• Historiated illuminated initial 'L'(iber) at the beginning of Matthew, with an evangelist portrait of a seated Matthew writing., Bible, with table of readings (ff. 1-2v), Calendar for Dominican use (ff. 3v-4v), Jerome's prefatory letters (ff. 5-7v), and the Interpretationes nominum Hebreorum (ff. 443-483)

in blue with red pen-flourishing, and in red with blue pen-flourishing. Small initials in blue or red. Running headers and chapter titles in red and blue. Hghlighting in red at the beginning of sentences, and on some of the blue

• Decorated initials 'P'(aulus) at the beginning of Titus and of Philemon., Bible, with table of readings (ff. 1-2v), Calendar for Dominican use (ff. 3v-4v), Jerome's prefatory letters (ff. 5-7v), and the Interpretationes nominum Hebreorum (ff. 443-483)

in blue with red pen-flourishing, and in red with blue pen-flourishing. Small initials in blue or red. Running headers and chapter titles in red and blue. Hghlighting in red at the beginning of sentences, and on some of the blue

• Flourished initials 'P'(ost), 'C'(ui), 'P'(ost), and 'I'(n), in Geoffrey of Monmouth's Historia Regum Britannie., Historia regum Britanniae (index Gesta Britonum)(ends imperfectly)

numerals. 1 large puzzle initial in red and blue with pen-flourishing in blue and red (f. 57). Large initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Marginal sketch of a castle (f.

• Puzzle initials 'V'(erba), 'Q'(uod), and 'S'(acratissimus) with foliate infill., Theological miscellany, including Vita Sancti Edwardi confessoris; Vita Sancti Malachiae, Arnold of Bonneval's Vita Bernardi abbatis (ff. 72-89)

puzzle initials in blue and red, most with green, and usually pink and yellow foliate infill, and penwork decoration in red and blue. Large and small initials in red with penwork decoration in blue, and in blue with penwork decoration

• Puzzle initial 'S'(emper) with foliate decoration, at the beginning of Bernard of Clairvaux's Vita Sancti Malachiae., Theological miscellany, including Vita Sancti Edwardi confessoris; Vita Sancti Malachiae, Arnold of Bonneval's Vita Bernardi abbatis (ff. 72-89)

puzzle initials in blue and red, most with green, and usually pink and yellow foliate infill, and penwork decoration in red and blue. Large and small initials in red with penwork decoration in blue, and in blue with penwork decoration

• Historiated initial 'L'(iber) of the Tree of Jesse, at the beginning of Matthew., Gospel of Matthew, with the Glossa ordinaria

Passion (ff. 1, 90v). Initials in red with blue pen-flourishing, or in blue with red pen-flourishing throughout the main text. Small initials and paraphs, some with penwork decoration, in red or blue, throughout the gloss. Gospel of Matthew, with the

• Historiated initial 'P'(ater) of Christ blessing and holding a book, at the beginning of the Pater Noster., Gospel of Matthew, with the Glossa ordinaria

Passion (ff. 1, 90v). Initials in red with blue pen-flourishing, or in blue with red pen-flourishing throughout the main text. Small initials and paraphs, some with penwork decoration, in red or blue, throughout the gloss. Gospel of Matthew, with the

• Illuminated initial 'I'(nitium) with dragons and human masks in medallions, at the beginning of Mark., Gospel of Mark, with the Glossa ordinaria

of Mark (f. 2v). Initials in red with blue pen-flourishing, or in blue with red pen-flourishing throughout the main text. Small initials and paraphs, some with penwork decoration, in red or blue, throughout the gloss. Gospel of Mark, with the

• Historiated initial 'H'(ic est) formed by a dragon and a lion, of John writing on a tablet and the dove of the Holy Spirit approaching to his ear, at the beginning of the prologue to John., Gospel of John, with the Glossa ordinaria

the Passion (f. 68v). Initials in red with blue pen-flourishing, or in blue with red pen-flourishing throughout the main text. Small initials and paraphs, some with penwork decoration, in red or blue, throughout the gloss. Gospel of John, with the

• Initial 'D' with foliate decoration., Orationes; Anonymous prayers; De animae, Sententiae

initial (f. 106v). Large initial in red with penwork decoration in red, green and blue (f. 3). Initials in red, blue, green, brown or red and blue, some with penwork decoration in colours. Rubrics and page numbers in red. Orationes;

• Pen-flourished initial 'F'(ides) at the beginning of the first book with the ownership inscription of Worcester Cathedral Priory., Summa aurea (Summa super sententias Petri Lombardi) with an imperfect table of rubrics (ff. 200 r-v)

est rerum sperandarum argumentum'. 3 puzzle initials in red and blue with pen-flourishing in the same colours (ff. 1, 22, 160). Initials in red with blue pen-flourishing and in blue with red pen-flourishing. Plain initials in red. Rubrics in red.

• Detail of an historiated initial 'A'(lpha) of a teacher giving a lecture to his students, at the beginning of book 1., Summa super titulis Decretalium

in pencil (ff. 43v, 247, 248). Puzzle initials in blue and red with red pen-flourishing, at the beginning of chapters. Initials in blue with red pen-flourishing throughout the text. Paraphs in blue or red. Summa super titulis Decretalium Perhaps written

• Decorated initial 'P'(arabolae) at the beginning of Proverbs., Glossed Proverbs (ff. 1-74) and Glossed Ecclesiastes (ff. 75-101v) with prologues (f. 74v) (index Old Testament)

of Proverbs). 3 large initials in combinations of green, yellow-brown, and blue, with foliate/arabesque motifs (ff. 1, 22, 57v); one in plain blue (f. 75). Small initials in green, blue, or red, but only as far as f. 74v. Glossed

• Decorated initial 'U'(anitas) at the beginning of Ecclesiastes, Glossed Proverbs (ff. 1-74) and Glossed Ecclesiastes (ff. 75-101v) with prologues (f. 74v) (index Old Testament)

of Proverbs). 3 large initials in combinations of green, yellow-brown, and blue, with foliate/arabesque motifs (ff. 1, 22, 57v); one in plain blue (f. 75). Small initials in green, blue, or red, but only as far as f. 74v. Glossed

• Puzzle initial 'P'(rofessores) with foliate penwork decoration, at the beginning of Edward Grim's Vita S. Thomae Cantueriensis, with the ink-stamp of the Royal Society in the lower margin., Vita S. Thomae Cantueriensis; epistolae, and related texts, imperfect

145-190 in a 16th-century (?) hand. 1 puzzle initial in red and blue with red and blue foliate penwork decoration (f. 1). Large initials in red or blue, many with penwork decoration in the other colour. Vita S. Thomae Cantueriensis;

• Decorated initials 'I'(nter), 'R'(ex), and 'D'(esiderio), and later, possibly seventeenth-century marginal notations., Vita S. Thomae Cantueriensis; epistolae, and related texts, imperfect

145-190 in a 16th-century (?) hand. 1 puzzle initial in red and blue with red and blue foliate penwork decoration (f. 1). Large initials in red or blue, many with penwork decoration in the other colour. Vita S. Thomae Cantueriensis;

• Decorated initials 'D'(omino) and 'M'(odicum) at the beginning of the prologue of Innocent III's De contemptu mundi., De consideratione, ad Eugenium III (ff. 6-77v); De contemptu mundi (ff. 78-109v); treatise on the office of the mass, ending imperfectly (ff. 110-147v)

contemptu mundi. Large puzzle initial in red and blue with red and blue penwork decoration and pen-flourishing (f. 54v). Large initials in green with red penwork decoration, and in red with blue penwork decoration. Spaces left for initials. De consideratione,

• Decorated initials 'T'(ria) and 'N'(ichil) with part of a list of chapters, at the beginning of the second part of Innocent III's De contemptu mundi., De consideratione, ad Eugenium III (ff. 6-77v); De contemptu mundi (ff. 78-109v); treatise on the office of the mass, ending imperfectly (ff. 110-147v)

contemptu mundi. Large puzzle initial in red and blue with red and blue penwork decoration and pen-flourishing (f. 54v). Large initials in green with red penwork decoration, and in red with blue penwork decoration. Spaces left for initials. De consideratione,

• Decorated initial 'S'(ecundus) at the beginning of the second book, in which Haymo comments on Isaiah 6, the prophet's vision of the Lord surrounded by chanting seraphim and the cleansing of his lips with a burning coal. The marks in the margin indicate citation of Isaiah., Commentary on Isaiah

indicate citation of Isaiah. Faint catchwords. Large initials in red with red and blue or green penwork decoration (ff. 1, 14), and in blue with red and blue penwork decoration (f. 1). Initials in red. Commentary on Isaiah The Benedictinne

• Puzzle initial 'P'(rofessores) with foliate penwork decoration, at the beginning of Edward Grim's Vita S. Thomae Cantueriensis., Vita S. Thomae Cantueriensis; epistolae, and related texts, imperfect

145-190 in a 16th-century (?) hand. 1 puzzle initial in red and blue with red and blue foliate penwork decoration (f. 1). Large initials in red or blue, many with penwork decoration in the other colour. Vita S. Thomae Cantueriensis;