• Miniature divided in four compartments, of Coronation of the Virgin, the Crucifixion flanked by two Cherubims, the Virgin and Child flanked by Peter and Paul, and Martin and the beggar with a kneeling cleric in a blue habit, in the lower margin., Bible, with the Interpretation of Hebrew names (The 'Bible of William of Devon')

full or partial borders (e.g., f. 5). Initials in blue with gold and blue, and red pen-flourishing. Running titles and chapter numbers alternately in red or blue with red and blue pen-flourishing and gold. Some rubrics and paraphs written in

• Detail of an historiated initial 'D'(ominus) of the Virgin and Child, with the donor, Thomas Besforde, in a Benedictine habit with a scroll reading 'In te confidit a[n]i[m]a / mea', in the margin.', Commentary on Wisdom

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

• Historiated initial 'D'(ominus) of the Virgin and Child, with the donor, Thomas Besforde, in a Benedictine habit with a scroll reading 'In te confidit a[n]i[m]a / mea', in the margin, with a full border containing a dragon and two shields with arms of the Reading abbey (three escallops) and of the donor (a fesse between six pears)., Commentary on Wisdom

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

• Miniature of Simon de Hesdin writing his book, in the upper register, and Simon de Hesdin in a hospitaller's habit giving his book to Charles V of France, in the lower register, with a full border containing the royal arms of England, and a foliate initial 'L'(a brevite), at the beginning of book 1., Facta et Dicta Memorabilia (Le livre de Valerius Maximus)

181, 211, 232, 261, 297). Initials in gold on rose and blue grounds with penwork decoration in white, those at the beginning of chapters with foliate extensions. Line-fillers in blue and rose with penwork decoration in white. Facta et Dicta

• Decorated initial 'C' with a fox in a monk's habit., Canon medicinae

52, 68v, 73v, 77v, 91,189, 192v). Large and small initials in plain red. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Canon medicinae Inscribed by 1362, 'Anno domini m^o^ ccc^o^ lxii^o^. 20 die

• Manuscripts of the West Midlands

angels either side. Christ's halo in bright orange and blue. Angels with blue wings and rose collars. Bar-frame of miniature in rose with pairs of blue and rose single leaves and blue balls. Monks in white habits. Text: 'O veronicle

• Manuscripts of the West Midlands

(Doyle, 1987, pp. 11-12). One-line coloured (normally blue or red) or gold initials, which normally have contrasted and alternating penwork. Quires 32-36, and 41 have one-line gold initials with brown penwork and blue or orange paraphs. Quires 44-47 have violet

• Manuscripts of the West Midlands

1r-10v - blue initial W with red pen-line flourishing. Alternate red and blue paraphs. Artist 2: ff. 11r-56v - eight-line gold initial S boxed in rose ground with blue infill with white decoration. Three-line blue initials. Two-line blue (aqua) initials

• Manuscripts of the West Midlands

Three-line blue initials with red penwork extending into border. Red and blue paraphs. Item 4: four/five-line initial A in blue as before. Red and blue paraphs. Two-line blue initials with red penwork. Item 5: fourteen-line initial I in blue with

• Manuscripts of the West Midlands

begins with a blue initial with the remainder in red. Item 10.2: Four-line blue initial C surrounded by red penwork box around. Rubric in red. Some words underlined in red. Red paraphs. Blue paraphs. Red and blue line fillers. Not

• The Norman Blake Editions of The Canterbury Tales

of the Millere Whan that the knyght , had thus his tale I told<note><notetxt><ctp>1</ctp>The blue of the illuminated letter is not the same of the blue of the paraph mark. This is evident on folio 39r. The capital has been

• The Norman Blake Editions of The Canterbury Tales

and al hir myght And by hir beddes heed , she made a Muwe And couered it , with veluettes blue In signe of trouthe , that is in wommen sene And al with oute , the Muwe is peynted

• The Norman Blake Editions of The Canterbury Tales

fyghte Lest that she wold hem with hir hondes sleen Or with hir meynye putten hem to flighte In kynges habit wenten hir sones two As heyres , of hir fadres regnes alle And hermanno and tymolao Hir names were

• The Norman Blake Editions of The Canterbury Tales

fantasyk And shortly turned , was al vp so doun Bothe habit , and eke disposicio&#363; Of hym , this wooful louyer Arcite What shuld I al day , of hys woo endite Whan he endured had , a ȝere

• The Norman Blake Editions of The Canterbury Tales

that she wolde , hem wt hir handes slen Or with hir meignee , putten hem to flighte In kynges habit , wente hir sones two As heires , of hir fadres regnes alle And Hermanno , and Thymalao Hir

• London

churches with crosses, two castles, wall with one gate, white paint, blue roofs, round windows and portcullis in silver leaf, now tarnished, spires in gold leaf Icons decoration decoration decorated roofs gate castles (multiple) churches with cross (mutliple) Description Appearances

• Plynlimon

mountains, scarcely visible, omitted from the OS 1935 reproduction (Parsons) Early Maps plu(n)loth (Totius Britanniae; circle with wavy lines on blue background) Overwritten no Attested spelling Plimlvmon 1476; earlier forms include the first element in the form Pum-/Pimp-/Pym-; the name

• Benefice of LLANAELHAIRN alias PANDY'R CAPEL (AS.AS.ED.06)

of mind'. He noted that there was only a yew tree present on its site at the back of the Blue Bell at Pandy on the turnpike road. See ThomasStAsaph2 158. Its site is marked on the OS(CS) map as

• MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 38817 British Library, London 97 images.

super Codice, ed. 1493. Initials alternately in red and green, blue being used for the few initials omitted by the original hand. There are two elaborate initials in red, blue and green, with foliage and zoomorphic ornament and a small

• MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 40769 British Library, London 115 images.

columns normally of 35 lines, for the last three gatherings normally of 41 lines; flourished initials, coloured in red and blue. Source Microfilm Collection British Literary Manuscripts from the British Library, London; Series III: Medieval Age: c.1150-1500 Reel# Gale Document

• MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 35,157 British Library, London 127 images.

dissolue the hernia carnosa," inserted in the 16th cent. Vellum; ff. 125. end of xivth cent. Initials in red and blue; the Latin passages underlined in red. A few lines lost by the mitilation of f. 9, and few words

• First half of the xv. cent MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 37786 British Library, London 48 images.

9¾ in. X 7 in. First half of the xv. cent. A few coarso illuminated initials, others in red and blue. See, sol. " in þo bely." Belonged (f. 44) to "honricns Savyll," probably ilenry Savilo of Banko (v. Bibloigraphical

• Beginning of the xvth cent MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 35,286 British Library, London 241 images.

36 to 42 lines to a page. Beginning of the xvth cent. Headings in red, and initials in red and blue; a few initials in gold with slight ornamentation. On the margins are the following names (? of former owners):—Charles