• Initial 'A'(udi) with foliate decoration at the beginning of the Admonitio., Epistola, Sententiae (f. 4); Formula honestae vitae (f. 84); Admonitio ad filium spiritualem (f. 87v); De virtutibus et vitiis (f. 97)

in red and blue with penwork decoration in red and green (f. 4). Initials in blue with penwork decoration in red and green at the beginning of each text (e.g., f. 50). Numerous initials in red or blue with penwork

• Initial 'D'(ivinae) with foliate decoration at the beginning of the 3rd book of the Sententiae., Epistola, Sententiae (f. 4); Formula honestae vitae (f. 84); Admonitio ad filium spiritualem (f. 87v); De virtutibus et vitiis (f. 97)

in red and blue with penwork decoration in red and green (f. 4). Initials in blue with penwork decoration in red and green at the beginning of each text (e.g., f. 50). Numerous initials in red or blue with penwork

• Marginal drawing of a dragon., Proposiciones; Errores in grammatica, letter to the Archbishop of Corinth; philosophical, scientific and mathematical treatises.

Canterbury (1270-1277) (f. 2). Initials in blue or red with pen-flourishing in the other colour at the beginning of each text or major division. Paraphs in blue (ff. 32v-95, 144-145) and red or blue (ff. 108v-114). Rubrics in red (ff.

• Marginal geometrical drawings., Proposiciones; Errores in grammatica, letter to the Archbishop of Corinth; philosophical, scientific and mathematical treatises.

Canterbury (1270-1277) (f. 2). Initials in blue or red with pen-flourishing in the other colour at the beginning of each text or major division. Paraphs in blue (ff. 32v-95, 144-145) and red or blue (ff. 108v-114). Rubrics in red (ff.

• Diagram, Proposiciones; Errores in grammatica, letter to the Archbishop of Corinth; philosophical, scientific and mathematical treatises.

Canterbury (1270-1277) (f. 2). Initials in blue or red with pen-flourishing in the other colour at the beginning of each text or major division. Paraphs in blue (ff. 32v-95, 144-145) and red or blue (ff. 108v-114). Rubrics in red (ff.

• Marginal drawings of a pointing hand and a human head., Proposiciones; Errores in grammatica, letter to the Archbishop of Corinth; philosophical, scientific and mathematical treatises.

Canterbury (1270-1277) (f. 2). Initials in blue or red with pen-flourishing in the other colour at the beginning of each text or major division. Paraphs in blue (ff. 32v-95, 144-145) and red or blue (ff. 108v-114). Rubrics in red (ff.

• Marginal drawing of a hybrid., Proposiciones; Errores in grammatica, letter to the Archbishop of Corinth; philosophical, scientific and mathematical treatises.

Canterbury (1270-1277) (f. 2). Initials in blue or red with pen-flourishing in the other colour at the beginning of each text or major division. Paraphs in blue (ff. 32v-95, 144-145) and red or blue (ff. 108v-114). Rubrics in red (ff.

• Marginal drawings of human bust pointing the text, a hybrid, a pointing hand, and an animal head., Proposiciones; Errores in grammatica, letter to the Archbishop of Corinth; philosophical, scientific and mathematical treatises.

Canterbury (1270-1277) (f. 2). Initials in blue or red with pen-flourishing in the other colour at the beginning of each text or major division. Paraphs in blue (ff. 32v-95, 144-145) and red or blue (ff. 108v-114). Rubrics in red (ff.

• Marginal drawings of a dragon and of heads of a man and a woman., Proposiciones; Errores in grammatica, letter to the Archbishop of Corinth; philosophical, scientific and mathematical treatises.

Canterbury (1270-1277) (f. 2). Initials in blue or red with pen-flourishing in the other colour at the beginning of each text or major division. Paraphs in blue (ff. 32v-95, 144-145) and red or blue (ff. 108v-114). Rubrics in red (ff.

• Puzzle initial and inhabited initial at the prologue and beginning of Judith., Bible (with Psalms) and Interpretation of Hebrew Names, imperfect

a dog playing the harp). Large puzzle initials in red and blue with pen-flourishing in the same colours mark the beginning of the prologues. Smaller initials in red or blue with pen-flourishing in the other colour. Bible (with Psalms) and

• Alchemical recipe, added in the ? 15th century., Apocalypse (in Wycliffe translation), with commentary

large initials in gold and blue with brown and red pen flourishing (ff. 2, 4v). Smaller initials in blue, some with red decoration. Capitals marked with stroke of red. Paraph marks in red or blue. Quire signatures with penwork decoration

• Decorated initial 'U'(t) with display script, at the beginning of the Expositio psalmorum., Expositio psalmorum

the beginning of capitula (f. 1v). Initials in red, dark red, green, and blue, some with penwork decoration in the same colour, or in red, green and/or blue, throughout the text (e.g., ff. 49v, 51v, 82v). Expositio psalmorum Thomas Cranmer

• Display script at the beginning at the commentary to Psalm 101., Enarrationes in Psalmos 101-150, with a summary of contents

of the margins (e.g., ff. 27, 37v). 1 large inhabited initial with display script in blue, red, and green (f. 7). Initials in red, blue, or green, some with penwork decoration in the same colour. Enarrationes in Psalmos 101-150, with

• Inhabited initial with a display script at the beginning at the commentary to Psalm 101, and the ownership inscription of Thomas Cranmer, reading 'Thomas Cantuaren[sis]'., Enarrationes in Psalmos 101-150, with a summary of contents

of the margins (e.g., ff. 27, 37v). 1 large inhabited initial with display script in blue, red, and green (f. 7). Initials in red, blue, or green, some with penwork decoration in the same colour. Enarrationes in Psalmos 101-150, with

• Initials 'P'(salmos) and 'M'(agnus)., Enarrationes in Psalmos 101-150, with a summary of contents

of the margins (e.g., ff. 27, 37v). 1 large inhabited initial with display script in blue, red, and green (f. 7). Initials in red, blue, or green, some with penwork decoration in the same colour. Enarrationes in Psalmos 101-150, with

• Decorated initial 'G'(loriosis) at the beginning of book 1., De civitate Dei

Numerous pointing hands (maniculae). Large initials with penwork, arabesque decoration in green, red or blue, with display script in green and red or green and blue, at the beginning of books (ff. 1, 1v, 11v, 20v, 30v, 40, 50v, 57v,

• Decorated initial 'D'(iligentius) at the beginning of book 7., De civitate Dei

Numerous pointing hands (maniculae). Large initials with penwork, arabesque decoration in green, red or blue, with display script in green and red or green and blue, at the beginning of books (ff. 1, 1v, 11v, 20v, 30v, 40, 50v, 57v,

• Decorated initial 'P'(ost) at the beginning of book 16., De civitate Dei

Numerous pointing hands (maniculae). Large initials with penwork, arabesque decoration in green, red or blue, with display script in green and red or green and blue, at the beginning of books (ff. 1, 1v, 11v, 20v, 30v, 40, 50v, 57v,

• Decorated initial 'N'(unc), at the beginning of book 8., De civitate Dei

Numerous pointing hands (maniculae). Large initials with penwork, arabesque decoration in green, red or blue, with display script in green and red or green and blue, at the beginning of books (ff. 1, 1v, 11v, 20v, 30v, 40, 50v, 57v,

• Foliate initial 'D' and foliate initial 'B' at the beginning of the first two epistolae., Epistolae

on the former cover of the volume. Large penwork initial with foliate decoration on a blue background (f. 1v). Penwork initials in red, green or blue with foliate decoration and pen-flourishing in other colours at the beginning of each epistola.