• Initial 'M'(atheus) of the archangel Michael killing a dragon, at the beginning of an 'argumentum' to Matthew., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Inhabited initial 'L'(iber) with a dog, at the beginning of Matthew., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Inhabited initial 'I'(nicium) with a horse, a dragon, and a lion, at the beginning of the prologue to Mark., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Zoomorphic initial 'Q'(uoniam) in outline drawing, at the beginning of Luke., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Detail of an inhabited initial 'P'(lures) in outline drawing, at the beginning of the Gospel Prologue, with a man fighting with a dragon., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Detail of an historiated initial 'L' (incipit unfinished) of a devil urging a monk to gluttony, with a portrait of Matthew below, a naked man pointing his mouth and a man with a head of an ox, at the beginning of a prologue to Matthew, with the instruction 'non scribatur' (not to be written) in the space above the opening of the prologue., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Detail of a decorated initial 'H'(ic est), with an instruction for display script., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Detail of a zoomorphic initial 'A'(monius) formed of dragons, with display script, at the beginning of the epistle of Eusebius to Carpianus., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• Detail of an inhabited initial 'I'(nicium) with a horse, a dragon, and a lion, at the beginning of the prologue to Mark., Gospels

in outline drawing, all with display script in red and blue. 3 blue initials with penwork decoration in red (ff. 64, 72v, 106), and 2 puzzle initials in red and blue (ff. 142v, 134). Decoration unfinished, space left blank for

• null, De cognitione verae vitae (ff. 1-39) and other tracts

Blue initial with red pen-flourishing. Other simple red initials. Red highlighting of some letters. Cadels. De cognitione verae vitae (ff. 1-39) and other tracts Inscribed 'Carolus dei gracia Angliae Scocie Franc et Hibernii Rex fidei defensor etc.' (f. 106).A

• Miniature portrait of a standing Peter, holding a scroll, against a blue and gold background., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

blue, green, and/or red with foliate decoration, and many with clasps, some with zoomorphic features (ff. 6, 8, 9v, 18v, 22, 52, 64, 96). Initials in gold with blue and/or green washes. Initials in red, some with red and

• Miniature portrait of a standing Paul, holding a scroll, against a blue and gold background., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

blue, green, and/or red with foliate decoration, and many with clasps, some with zoomorphic features (ff. 6, 8, 9v, 18v, 22, 52, 64, 96). Initials in gold with blue and/or green washes. Initials in red, some with red and

• Miniature portrait of a standing Jacob, holding a scroll, against a blue and gold background., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

blue, green, and/or red with foliate decoration, and many with clasps, some with zoomorphic features (ff. 6, 8, 9v, 18v, 22, 52, 64, 96). Initials in gold with blue and/or green washes. Initials in red, some with red and

• Miniature portrait of a standing John, holding a scroll, against a blue and gold background., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

blue, green, and/or red with foliate decoration, and many with clasps, some with zoomorphic features (ff. 6, 8, 9v, 18v, 22, 52, 64, 96). Initials in gold with blue and/or green washes. Initials in red, some with red and

• Decorated initial 'M'(agne) with reserved designs and penwork decoration, at the beginning of the prologue to part 2 of Hugh of Saint-Victor's 'De sacramentis christianae fidei'., De sacramentis christianae fidei (part 2, imperfect)

in green and blue or in red and blue with reserved lines and penwork decoration in the same and one or more of the alternate colours (ff. 3, 3v, 42v, 47v, 51, 66v, 79). 11 initials in blue, with penwork

• Puzzle initial 'I'(gitur) with penwork decoration, followed by display script, at the beginning of Sulpicius Severus' 'Vita Martini Turonensis'., Texts on the life, miracles and translation of St Martin of Tours and one text on his successor St Brice

(f. 3v). Initials in red or blue with penwork decoration in the alternate colour. Simple initials in green, red, blue or light brown. Display script in blue, red or green. Rubrics in red or blue. Paragraph marks in green, red,

• Puzzle initial (index arabesque) at the beginning of Horace's Ars poetica., Ars Poetica (ff. 1-8); Epistulae (ff. 9-48v)(index epistolae), imperfect

red and blue, occasionally with palmette motifs (index arabesque)(ff. 1, 9, 25, 29v, 35v). Large initials in blue or red with penwork decoration in the other colour. Coloured initials in blue or red. Paraphs in red or blue, occasionally with

• Table of contents with decorated initials., Epistle of St John (f. 4); Sermons (f. 6); Sermones de oneribus (f. 43), De spiritali amicitia (f. 137), Speculum caritatis (159v)

Table of contents with decorated initials. Initials in blue with penwork decoration in red, green and black (ff. 43, 57). Initials in red, blue or red and blue with penwork decoration in the other or both colours. Tall letters in

• Puzzle initial 'V'(ere) with penwork decoration., Epistle of St John (f. 4); Sermons (f. 6); Sermones de oneribus (f. 43), De spiritali amicitia (f. 137), Speculum caritatis (159v)

Puzzle initial 'V'(ere) with penwork decoration. Initials in blue with penwork decoration in red, green and black (ff. 43, 57). Initials in red, blue or red and blue with penwork decoration in the other or both colours. Tall letters in

• Initial 'O'(mnium) with foliate decoration., Epistle of St John (f. 4); Sermons (f. 6); Sermones de oneribus (f. 43), De spiritali amicitia (f. 137), Speculum caritatis (159v)

Initial 'O'(mnium) with foliate decoration. Initials in blue with penwork decoration in red, green and black (ff. 43, 57). Initials in red, blue or red and blue with penwork decoration in the other or both colours. Tall letters in brown