• Decorated initial 'O'(mnipotens) and musical notation., Pontifical

contemporary hand including Secundiane, Viriane, Marcelliane, Iuste, Blasi, Brixti, and Egidi (ff. 86-87). Initials with white foliage on a pale blue, dark blue/green, dark purple and red ground (ff. 1 (damaged), 2v, 3v, 11, 14v, 17v, 20, 21v, 34v, 48,

• Miniature of the Three Holy Women at the Tomb, facing the decorative incipit page for the text used to celebrate Easter mass., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the

• Historiated initial 'O', which introduces the text for the feast of Ulrich, patron saint of Augsburg Cathedral, with a bust-length image of the saint in priestly garments., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

of the monk Ulrich (f. 112). Large initials in gold with foliate decoration, with green, red, and sometimes blue. Large initials in blue, green, red, and gold. Small initials in gold or red, some with gold highlights. Chrysography. Sacramentary (the

• Drawing of a diagram of the vision of Claudius Senator, and a drawing of a diagram of 'labarum Constantini.', Translation of Testamenta duodecim patriarcharum, and Suidas De probatione Virginitatis Beate Marie

in ink of candelabres, and of a human head (ff. 2, 238). Initials in blue with red pen-flourishing or in red with blue pen-flourishing. Notabilia in blue or red frames. Translation of Testamenta duodecim patriarcharum, and Suidas De probatione Virginitatis

• Puzzle initial 'I'(n principio) at the beginning of the text., 'Breviarium Bartholomei', with glosses and recipes by John Dee

large puzzle initials in red and blue with red, purple, blue or black flourishing (ff. 6, 21v, 58, 83v, 96, 114, 131v, 136, 158v, 189, 196, 202, 240v, 282, 289v). Smaller initials in blue with red pen-flourishing. Cadels in the

• Historiated initial 'I'(nter) of the four Evangelists with their symbols, with a full border containing two peacocks, a bird and arms of Grey, at the beginning of the De consensu evangelistarum of Augustine., De consensu evangelistarum, De musica

colours and gold with full border, at the beginning of the text (f. 1). Initials in red with blue pen-flourishing, or in blue with red pen-flourishing. De consensu evangelistarum, De musica Probably made for a member of the Grey family:

• Zoomorphic initial 'P'(auci) with grotesque and knot-work motifs, at the beginning of Jerome's 'Contra Iouinianum'., De mysteriis (ff. 1-4v); De sacramentis (ff. 4v-16v); Sermo de corpore et sanguine Domini (serm. 17, ff. 16v-18v); Contra Iouinianum (ff. 18v-69v); Hypomnesticon (ff. 69v-90)

ink, red and green and some blue, with knot-work and foliate motifs, in the shape of a bird or grotesque(s) (ff. 6, 16v, 19, 69v). Large and smaller Initials in red, green or occasionally blue, some with penwork decoration including

• Decorated initial 'P'(rimo)., Commentary on the Song of Songs, followed by other texts (ff. 2-104v); Commentary on Acts of the Apostles (ff. 105-152v); Commentary on Catholic Epistles (ff. 153-222); Homiliae (ff. 223-251); Commentary on Tobit (ff. 252-258)

and/or alternate colour and occasionally in blue. 1 large initial in red and green, decorated with foliate motifs in both colours (f. 57). Smaller initials in red or green. Display script in green, red, blue and mauve. Rubrics in red,

• Illustration of the lyre, for the sign Lyra, with text or scholia within the figure of the constellation., Aratea, with extracts from Hyginus's Astronomica in the constellation figures

of the solar system in brown and red (f. 19). Small initials in brown or red. Text in red or blue. Aratea, with extracts from Hyginus's Astronomica in the constellation figures f. 1 is a slightly later addition (c. 1000,

• Initial 'I'(n principio) with the eagle, symbol of John in a medallion, at the beginning of John., Gospel of John; Augustine, Tractatus in Evangelium Iohannis

God, at the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine,

• Foliate initial 'P'(aulus) with dragons, and display script, at the of the Commentary on the Pauline Epistles of Florus of Lyon, and in the lower margin, the typical (but partially erased) Rochester ownership inscription, naming Baldwin, archbishop of Canterbury from 1184 to 1190., Commentary on the Pauline Epistles

at the beginning of the text (f. 1v). 3 initials with penwork decoration and display script in green, red, and blue (f. 1v). Smaller initials in red, green, or purple throughout the text. Commentary on the Pauline Epistles The cathedral

• Inhabited initial 'D'(ici) with lions and dragons, at the beginning of the Enchiridion of Augustine., Enchiridion

1 inhabited initial in colours, with display script, at the beginning of the text (f. 1). Initials in red, brown, blue, or green, at the beginning of chapters. Enchiridion The Benedictine abbey of St Augustine, Canterbury: included in the catalogue

• Historiated initial 'I'(n principio) of the days of Creation, at the beginning of book 1., Antiquitates iudaicae

and other books (ff. 1, 17v, 33, 47, 61v, 77v, 96v, 115v, 134v, 147, 158v, 171, 186, 201v). Initials in blue or red. Antiquitates iudaicae The Benedictine abbey of St Albans: inscribed, 'Hic est lib[er] s[an]c[t]I Alb[a]ni que[m] q[ui] abstulerit

• Detail of an historiated initial 'I'(n principio) of the days of Creation, at the beginning of book 1., Antiquitates iudaicae

and other books (ff. 1, 17v, 33, 47, 61v, 77v, 96v, 115v, 134v, 147, 158v, 171, 186, 201v). Initials in blue or red. Antiquitates iudaicae The Benedictine abbey of St Albans: inscribed, 'Hic est lib[er] s[an]c[t]I Alb[a]ni que[m] q[ui] abstulerit

• Detail of an inhabited initial 'T'(enentes), with beasts interlaced with foliage., Antiquitates iudaicae

and other books (ff. 1, 17v, 33, 47, 61v, 77v, 96v, 115v, 134v, 147, 158v, 171, 186, 201v). Initials in blue or red. Antiquitates iudaicae The Benedictine abbey of St Albans: inscribed, 'Hic est lib[er] s[an]c[t]I Alb[a]ni que[m] q[ui] abstulerit

• Deatil of a decorated initial 'D'(avid)., Antiquitates iudaicae

and other books (ff. 1, 17v, 33, 47, 61v, 77v, 96v, 115v, 134v, 147, 158v, 171, 186, 201v). Initials in blue or red. Antiquitates iudaicae The Benedictine abbey of St Albans: inscribed, 'Hic est lib[er] s[an]c[t]I Alb[a]ni que[m] q[ui] abstulerit

• Detail of a zoomorphic initial 'S'(illaba est) at the beginning of the second book., De octo partibus orationis, imperfect at the beginning (missing the preface and part of the table of contents)

in red and green (f. 16v). 1 large initial in red (f. 112v). Smaller plain initials in red, green, or blue. Rubrics in red. De octo partibus orationis, imperfect at the beginning (missing the preface and part of the table

• Decorated initial 'P'(etrus) at the beginning of Bede's commentary on the Epistle of Peter., Commentary on Catholic Epistles and Commentary on Tobit

in colours at the beginning of Bede's commentary to James's Epistle (f. 2). 7 large initials in red, green or blue, some with a decoration in the form of dots, at the beginning of the commentaries to other Epistles and

• Decorated initial 'L'(iber) at the beginning of Bede's commentary on the Epistle of Jude., Commentary on Catholic Epistles and Commentary on Tobit

in colours at the beginning of Bede's commentary to James's Epistle (f. 2). 7 large initials in red, green or blue, some with a decoration in the form of dots, at the beginning of the commentaries to other Epistles and

• Decorated initial 'Q'(uod) at the beginning of Bede's commentary on the first Epistle of John., Commentary on Catholic Epistles and Commentary on Tobit

in colours at the beginning of Bede's commentary to James's Epistle (f. 2). 7 large initials in red, green or blue, some with a decoration in the form of dots, at the beginning of the commentaries to other Epistles and