• Diagram illustratng a treatise on free will, showing connections between various sorts of sin. In the lower portion of the diagram is a small rectangle with the word 'vicium' (meaning fault/blemish/flaw/vice) linked to four more similar rectangles, marked 'furtum', 'fraus', 'fallacia', and 'mendacium', words with similar meanings, all connected with fraud, trickery, deceit, treachery, etc., Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short thelogical treatises (ff. 3-7v)

with text in Latin in a 12th-century hand.This is the earliest dated English Cistercian manuscript. Large initials in red, yellow, blue, brown or green, some with penwork decoration in the same or another colour or colours on ff. 3-8. Large

• Between the end of some prefatory treatises and the prologue to Leviticus is a rubric stating that this is 'The book of [the Cistercian abbey of] St. Mary, Buildwas, written in the year AD 1176' ('Liber Sancte Marie de Bildewas. Scriptus anno ab incarnatione domini Millesimo centesimo septuagesimo sexto') followed by a decorated initial 'E'., Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short thelogical treatises (ff. 3-7v)

with text in Latin in a 12th-century hand.This is the earliest dated English Cistercian manuscript. Large initials in red, yellow, blue, brown or green, some with penwork decoration in the same or another colour or colours on ff. 3-8. Large

• Decorated initial 'V'(ocavit) at the beginning of Leviticus., Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short thelogical treatises (ff. 3-7v)

with text in Latin in a 12th-century hand.This is the earliest dated English Cistercian manuscript. Large initials in red, yellow, blue, brown or green, some with penwork decoration in the same or another colour or colours on ff. 3-8. Large

• Decorated initial 'I' at the beginning of John; visible through the parchment from the other side of the leaf is a green initial marking the start of the prologue to the Gospel. The first six lines of the main text is in a wider column than the rest, and has no interlinear gloss., Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short thelogical treatises (ff. 3-7v)

with text in Latin in a 12th-century hand.This is the earliest dated English Cistercian manuscript. Large initials in red, yellow, blue, brown or green, some with penwork decoration in the same or another colour or colours on ff. 3-8. Large

• Decorated initials, and flyleaf., Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short thelogical treatises (ff. 3-7v)

with text in Latin in a 12th-century hand.This is the earliest dated English Cistercian manuscript. Large initials in red, yellow, blue, brown or green, some with penwork decoration in the same or another colour or colours on ff. 3-8. Large

• Decorated initials., Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short thelogical treatises (ff. 3-7v)

text in Latin in a 12th-century hand.This is the earliest dated English Cistercian manuscript. Large initials in red, yellow, blue, brown or green, some with penwork decoration in the same or another colour or colours on ff. 3-8. Large initials

• Text page with gloss., Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short thelogical treatises (ff. 3-7v)

with text in Latin in a 12th-century hand.This is the earliest dated English Cistercian manuscript. Large initials in red, yellow, blue, brown or green, some with penwork decoration in the same or another colour or colours on ff. 3-8. Large

• Text page with gloss., Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short thelogical treatises (ff. 3-7v)

with text in Latin in a 12th-century hand.This is the earliest dated English Cistercian manuscript. Large initials in red, yellow, blue, brown or green, some with penwork decoration in the same or another colour or colours on ff. 3-8. Large

• Decorated initial., Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short thelogical treatises (ff. 3-7v)

text in Latin in a 12th-century hand.This is the earliest dated English Cistercian manuscript. Large initials in red, yellow, blue, brown or green, some with penwork decoration in the same or another colour or colours on ff. 3-8. Large initials

• Large initial 'P'(ostquam) with foliate decoration, at the beginning of the first book., Miracles of Thomas Becket, imperfect

or prologues (ff. 2, 13v, 48v (x2)). Large initials alternating in red or blue, some with penwork decoration, at the beginning of chapters. Small initials in blue or red in the chapter lists. Miracles of Thomas Becket, imperfect ? The

• Decorated initial 'S'(i) and 'P'(atet), with foliate decoration and a dog/quadruped, at the beginning of the prologue to and book 4., Miracles of Thomas Becket, imperfect

or prologues (ff. 2, 13v, 48v (x2)). Large initials alternating in red or blue, some with penwork decoration, at the beginning of chapters. Small initials in blue or red in the chapter lists. Miracles of Thomas Becket, imperfect ? The

• Decorated initial 'M'(eritis) in red, green, blue and gold colours, with clasps., Passional (the 'Arnstein Passional'), the last of three volumes with October-December, with a calendar (ff. 2v-3v), including the Vita of Fronto of Perigueux

in red, green, blue and gold colours, with clasps. This manuscript is from a three-volume collection of texts. The first volume is Harley 2800, January-May; the second is Harley 2801, June-September).The Vita of Fronto is probably the 'first' version (BHL

• Decorated initial 'F'(uit) in the second column., Arnstein Passional (the first of three volumes, with January-May)

red, some with animals or hybrids, all with foliate decoration, and some with clasps; usually on grounds of green and blue at the beginning of each saint's passion. Large initials in red, green or in both colours. Display script in

• Decorated initial 'S'(anctus), and a change of the scribe's hand., Arnstein Passional (the first of three volumes, with January-May)

red, some with animals or hybrids, all with foliate decoration, and some with clasps; usually on grounds of green and blue at the beginning of each saint's passion. Large initials in red, green or in both colours. Display script in

• Coloured initials., Expositio in Regulam S. Benedicti

2v). 2 foliate initials in colours, at the beginning of the preface and the text (f. 3). Initials in red, blue or green. Expositio in Regulam S. Benedicti The Benedictine cathedral priory of Holy Trinity or Christ Church, Canterbury: inscribed

• Decorated initials 'C'(um turbas) and 'O'(bsculta), with foliate motifs, at the beginning of the preface and the text., Expositio in Regulam S. Benedicti

2v). 2 foliate initials in colours, at the beginning of the preface and the text (f. 3). Initials in red, blue or green. Expositio in Regulam S. Benedicti The Benedictine cathedral priory of Holy Trinity or Christ Church, Canterbury: inscribed

• Detail of an historiated initial 'O'(mn…)., Arnstein Passional (the first of three volumes, with January-May)

red, some with animals or hybrids, all with foliate decoration, and some with clasps; usually on grounds of green and blue at the beginning of each saint's passion. Large initials in red, green or in both colours. Display script in

• Detail of a decorated initial 'B', with clasps., Arnstein Passional (the first of three volumes, with January-May)

red, some with animals or hybrids, all with foliate decoration, and some with clasps; usually on grounds of green and blue at the beginning of each saint's passion. Large initials in red, green or in both colours. Display script in

• Detail of a historiated initial 'P' with a man and a bird., Arnstein Passional (the first of three volumes, with January-May)

red, some with animals or hybrids, all with foliate decoration, and some with clasps; usually on grounds of green and blue at the beginning of each saint's passion. Large initials in red, green or in both colours. Display script in

• Detail of an historiated initial 'P'(er) with a man., Arnstein Passional (the first of three volumes, with January-May)

red, some with animals or hybrids, all with foliate decoration, and some with clasps; usually on grounds of green and blue at the beginning of each saint's passion. Large initials in red, green or in both colours. Display script in