• Initial 'M'(atheus) of the archangel Michael killing a dragon, at the beginning of an 'argumentum' to Matthew., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Inhabited initial 'L'(iber) with a dog, at the beginning of Matthew., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Inhabited initial 'I'(nicium) with a horse, a dragon, and a lion, at the beginning of the prologue to Mark., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Zoomorphic initial 'Q'(uoniam) in outline drawing, at the beginning of Luke., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Detail of an inhabited initial 'P'(lures) in outline drawing, at the beginning of the Gospel Prologue, with a man fighting with a dragon., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Detail of an historiated initial 'L' (incipit unfinished) of a devil urging a monk to gluttony, with a portrait of Matthew below, a naked man pointing his mouth and a man with a head of an ox, at the beginning of a prologue to Matthew, with the instruction 'non scribatur' (not to be written) in the space above the opening of the prologue., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Detail of a decorated initial 'H'(ic est), with an instruction for display script., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Detail of a zoomorphic initial 'A'(monius) formed of dragons, with display script, at the beginning of the epistle of Eusebius to Carpianus., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Detail of an inhabited initial 'I'(nicium) with a horse, a dragon, and a lion, at the beginning of the prologue to Mark., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Miniature portrait of a standing Peter, holding a scroll, against a blue and gold background., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

blue, green, and/or red with foliate decoration, and many with clasps, some with zoomorphic features (ff. 6, 8, 9v, 18v, 22, 52, 64, 96). Initials in gold with blue and/or green washes. Initials in red, some with red and

• Miniature portrait of a standing Paul, holding a scroll, against a blue and gold background., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

blue, green, and/or red with foliate decoration, and many with clasps, some with zoomorphic features (ff. 6, 8, 9v, 18v, 22, 52, 64, 96). Initials in gold with blue and/or green washes. Initials in red, some with red and

• Miniature portrait of a standing Jacob, holding a scroll, against a blue and gold background., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

blue, green, and/or red with foliate decoration, and many with clasps, some with zoomorphic features (ff. 6, 8, 9v, 18v, 22, 52, 64, 96). Initials in gold with blue and/or green washes. Initials in red, some with red and

• Miniature portrait of a standing John, holding a scroll, against a blue and gold background., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

blue, green, and/or red with foliate decoration, and many with clasps, some with zoomorphic features (ff. 6, 8, 9v, 18v, 22, 52, 64, 96). Initials in gold with blue and/or green washes. Initials in red, some with red and

• Decorated initial 'D'(omino) and historiated initial 'D'(isciplina) of a bishop teaching with an open book with partial borders, at the beginning of Isidore's Etymologies., Etymologies

83, 83v, 85, 88, 94v, 100, 107, 113v, 117v, 119, 121, 124). Small initials in red with blue or purple pen-flourishing or in blue with red pen-flourishing. Etymologies Inscription: '1445.1446 Memoriale magnifici domini Gerardi Dandulo de Venetiis potestatis Verone super

• Historiated initial 'V'(etus) of the symbols of the Evangelists with partial borders, at the beginning of book 6 of Isidore's Etymologies., Etymologies

83, 83v, 85, 88, 94v, 100, 107, 113v, 117v, 119, 121, 124). Small initials in red with blue or purple pen-flourishing or in blue with red pen-flourishing. Etymologies Inscription: '1445.1446 Memoriale magnifici domini Gerardi Dandulo de Venetiis potestatis Verone super

• Detail of historiated initial 'B'(eatissimus) of Christ blessingwith partial borders, at the beginning of book 7 of Isidore's Etymologies., Etymologies

83, 83v, 85, 88, 94v, 100, 107, 113v, 117v, 119, 121, 124). Small initials in red with blue or purple pen-flourishing or in blue with red pen-flourishing. Etymologies Inscription: '1445.1446 Memoriale magnifici domini Gerardi Dandulo de Venetiis potestatis Verone super

• Detail of historiated initial 'E'(cclesia) of Paul holding a sword and a book with partial borders, at the beginning of book 8 of Isidore's Etymologies., Etymologies

83, 83v, 85, 88, 94v, 100, 107, 113v, 117v, 119, 121, 124). Small initials in red with blue or purple pen-flourishing or in blue with red pen-flourishing. Etymologies Inscription: '1445.1446 Memoriale magnifici domini Gerardi Dandulo de Venetiis potestatis Verone super

• Initials 'P'(hebeo) and 'S'(epe) with penwork decoration at the beginning of the text., Claudianus maior

signatures 'a'-'g' in crayon.Uncrossed tironian ets. 1 large initial in blue with a reserved line and penwork decoration in red and blue (f. 1). Numerous smaller initials in red or blue, with penwork decoration in the alternate colour or, rarely,

• Puzzle initial 'C'(irca) with pen-flourishing, at the beginning of Maurice of Ireland's Distinctiones., Distinctiones

is Sloane 1044 f. 78. 1 large puzzle initial in red and blue with pen-flourishing in blue and red (f. 5). 1 small initial in red with blue pen-flourishing (f. 5). Large and small initials in plain red. Distinctiones The

• Three coloured initials 'D'(um) and inscription 'Cirencestrie'., Liber testimonium veteris testamenti (parts 1 and 3); Sermo (f. 117); In canticum canticorum (9 excerpts)(f. 117v)

in colours on a blue ground with display script (f. 2v). Initials in light brown, red or green with foliate decoration in one or more of these colours at the beginning of each book, one with blue (f. 1) and