• Decorated initial and musical notation., Motets, in an Office for the Feast of the Circumsion; Hymns, Miracle play on the history of Daniel (ff. 95-108)

large puzzle initial in red and blue with red and blue pen-flourishing (f. 95). Large initials in blue with red penwork decoration, and in red with blue penwork decoration. Small initials in red or blue. Motets, in an Office for

• Decorated initial and musical notation., Motets, in an Office for the Feast of the Circumsion; Hymns, Miracle play on the history of Daniel (ff. 95-108)

large puzzle initial in red and blue with red and blue pen-flourishing (f. 95). Large initials in blue with red penwork decoration, and in red with blue penwork decoration. Small initials in red or blue. Motets, in an Office for

• Decorated initial and musical notation., Motets, in an Office for the Feast of the Circumsion; Hymns, Miracle play on the history of Daniel (ff. 95-108)

large puzzle initial in red and blue with red and blue pen-flourishing (f. 95). Large initials in blue with red penwork decoration, and in red with blue penwork decoration. Small initials in red or blue. Motets, in an Office for

• Decorated initial and musical notation., Motets, in an Office for the Feast of the Circumsion; Hymns, Miracle play on the history of Daniel (ff. 95-108)

large puzzle initial in red and blue with red and blue pen-flourishing (f. 95). Large initials in blue with red penwork decoration, and in red with blue penwork decoration. Small initials in red or blue. Motets, in an Office for

• Puzzle initial 'I'(mperatoria) with display script and penwork decoration, at the beginning of the Institutiones., Institutiones and Authenticum with the Glossa ordinaria

in red and blue, with red and blue pen-flourishing, at the beginning of rubrics in the Authenticum section (ff. 95-194). Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Paraphs in red or blue. Institutiones and Authenticum

• Penwork initial 'I'(mperator)., Institutiones and Authenticum with the Glossa ordinaria

in red and blue, with red and blue pen-flourishing, at the beginning of rubrics in the Authenticum section (ff. 95-194). Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Paraphs in red or blue. Institutiones and Authenticum

• Historiated initial 'P'(aulus) of Paul, at the beginning of 1 Corinthians., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Puzzle initial 'R'(elegamus) with a foliate decoration, at the beginning of book 7., Commentary on Leviticus

blue, with display script, at the beginning of books (ff. 3, 15, 25, 36, 48, 55v, 66v, 80, 91v, 102, 112, 116v, 127, 145, 155v, 164, 173, 180v, 189). Initials in blue with red pen-flourishing, or in red with

• Puzzle initial 'Q'(uod) with a foliate decoration, at the beginning of book 20., Commentary on Leviticus

blue, with display script, at the beginning of books (ff. 3, 15, 25, 36, 48, 55v, 66v, 80, 91v, 102, 112, 116v, 127, 145, 155v, 164, 173, 180v, 189). Initials in blue with red pen-flourishing, or in red with

• Historiated initial 'P'(rincipia) of Peter Lombard writing his commentary, at the beginning of the prologue., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Historiated initial 'P'(aulus) of Paul holding a sword, at the beginning of 2 Corinthians., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Historiated initial 'P'(aulus) of Paul holding a sword and a cross and addressing a Roman, at the beginning of Romans., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Historiated initial 'P'(aulus) of Paul holding a sword, at the beginning of Galatians., Pauline Epistles, with the commentary of Peter Lombard

and blue, at the beginning of major divisions of the Commentary. Initials in red with blue pen-flourishing or in blue with red pen-flourishing. Running titles in red and blue. Omitted text written in the margins in red or blue frames.

• Decorated initial 'F'(uit in diebus Herodis regis), with foliate and zoomorphic motifs, at the beginning of Luke., Gospels, Acts, Epistles, Apocalypse with the Glossa ordinaria

354v). Large puzzle initials in red and blue with red and/or blue pen-flourishing. Smaller plain initials in red with blue penwork decoration and in blue with red penwork decoration. Paraphs in red or blue. Gospels, Acts, Epistles, Apocalypse with the

• Decorated initial 'P'(rimum), with foliate and zoomorphic motifs, at the beginning of Acts., Gospels, Acts, Epistles, Apocalypse with the Glossa ordinaria

354v). Large puzzle initials in red and blue with red and/or blue pen-flourishing. Smaller plain initials in red with blue penwork decoration and in blue with red penwork decoration. Paraphs in red or blue. Gospels, Acts, Epistles, Apocalypse with the

• Puzzle initial 'N'(emo) at the beginning of Jerome's prologue to Isaiah, with John Lumley's ownership inscription in the lower margin., Isaiah, Jeremiah, Daniel with Jerome's prologues and the Glossa ordinaria

puzzle initials in red and blue with red and blue pen-flourishing. Smaller initials in red with blue pen-flourishing or penwork decoration, and in blue with red pen-flourishing or penwork decoration. Paraphs in red or blue. Isaiah, Jeremiah, Daniel with Jerome's

• Puzzle initial 'P'(uer) at the beginning of the music for Christmas day., Gradual of Crowland abbey, imperfect ('The Crowland Gradual')

blue, with red and/or blue penwork decoration (ff. 5v, 8, 9, 29, 33v, 35v, 46, 93v, 111v, 117, 117v, 129, Large initials in blue with red penwork decoration, or in red with blue penwork decoration. Small initials in red,

• Detail of inscription., Decretum, with gloss; list of popes and emperors (ff. 222-229)

small initials in red with blue penwork decoration, or in blue with red penwork decoration, sometimes with long extensions in both colours into the lower margin. Running headers in blue and red. Small initials in blue, red, or brown (one

• Detail of decorated initials., Decretum, with gloss; list of popes and emperors (ff. 222-229)

small initials in red with blue penwork decoration, or in blue with red penwork decoration, sometimes with long extensions in both colours into the lower margin. Running headers in blue and red. Small initials in blue, red, or brown (one

• Decorated initial 'G'(audeamus) at the beginning of the music for the feast of Guthlac on 11 April, with 14th-century marginal additions., Gradual of Crowland abbey, imperfect ('The Crowland Gradual')

blue, with red and/or blue penwork decoration (ff. 5v, 8, 9, 29, 33v, 35v, 46, 93v, 111v, 117, 117v, 129, Large initials in blue with red penwork decoration, or in red with blue penwork decoration. Small initials in red,