• Text-page with flourished initials 'S'(alehadins) and 'I'(l)., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Text-page with flourished initials 'T'(andis) and 'I'(usqua)., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Historiated initial 'A'(pres) of the Emperor John enthroned, with a courtier and a messenger, who points to the lower part of the initial that extends into the margin, where John's knights are assaulting two men., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Historiated initial 'R'(eines) with a mail-coated Nureddin, the Sultan of Damascus, with bare legs and an open helmet, fleeing on horseback with a foal underfoot from two knights (Godfrey Martel and Hugh de Lusignan the elder) pursuing him on war horses, trampling a dismembered torso., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Historiated initial 'B'(uymonz) of Saladin's mounted soldiers forcing captives and livestock from the burning city., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Historiated initial 'C'(ez) of Bishop Adhemar of Le Puy lying in state with a mitre, a crozier, and a chalice on his breast, and a number of ecclesiastical figures about him., Histoire d'Outremer, continued to 1232

188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing of a man's head (f. 211v). Histoire d'Outremer, continued to 1232

• Decorated letters 'KL', at the beginning of February in the Calendar., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Calendar page for February., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Decorated initial 'D'(eus) and full foliate border, at the beginning of Prime in the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Decorated initial 'D'(eus) and partial border, in Prime in the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Decorated initial 'D'(eus) and full foliate border, at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Decorated initials 'D'(omine) and 'M'(emento) and partial border, in Compline in the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Puzzle initial 'O'(rdo) with pen-flourishing including foliate motifs, dragon heads and masks, extending into a full border at the beginning of the text., Coronation order for the king of England

(including 'j-border'; ff. 3, 3v, 13). Initials in red or blue with pen-flourishing in the other colour. Small coloured initials in alternating red and blue. Line-fillers in red and blue. Rubrics in red. Coronation order for the king of England

• Miniature of Vortigern within his burning castle, and a king standing with courtiers and a hawk., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Miniature of William I enthroned, and below, his children seated at a table., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Miniature of Rufus on this throne, wounded by arrows., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Miniature of Henry I on his throne, mourning, with a genealogical table of his children with Matilda, and a drawing of the sinking of the white ship., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Detail of a miniature of Stephen enthroned with a hawk on his wrist., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Miniature of Henry II enthroned, arguing with Thomas Becket; below, a genealogical table of his children and some of his grandchildren., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Miniature of John enthroned, caressing his dog; below, a genealogical table of his descendants., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and