• Detail of marginal drawings., Libri Naturales, with extensive glosses

and blue. Running headers in blue, and red and sometimes gold, with penwork decoration, some in the form of heads. Paraphs in blue. Rubrics in while, red, or blue. Marginal diagrams in red, brown, and blue, with green and blue,

• Historiated initial 'P'(aulus) of Paul, at the beginning of 1 Corinthians., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Historiated initial 'L'(iber) of the Tree of Jesse, at the beginning of Matthew., Gospels, with the Glossa ordinaria

135, 135v, 225v). Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue with pen-flourished descenders in red and blue. Running titles and chapter numbers in red and blue. Gospels, with the Glossa

• Foliate initial 'L'(ucas), at the beginning of the prologue to Luke., Gospels, with the Glossa ordinaria

135, 135v, 225v). Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue with pen-flourished descenders in red and blue. Running titles and chapter numbers in red and blue. Gospels, with the Glossa

• Historiated initial 'P'(rincipia) of Peter Lombard writing his commentary, at the beginning of the prologue., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Historiated initial 'P'(aulus) of Paul holding a sword, at the beginning of 2 Corinthians., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Historiated initial 'P'(aulus) of Paul holding a sword and a cross and addressing a Roman, at the beginning of Romans., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Historiated initial 'P'(aulus) of Paul holding a sword, at the beginning of Galatians., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Decorated initial 'F'(uit in diebus Herodis regis), with foliate and zoomorphic motifs, at the beginning of Luke., Gospels, Acts, Epistles, Apocalypse with the Glossa ordinaria

354v). Large puzzle initials in red and blue with red and/or blue pen-flourishing. Smaller plain initials in red with blue penwork decoration and in blue with red penwork decoration. Paraphs in red or blue. Gospels, Acts, Epistles, Apocalypse with the

• Decorated initial 'P'(rimum), with foliate and zoomorphic motifs, at the beginning of Acts., Gospels, Acts, Epistles, Apocalypse with the Glossa ordinaria

354v). Large puzzle initials in red and blue with red and/or blue pen-flourishing. Smaller plain initials in red with blue penwork decoration and in blue with red penwork decoration. Paraphs in red or blue. Gospels, Acts, Epistles, Apocalypse with the

• Puzzle initial 'N'(emo) at the beginning of Jerome's prologue to Isaiah, with John Lumley's ownership inscription in the lower margin., Isaiah, Jeremiah, Daniel with Jerome's prologues and the Glossa ordinaria

puzzle initials in red and blue with red and blue pen-flourishing. Smaller initials in red with blue pen-flourishing or penwork decoration, and in blue with red pen-flourishing or penwork decoration. Paraphs in red or blue. Isaiah, Jeremiah, Daniel with Jerome's

• Puzzle initial 'P'(uer) at the beginning of the music for Christmas day., Gradual of Crowland abbey, imperfect ('The Crowland Gradual')

blue, with red and/or blue penwork decoration (ff. 5v, 8, 9, 29, 33v, 35v, 46, 93v, 111v, 117, 117v, 129, Large initials in blue with red penwork decoration, or in red with blue penwork decoration. Small initials in red,

• Decorated initial 'G'(audeamus) at the beginning of the music for the feast of Guthlac on 11 April, with 14th-century marginal additions., Gradual of Crowland abbey, imperfect ('The Crowland Gradual')

blue, with red and/or blue penwork decoration (ff. 5v, 8, 9, 29, 33v, 35v, 46, 93v, 111v, 117, 117v, 129, Large initials in blue with red penwork decoration, or in red with blue penwork decoration. Small initials in red,

• Decorated initial 'D'(ilexisti) at the beginning of the music for the feast day of the virgin Pega, the sister of Guthlac, who lived as an anchoress at Peakirk, a little north of Peterborough., Gradual of Crowland abbey, imperfect ('The Crowland Gradual')

blue, with red and/or blue penwork decoration (ff. 5v, 8, 9, 29, 33v, 35v, 46, 93v, 111v, 117, 117v, 129, Large initials in blue with red penwork decoration, or in red with blue penwork decoration. Small initials in red,

• Decorated initial 'S' at the beginning of the music for the feast of the Purification of the Virgin Mary, also known as Candlemas Day, on 2 February (the 40th day after Christmas day)., Gradual of Crowland abbey, imperfect ('The Crowland Gradual')

blue, with red and/or blue penwork decoration (ff. 5v, 8, 9, 29, 33v, 35v, 46, 93v, 111v, 117, 117v, 129, Large initials in blue with red penwork decoration, or in red with blue penwork decoration. Small initials in red,

• Puzzle initial 'P'(uer) at the beginning of the music for Christmas day., Gradual of Crowland abbey, imperfect ('The Crowland Gradual')

blue, with red and/or blue penwork decoration (ff. 5v, 8, 9, 29, 33v, 35v, 46, 93v, 111v, 117, 117v, 129, Large initials in blue with red penwork decoration, or in red with blue penwork decoration. Small initials in red,

• Musical notation., Gradual of Crowland abbey, imperfect ('The Crowland Gradual')

blue, with red and/or blue penwork decoration (ff. 5v, 8, 9, 29, 33v, 35v, 46, 93v, 111v, 117, 117v, 129, Large initials in blue with red penwork decoration, or in red with blue penwork decoration. Small initials in red,

• Puzzle initial 'R'(esurrexi) at the beginning of the music for Easter day., Gradual of Crowland abbey, imperfect ('The Crowland Gradual')

blue, with red and/or blue penwork decoration (ff. 5v, 8, 9, 29, 33v, 35v, 46, 93v, 111v, 117, 117v, 129, Large initials in blue with red penwork decoration, or in red with blue penwork decoration. Small initials in red,

• Historiated illuminated initial 'L'(iber) at the beginning of Matthew, with an evangelist portrait of a seated Matthew writing., Bible, with table of readings (ff. 1-2v), Calendar for Dominican use (ff. 3v-4v), Jerome's prefatory letters (ff. 5-7v), and the Interpretationes nominum Hebreorum (ff. 443-483)

in blue with red pen-flourishing, and in red with blue pen-flourishing. Small initials in blue or red. Running headers and chapter titles in red and blue. Hghlighting in red at the beginning of sentences, and on some of the blue

• Decorated initials 'P'(aulus) at the beginning of Titus and of Philemon., Bible, with table of readings (ff. 1-2v), Calendar for Dominican use (ff. 3v-4v), Jerome's prefatory letters (ff. 5-7v), and the Interpretationes nominum Hebreorum (ff. 443-483)

in blue with red pen-flourishing, and in red with blue pen-flourishing. Small initials in blue or red. Running headers and chapter titles in red and blue. Hghlighting in red at the beginning of sentences, and on some of the blue