• Drawings of seventeen monstrous races, including from left to right, on the top row, a Dog head, or Cynocephali; a Round-eye, or Cyclops; two Blemmyae, with faces on their chests or shoulders, the latter sometimes called Epiphagi; and a noseless man. In the second row is a Amyctyrae, whose lower lip is so large that it can shade itself from the sun; a Panotae (all ears), then a straw drinker, without a proper mouth; and directly below, a speechless one, who communicates through gestures only.; next an Artibatirae, who walks on all fours, a horned human with a hooked nose and goats' feet; and an Antipodes, or opposite footed. In the lowest row is a Sciopod (shadow foot) with a single foot used to shade from the sun; a Hippopod (horse footed); a giant with horses' hooves; and lastly two pygmies., Bible ('The Arnstein Bible') (Job to Revelation), including the Psalms in three versions in three columns, and diagrams, including of the monstrous races (f. 243)

and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning

• Diagram with decorated bands., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with table and marginal drawing., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with marginal gloss., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with diagram of astrolabe., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with diagram., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with diagram of astrolabe., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with geometrical diagrams., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with mathematical diagrams., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with diagrams of the astrolabe., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with diagram of astrolabe containing a human head., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with diagrams of astrolabe., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Coloured 'KL' letters in the calendar page for May, with additions, including on 23 May 'the feast of the relics of the blessed Peter, Exeter' (Festum reliquiarum ecclesie beati Petri Exon.'), Calendar and verses

IX and saint Bardo, bishop of Mainz (see Bishop 1918). Large 'KL' letters in red, blue, and green, with penwork decoration. Small initials in red, blue, green, or brown. Calendar and verses The cathedral church of St Peter, Exeter: evidence

• Detail of a drawing of a hybrid with the head of a woman, the legs of a horse, and the tail of a fish, within two concentric circles, preceding Horace's Ars Poetica., Ars Poetica, Sermones, Epistulae, and a Life of Horace, with glosses

a hybrid, in black and red, set within two concentric circles, drawn by compass in red (f. 3v). Initials in blue, red, or/and yellow. First letters of verses highlighted in red or yellow. Line-fillers in red or yellow. Ars Poetica,

• Drawing of a hybrid with the head of a woman, the legs of a horse, and the tail of a fish, within two concentric circles, preceding Horace's Ars Poetica., Ars Poetica, Sermones, Epistulae, and a Life of Horace, with glosses

a hybrid, in black and red, set within two concentric circles, drawn by compass in red (f. 3v). Initials in blue, red, or/and yellow. First letters of verses highlighted in red or yellow. Line-fillers in red or yellow. Ars Poetica,

• Decorated initial 'H'(umano), at the beginning of Horace's Ars Poetica, with two ownership inscriptions of Sir Robert Cotton, reading 'Robertus Cotton' at top and 'Robertus Cotton Bruceus' at bottom., Ars Poetica, Sermones, Epistulae, and a Life of Horace, with glosses

a hybrid, in black and red, set within two concentric circles, drawn by compass in red (f. 3v). Initials in blue, red, or/and yellow. First letters of verses highlighted in red or yellow. Line-fillers in red or yellow. Ars Poetica,