red or blue, initials in purple with penwork decoration in red or/and green, some with the penwork

• Decorated initial 'I'(n) at the beginning of Ovid's Metamorphosisis., Metamorphoses, with commentary

3). Large initial in blue with reserved lines and red pen-flourishing at the beginning of each subsequent book (ff. 15v, 29v, 41v, 54v, 65v, 77, 91, 105v, 118v, 130, 143, 153, 168v, 182). Initials in blue with red pen-flourishing or

• Historiated initial 'C'(um) depicting a tonsured master teaching tonsured pupils, at the beginning of the prologue to the commentary on Matthew., Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• Ownership inscriptions, the first dated 1403, the second dated 1757., Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• Illuminated initial 'S'(enior) with foliate decoration at the beginning of the commentary on III John., Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• Detail of decorated initial 'O'., Canticles, litany, and collects (ff. 135-144v); Hymnal and Office of the Dead (ff. 147-170v)

some charters for King Cnut. Large initials in red, green, yellow, and blue with foliate decoration (ff. 147, 162v). Large and small initials in green, red, yellow, or blue, some with simple penwork decoration, sometimes in another colour or colours.

• Decorated initial 'O' at the beginning of a series of hymns added to the manuscript in the middle of the twelfth century., Canticles, litany, and collects (ff. 135-144v); Hymnal and Office of the Dead (ff. 147-170v)

some charters for King Cnut. Large initials in red, green, yellow, and blue with foliate decoration (ff. 147, 162v). Large and small initials in green, red, yellow, or blue, some with simple penwork decoration, sometimes in another colour or colours.

• Anitphon with neumes., Fragments of an Antiphoner including parts of offices for Lawrence, Hippolitus, and Peter and Paul

the Laws of Alfred and Ine (f. 42). Large simple initials in green or red; small initial and rubrication in blue or red; the original order of leaves: ff. 71, 72, 70, 69. Musical notation: Anglo-Saxon neumes, England (Canterbury), 11th

• Illuminated headpiece decorated with geometric patterns, and initial 'A'(ndres) at the beginning of Gregory Nazianzus' De pauperum amore (Oratio 14)., In patrem tacentem (ff. 1-3); De pauperum amore (ff. 3v-18v), both imperfect

were formerly gatherings 31-33 of a larger volume. Headpiece decorated with geometric patterns in colours and gold. Large gold and blue initial (f. 3v). Simple endpiece (f. 3). In patrem tacentem (ff. 1-3); De pauperum amore (ff. 3v-18v), both imperfect

• Antiphon for the office of Peter and Paul, with neumes., Fragments of an Antiphoner including parts of offices for Lawrence, Hippolitus, and Peter and Paul

the Laws of Alfred and Ine (f. 42). Large simple initials in green or red; small initial and rubrication in blue or red; the original order of leaves: ff. 71, 72, 70, 69. Musical notation: Anglo-Saxon neumes, England (Canterbury), 11th

• Detail of headpiece., In patrem tacentem (ff. 1-3); De pauperum amore (ff. 3v-18v), both imperfect

formerly gatherings 31-33 of a larger volume. Headpiece decorated with geometric patterns in colours and gold. Large gold and blue initial (f. 3v). Simple endpiece (f. 3). In patrem tacentem (ff. 1-3); De pauperum amore (ff. 3v-18v), both imperfect For

• Coloured initial., Leaf from an unidentified Biblical Chronicle (?)

the Print Room and the Department of Printed Books in the British Museum in the 19th century. Large initials in blue, green or oxidised red. Rubrics in oxidised red. Leaf from an unidentified Biblical Chronicle (?) f. 12 [part 4]:

• Decorated initial 'Q'(ui) with a foliate motif., Symbolum fidei (f. 1), and Registrum epistolarum beati Gregorii in 14 books (ff. 1-198v), imperfect at the end (missing two epistles) (index Letters of Pope Gregory the Great)

initials in colours at the beginning of the other books (ff. 23, 78v, 108, 145). Smaller plain initials in red, blue, or green at the beginning of each epistle. Rubrics in red. Symbolum fidei (f. 1), and Registrum epistolarum beati

• Decorated initial 'P'(ervenit) with foliate motifs., Symbolum fidei (f. 1), and Registrum epistolarum beati Gregorii in 14 books (ff. 1-198v), imperfect at the end (missing two epistles) (index Letters of Pope Gregory the Great)

initials in colours at the beginning of the other books (ff. 23, 78v, 108, 145). Smaller plain initials in red, blue, or green at the beginning of each epistle. Rubrics in red. Symbolum fidei (f. 1), and Registrum epistolarum beati