• Detail of an historiated initial 'C'(ourars) of a battle between Imperial knights and Saracen cavalry., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'M'(ot) of a group of boys with bleeding arms; they include Baldwin IV, who was found to have leprosy., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'V'(erite) of soldiers undermining the walls of a Jerusalem during the siege., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Detail of an historiated initial 'V'(erite) of soldiers undermining the walls of a Jerusalem during the siege., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Decorated initial 'C' (M. TULLII) with interlace and white vine decoration forming a partial border at the beginning of the text., De oratore

vine initials in colours and gold (ff. 4v (with purple pen-flourishing), 44, 46, 107, 110). Coloured initials in red or blue. De oratore The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer,

• Illuminated miniature of Mark, shown nimbed, is seated on a bench writing the opening words of his Gospel in an open book resting on his left leg, with his feet on a footstool and a desk before him; his name is inscribed above., Four Gospels (ff. 6v-288v), adapted for liturgical use, each preceded by a table of capitula

before each Gospel. Four foliate headpieces (ff. 7, 91, 143, 227), titles in gold, and large initials in gold and blue at the beginning of each Gospel; small brown initials. Four Gospels (ff. 6v-288v), adapted for liturgical use, each preceded

• Initial 'A' with two parrots and another bird., Antiphoner (index antiphonal, antiphonary), Winter season

7v, 33v, 77, 81v, 116, 144v, 159v, 166, 185, 204v). Large initials in blue with red or brown penwork decoration or pen-flourishing, or in red with blue penwork decoration or pen-flourishing. Initials in brown with penwork decoration. Highlighting of letters

• Decorated initial 'I'(sti) with an animal head, and a bird in the lower margin., Antiphoner (index antiphonal, antiphonary), Winter season

7v, 33v, 77, 81v, 116, 144v, 159v, 166, 185, 204v). Large initials in blue with red or brown penwork decoration or pen-flourishing, or in red with blue penwork decoration or pen-flourishing. Initials in brown with penwork decoration. Highlighting of letters

• Decorated initial 'Q'(ui) with two birds., Antiphoner (index antiphonal, antiphonary), Winter season

7v, 33v, 77, 81v, 116, 144v, 159v, 166, 185, 204v). Large initials in blue with red or brown penwork decoration or pen-flourishing, or in red with blue penwork decoration or pen-flourishing. Initials in brown with penwork decoration. Highlighting of letters

• 'Champ' initial (added later) and smaller initials with pen-flourishing., Bible historiale

48, 54v, 56v, 58, 87, 118). The flourishing includes a hybrid creature (f. 118). Numerous smaller initials in red or blue with pen-flourishing in the other colour. Bible historiale Written by Robert in 1280: colophon 'Chi finist le Genesi et

• Miniature divided into two registers, representing the ideal state of the 'Sainte-Abbaye.' The upper register represents the celestial church, and the lower an earthly nunnery; God is at the centre, surrounded by angels, Evangelists' symbols, the Virgin and St Peter; and in the lower register, a Cistercian Abbess, nuns and novices., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Miniature of a mass attended by officials of a nunnery inside a church. On the right, a priest, in chasuble, is at the altar, with a deacon, an abbess with book and crozier, and nuns, including the sacristan pulling the bell ropes. Below, a procession is led by a clerk carrying a processional cross, followed by a priest, and nuns, two with open books, and the abbess with book and crozier., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Detail of six nuns, two with open books, from a miniature of a procession to mass., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Miniature divided in four compartments: a nun confessing to a monk; the nun praying before an image of Christ crowning the Virgin; the nun's vision of Christ; the nun's vision of the Trinity., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Miniature of Christ in Majesty holding a sceptre and an orb, with his hand raised in blessing as the twelve apostles sit around him; below, a group of eight Jews sit on the ground, looking up and at each other. This miniature has been incorrectly bound in this volume in the 19th century; it formely belonged in the other part, La Somme le Roy, now Add. 28162., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Miniature of Christ in Majesty holding a sceptre and an orb, with his hand raised in blessing as the twelve apostles sit around him; below, a group of eight Jews sit on the ground, looking up and at each other. This miniature has been incorrectly bound in this volume in the 19th century; it formely belonged in the other part, La Somme le Roy, now Add. 28162., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Illuminated initial 'L'(a), at the beginning of 'La Sainte Abbaye.', 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Illuminated initial 'V'(ous)., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Illuminated initials 'L'(a) and 'L'(a)., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Illuminated initials 'Q'(uant) and 'T'(ele)., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.