• Illuminated initial 'Q'(uare) and a bas-de-page scene of Francis sitting on the ground, holding the hem of his habit, with a pair of scissors lying nearby., Book of Hours, Use of Sarum ('The Taymouth Hours')

sitting on the ground, holding the hem of his habit, with a pair of scissors lying nearby. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to

• Detail of a bas-de-page scene of Francis sitting on the ground, holding the hem of his habit, with a pair of scissors lying nearby., Book of Hours, Use of Sarum ('The Taymouth Hours')

on the ground, holding the hem of his habit, with a pair of scissors lying nearby. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two

• Drawing of Appas, in a monkish habit, gives poison to King Ambrosius., Roman de Brut, a verse epitome (begins imperfectly) with continuation to Edward III; Destruction de Rome; Fierabras

in a monkish habit, gives poison to King Ambrosius. The first quire misbound; the right order being ff. 2, 8, 3-7, 1, 9.French verse translation, in octosyllabic couplets, of Geoffrey of Monmouth's Historia Regum Britanniae.One of the first images of

• Historiated initial 'H'(ec), of Isaiah speaking to a group with God above, at the reading for Christmas Day, with a partial bar border., Epistolary of the Sainte-Chapelle, Use of Paris

or blue with pen-flourishing in blue (and red) or in red (and blue). Numerous flourished initials with a heraldic eagle in the centre. Small initials in gold or blue with penwork decoration in blue (and red) or red (and blue).

• Historiated initial 'I'(n) of the Pentecost, with a partial bar border., Epistolary of the Sainte-Chapelle, Use of Paris

or blue with pen-flourishing in blue (and red) or in red (and blue). Numerous flourished initials with a heraldic eagle in the centre. Small initials in gold or blue with penwork decoration in blue (and red) or red (and blue).

• Manuscripts of the West Midlands

angels either side. Christ's halo in bright orange and blue. Angels with blue wings and rose collars. Bar-frame of miniature in rose with pairs of blue and rose single leaves and blue balls. Monks in white habits. Text: 'O veronicle

• Manuscripts of the West Midlands

Item 2: red paraphs, two-line blue initials with red penwork; eight-line red initials with mauve penwork (faded), three-line red initials with mauve penwork; initial letter A red and blue nine-line, with red patterned infill and blue dots; red incipits. Item

• Manuscripts of the West Midlands

red initial with blue penwork e.g. f. 148v. F. 27r - five-line red and blue initial O infilled with leaves outlined in red and infilled with blue, penwork surrounding initial in blue and red infilled alternately with blue and red.

• Manuscripts of the West Midlands

brown ink in an early fourteenth-century Anglicana hand. Body height: 2 mm. Two-line blue initials with red penwork flourishing - swirls rather than foliate. Two-line red and blue paraphs. Not medieval. Size: 310 x 190 mm. Covered in dark brown/black

• Manuscripts of the West Midlands

Scribe 2: Item 3 is written in a contemporary business hand. Red paraphs to f. 16v. F. 17r - historiated blue initial A - head of St. Anselm? ff. 17-32v - one-line red initials, red paraphs, two-line red initials, hands