• Marginal drawing of the standard used at the Battle of the Standard, with an inscription reading 'Standard'., Chronica; Tractatus de legibus et consuetudinibus regum Angliae, and other texts

blue ink (f. 88), and of a red star (f. 100), and 1 drawing in black and red ink of a seal of William, king of Sicily (f. 160v). Initials in red with penwork decoration in blue, initials in

• Illuminated initial 'B'(Eati) with a floriate motif, in blue, red, green, and gold., Psalter and Book of Hours (the 'Howard Psalter and Hours') (Arundel 83 I) (ends imperfectly); including a calendar of uncertain East Anglian destination (ff. 6-11v), a liturgical Psalter with canticles, litany, and Office of the Dead (ff. 14-113v), and an incomplete Hours of the Passion (ff. 113v-116v)

last part of the manuscript (ff. 106-116v). Smaller initials in gold on red and blue grounds. Small initials in gold with purple foliate pen-flourishing or in blue with red foliate pen-flourishing. Psalter and Book of Hours (the 'Howard Psalter and

• Illuminated initial 'C' with a floriate design, in blue, red and gold., Psalter and Book of Hours (the 'Howard Psalter and Hours') (Arundel 83 I) (ends imperfectly); including a calendar of uncertain East Anglian destination (ff. 6-11v), a liturgical Psalter with canticles, litany, and Office of the Dead (ff. 14-113v), and an incomplete Hours of the Passion (ff. 113v-116v)

last part of the manuscript (ff. 106-116v). Smaller initials in gold on red and blue grounds. Small initials in gold with purple foliate pen-flourishing or in blue with red foliate pen-flourishing. Psalter and Book of Hours (the 'Howard Psalter and

• Miniature of the Entry into Jerusalem with Christ on a donkey's back, two disciples, a boy in a tree and a man laying down a blue cloth, with an historiated initial 'D'(ixit) of the Trinity, containing the Father and the Son holding spheres and the Holy Dove descending down between them, with a bas-de-page scene of Stephen preaching before three others., Psalter ('The Queen Mary Psalter')

85v-318). Foliate initials in gold and colours with marginal extensions. Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in rose, blue, and gold with penwork decoration in white. Psalter ('The Queen Mary Psalter') Isabella

• Detail of a miniature of the Entry into Jerusalem with Christ on a donkey's back, two disciples, a boy in a tree and a man laying down a blue cloth., Psalter ('The Queen Mary Psalter')

85v-318). Foliate initials in gold and colours with marginal extensions. Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in rose, blue, and gold with penwork decoration in white. Psalter ('The Queen Mary Psalter') Isabella

• Miniature of John the Baptist pointing to the Lamb of God in a landscape, with an illuminated initial 'A' and partial foliate border, at the beginning of the reading for the feast of John the Baptist., Epistle Lectionary

of f. 15. 'Champ' initials in gold on rose and blue grounds with penwork decoration in white, sometimes with foliate extensions. Initials in gold with black pen-flourishing, or in blue with red pen-flourishing. Epistle Lectionary The London city church of

• Detail of a bas-de-page drawing of Margaret, supported by angels, kneeling before Christ., Psalter ('The Queen Mary Psalter')

85v-318). Foliate initials in gold and colours with marginal extensions. Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in rose, blue, and gold with penwork decoration in white. Psalter ('The Queen Mary Psalter') Isabella

• Detail of a bas-de-page scene of Simon and Jude with three magicians., Psalter ('The Queen Mary Psalter')

85v-318). Foliate initials in gold and colours with marginal extensions. Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in rose, blue, and gold with penwork decoration in white. Psalter ('The Queen Mary Psalter') Isabella

• Miniature of Vortigern within his burning castle, and a king standing with courtiers and a hawk., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Miniature of William I enthroned, and below, his children seated at a table., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Miniature of Rufus on this throne, wounded by arrows., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Miniature of Henry I on his throne, mourning, with a genealogical table of his children with Matilda, and a drawing of the sinking of the white ship., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Detail of a miniature of Stephen enthroned with a hawk on his wrist., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Miniature of Henry II enthroned, arguing with Thomas Becket; below, a genealogical table of his children and some of his grandchildren., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Miniature of John enthroned, caressing his dog; below, a genealogical table of his descendants., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Detail of a miniature of John enthroned, caressing his dog; below, a genealogical table of his descendants., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Detail of a miniature of Edward II enthroned, while another figure offers him a crown., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Miniature of Edward II enthroned, while another figure offers him a crown., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

(f. 9), Edward I (above); genealogical table (below) (f. 9v), Edward II (f. 10). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Capitals marked in red. Drawings with various inscriptions, distichs and

• Detail of a section of a miniature of the Tree of Jesse., Psalter ('The Queen Mary Psalter')

85v-318). Foliate initials in gold and colours with marginal extensions. Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in rose, blue, and gold with penwork decoration in white. Psalter ('The Queen Mary Psalter') Isabella

• Detail of a section of a miniature of the Tree of Jesse., Psalter ('The Queen Mary Psalter')

85v-318). Foliate initials in gold and colours with marginal extensions. Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in rose, blue, and gold with penwork decoration in white. Psalter ('The Queen Mary Psalter') Isabella