• Historiated initial 'P'(aulus) of Paul with another man, at the beginning of Colossians. In the page layout typical of glossed manuscripts of the Bible, short excerpts from Colossians are written in large letters. The commentary is written to the side, top and bottom of it, in smaller letters. At the top of the page, the inscription in red cites Ambrose, the author whose writings are excerpted in the commentary., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Historiated initial 'P'(aulus), with a monk and bishop, at the beginning of the First Letter to the Thessalonians. In the page layout typical of glossed manuscripts of the Bible, short excerpts from the Epistle to the Thessalonians are written in large letters. The commentary is written to the side, top and bottom of it, in smaller letters. At the top of the page, the inscription in red cites the author, Jerome, whose writings are excerpted in the commentary., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Historiated initial 'P'(aulus), with Paul (in prison?) while a bishop (St Nicholas of Myra?) gives a bag of money or food to a beggar, at the beginning of Philemon. In the page layout typical of glossed manuscripts of the Bible, short excerpts from the Epistle to Philemon are written in large letters. The commentary is written to the side, top and bottom of it, in smaller letters. Underscored phrases in the commentary are from the text, and the discussions on them follow. In the upper margin of the page, the red inscription is an abbreviation of 'Ambrose', citing the author whose writing is excerpted in the gloss., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Contents and ownership inscription that the manuscript was the property of the community of Friars Minor (Franciscans) at Oxford, given by Radulf, formerly bishop of Hereford (1234-1239). This was Radulf of Maidstone who became a Franciscan and joined the friars at Oxford after leaving Hereford., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Historiated initial 'P'(aulus) at the beginning of the first letter to the Corinthians, with Paul behind an altar distributing communion to a kneeling man while a woman looks on with upraised hands. In the commentary quotations from 1 Corinthians are underscored in red, with the commentary on those words following. In the upper margin are the names of Augustine and Ambrose, references to the writers whose works are excerpted in the commentary., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Illuminated initials 'P's at the beginning of the prologue and letter to the Galicians, with a dragon making up part of the letter, and Paul placing his hands on a man's shoulder while his wife and child look on. The red notes in the upper margins are references to the early Christian authors--Jerome, Ambrose and Augustine--whose writings the commentary excerpts. The biblical text is written in large letters on the left side of the columns, while the commentary, in smaller letters, is at the side, top and bottom. All around the margins are further schoolmasters' notes., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Illuminated initial 'P'(aulus) at the beginning of Ephesians, with Paul in prison and a guarding soldier in armour, and an animal in the letter. At the top of the page, the inscription in red cites the authors whose writings are excerpted in the commentary: Ambrose, Augustine, Jerome and Haymo., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Historiated initial 'P'(aulus) with Paul praying and a man with a large club seizing a Jew, and a dragon in the letter form, at the beginning of Philippians. At the top of the page, the inscription in red cites the authors whose writings are excerpted in the commentary: Ambrose and Haymo., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Historiated initial 'P'(aulus), with Paul crowning a knight, at the beginning of the Second Letter to Timothy. In the page layout typical of glossed manuscripts of the Bible, short excerpts from the Epistle to Timothy are written in large letters. The commentary is written to the side, top and bottom of it, in smaller letters. The underscored phrases in the commentary are from the text, and the discussions on them follow., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Initial 'B'(eatus) at the beginning of Psalm 1 of Peter Lombard's 'Gloss on the Psalms'., Gloss on the Psalms (Magna glosatura), imperfect (to Psalm 73), with preface (ff. 1-2)

Smaller initials in red or blue, with penwork decoration in the alternate colour and, occasionally, a reserved line. Simple initials in red or blue. Display script in alternate red and blue letters or in blue. Rubrics in red. Gloss on

• Historiated illuminated initial 'E'(xultate) at the beginning of Psalm 80 of a man with a harp and perhaps a simple crown, and other musicians with a fiddle, a horn, and a psaltery, probably David and Asaph, Ethan, and Idithun, and two dogs, one with cymbols., Psalter, with calendar, ending imperfectly

or in blue, with foliate decoration usually in colours at the beginning of the other Psalms or divisions. Small initials in blue with red penwork decoration, or in red with blue penwork decoration. LIne fillers with red and blue penwork

• Decorated initial 'D'(omine) with foliate decoration at the beginning of Psalm 89., Psalter, with calendar, ending imperfectly

or in blue, with foliate decoration usually in colours at the beginning of the other Psalms or divisions. Small initials in blue with red penwork decoration, or in red with blue penwork decoration. LIne fillers with red and blue penwork

• Historiated illuminated initial 'C'(antate) at the beginning of Psalm 97 of the Annunciation to the Shepherds, with three angels in a cloud above, and bearded heads as the terminals of the letter., Psalter, with calendar, ending imperfectly

or in blue, with foliate decoration usually in colours at the beginning of the other Psalms or divisions. Small initials in blue with red penwork decoration, or in red with blue penwork decoration. LIne fillers with red and blue penwork

• Illuminated initial 'C'(onfitebor) and decorated initial 'E'(go), with a animal head run-over symbol in the lower margin., Psalter, with calendar, ending imperfectly

or in blue, with foliate decoration usually in colours at the beginning of the other Psalms or divisions. Small initials in blue with red penwork decoration, or in red with blue penwork decoration. LIne fillers with red and blue penwork

• Historiated initial 'D'(ixit) at the beginning of Psalm 38, of the Judgement of Solomon with Solomon seated, two women, one holding a baby, and a man with a sword. In the ascender of the letter are a dragon and four hares., Psalter, with calendar, ending imperfectly

or in blue, with foliate decoration usually in colours at the beginning of the other Psalms or divisions. Small initials in blue with red penwork decoration, or in red with blue penwork decoration. LIne fillers with red and blue penwork

• Calendar page for May, with roundels of a mounted man hawking, and Gemini., Psalter, with calendar, ending imperfectly

or in blue, with foliate decoration usually in colours at the beginning of the other Psalms or divisions. Small initials in blue with red penwork decoration, or in red with blue penwork decoration. LIne fillers with red and blue penwork

• Historiated initial 'S'(alvum) with Jonah and the whale, at the beginning of Psalm 68., Psalter, with calendar, ending imperfectly

or in blue, with foliate decoration usually in colours at the beginning of the other Psalms or divisions. Small initials in blue with red penwork decoration, or in red with blue penwork decoration. LIne fillers with red and blue penwork

• Historiated initial 'D'(ixit) with the Coronation of the Virgin, at the beginning of Psalm 109., Psalter, with calendar, ending imperfectly

or in blue, with foliate decoration usually in colours at the beginning of the other Psalms or divisions. Small initials in blue with red penwork decoration, or in red with blue penwork decoration. LIne fillers with red and blue penwork

• Historiated initial 'I'(n principio) of Christ with the symbols of the Evangelistes in medallions, with display script and a drawing of a dragon with penwork decoration in the lower margin, at the beginning of Genesis., Bible

books. Initials in red with blue pen-flourishing, or in blue with red pen-flourishing, at the beginning of prologues and Psalms. Small initials in red, or blue throughout the text. Running titles in red and blue. A sketch of an initial

• Historiated initial 'P'(aulus) of Paul, at the beginning of 1 Corinthians., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.