• Detail of a miniature of the death of Aegisthus., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of the death of Philisthenes and Menelippus., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of the death of Telegonus., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Canon tables in architectural frames, with decorated capitals and bases., Gospels, with the Epistle to Damasus, canon tables, and prefaces

in small Roman numerals. Canon tables in decorated architectural frames in green, red, blue, and yellow (ff. 9v-13v). 6 large initials in brown, with painted decoration in colours, at the beginning of Gospels or prologues (ff. 14, 51, 73, 77v,

• Canon table in an architectural frame, and decorated initial 'L'(iber) at the beginning of the Gospel of Mathew., Gospels, with the Epistle to Damasus, canon tables, and prefaces

of Mathew. Quire signatures in small Roman numerals. Canon tables in decorated architectural frames in green, red, blue, and yellow (ff. 9v-13v). 6 large initials in brown, with painted decoration in colours, at the beginning of Gospels or prologues (ff.

• Illuminated headpiece with a foliate pattern and decorated initial 'E'(n) at the beginning of the Gospel of John., Four Gospels, each preceded by a table of capitula (index New Testament, Bible)

157) at the beginning of each Gospel. Simple headpieces and endpieces in red and sometimes brown. Large decorated initials in blue and red at the beginning of each Gospel. Small simple initials in red. Four Gospels, each preceded by a

• Text page with initials, marginal notes and ink drawing of a pitcher., De fide orthodoxa

of no. 498 in the same catalogue is a mistake.) Initials in red or blue with pen-flourishing in the other colour. Paraphs in red or blue. Rubrics in red in triangular shapes inserted in the text (e.g., f. 26v). Numbers

• A parchment leaf onto which two other pieces of parchment have been pasted. The lists of contents on these added pieces are identical., The Revelations of Bridget of Sweden (Libri XII), Acts for the canonization of Bridget with accounts of her miracles, and various other texts, including the Tractatis de summis pontificibus (ff. 125-127), and the Vita venerabilis domine katerine filie beate Birgitte (ff. 288v-291v).

160v, 208). 2 smaller initials in colours with brief sprays (ff. 125, 295v). Plain initials in blue, some with red. Paraphs in red or blue. Rubrics in red. Running headers in red. Capitals marked in yellow. Cadels. The Revelations of

• Detail of decorated initial 'S'(tupor), incorporating the name 'Syon'., The Revelations of Bridget of Sweden (Libri XII), Acts for the canonization of Bridget with accounts of her miracles, and various other texts, including the Tractatis de summis pontificibus (ff. 125-127), and the Vita venerabilis domine katerine filie beate Birgitte (ff. 288v-291v).

160v, 208). 2 smaller initials in colours with brief sprays (ff. 125, 295v). Plain initials in blue, some with red. Paraphs in red or blue. Rubrics in red. Running headers in red. Capitals marked in yellow. Cadels. The Revelations of

• Detail of a text page with marginal drawing in the form of a log., The Revelations of Bridget of Sweden (Libri XII), Acts for the canonization of Bridget with accounts of her miracles, and various other texts, including the Tractatis de summis pontificibus (ff. 125-127), and the Vita venerabilis domine katerine filie beate Birgitte (ff. 288v-291v).

160v, 208). 2 smaller initials in colours with brief sprays (ff. 125, 295v). Plain initials in blue, some with red. Paraphs in red or blue. Rubrics in red. Running headers in red. Capitals marked in yellow. Cadels. The Revelations of

• Detail of a text page with marginal drawing in the form of a banderole wound round a pointer, held by a hand., The Revelations of Bridget of Sweden (Libri XII), Acts for the canonization of Bridget with accounts of her miracles, and various other texts, including the Tractatis de summis pontificibus (ff. 125-127), and the Vita venerabilis domine katerine filie beate Birgitte (ff. 288v-291v).

160v, 208). 2 smaller initials in colours with brief sprays (ff. 125, 295v). Plain initials in blue, some with red. Paraphs in red or blue. Rubrics in red. Running headers in red. Capitals marked in yellow. Cadels. The Revelations of

• Detail of a text page with a marginal drawing of a book with many tags., The Revelations of Bridget of Sweden (Libri XII), Acts for the canonization of Bridget with accounts of her miracles, and various other texts, including the Tractatis de summis pontificibus (ff. 125-127), and the Vita venerabilis domine katerine filie beate Birgitte (ff. 288v-291v).

160v, 208). 2 smaller initials in colours with brief sprays (ff. 125, 295v). Plain initials in blue, some with red. Paraphs in red or blue. Rubrics in red. Running headers in red. Capitals marked in yellow. Cadels. The Revelations of

• Display script with penwork decoration and reserved lines., Epistolae

(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate

• Dedtail of display script with penwork decoration and reserved lines., Epistolae

(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate

• Detail of decorated initial 'H'(abens) with reserved lines, arabesque and foliate motifs., Epistolae

(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate

• Detail of decorated initial 'A'(ugustinus) with reserved lines, arabesque and foliate motifs., Epistolae

(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate

• Detail of display script with reserved lines., Epistolae

(added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate

• Miniature of antelopes and woman and a unicorn., Theological miscellany, including the Summa de vitiis (see Notes for contents)

miniatures on every page illustrating the bestiary (ff. 36-67v). Large initials in blue with red penwork decoration. Small initials in brown or red. Rubrics in red. Paraphs in blue or red, some with penwork decoration. Decorated nota marks, some with

• White vine initial 'N'(el) and full border at the beginning of the text., Trionfi (index Triumphs)

the text (f. 2). 10 large initials in blue ink marking each chapter (ff. 5, 8v, 12, 15v, 19, 23, 26v, 29, 34v, 37v). Smaller initials and paragraph marks in alternating blue or dark red. Trionfi (index Triumphs) Defaced arms

• Coloured initials., Psalter, with canticles (ff. 99-108), litany for the use of Exeter, prayers, and offices (The 'Leofric Psalter')

attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in