• null, Li Livres dou Tresor

61, 61v, 62v, 63 (x2), 63v, 64 (x4), 64v (x2), 65, 87, 118v). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Li Livres dou Tresor Inscribed, 15th century: 'lan mil troy sens et cinquante et

• Miniature of man teaching students, decorated initial 'C'(his), and three-sided border with animals, birds, and hybrids: Centaur shooting a bird; Battle between squirrel and monkey, both mounted on unicorns; Bagpiper and fiddler, in Brunetto Latini's Le Livre du Trésor., Li Livres dou Tresor

61, 61v, 62v, 63 (x2), 63v, 64 (x4), 64v (x2), 65, 87, 118v). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Li Livres dou Tresor Inscribed, 15th century: 'lan mil troy sens et cinquante et

• Miniature of the four elements, with a sick man and a physician holding up a bottle, decorated initial 'C'(hi), and three-sided border: on the upper bar border, birds, and a dog chasing a stag, and on the lower border, a bird, a rabbit, and a man with a sword and hawk on a rearing horse, in Brunetto Latini's Le Livre du Trésor., Li Livres dou Tresor

61, 61v, 62v, 63 (x2), 63v, 64 (x4), 64v (x2), 65, 87, 118v). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Li Livres dou Tresor Inscribed, 15th century: 'lan mil troy sens et cinquante et

• Detail of an historiated initial 'O' of Arthur drawing the sword from the stone., Joseph d'Arimathie (ff. 1-18), Le Livre de Merlin (ff. 18v-74), Suite de Merlin (ff. 74-226), ('the Huth Manuscript')

from the text. Partial bar borders with hybrid creatures, animals and human figures. Puzzle initials with pen-flourished decoration in red, blue and gold. Line-fillers in colours with gold. Joseph d'Arimathie (ff. 1-18), Le Livre de Merlin (ff. 18v-74), Suite de

• Detail of an historiated initial 'O' with image of King Arthur setting infants adrift in a boat., Joseph d'Arimathie (ff. 1-18), Le Livre de Merlin (ff. 18v-74), Suite de Merlin (ff. 74-226), ('the Huth Manuscript')

from the text. Partial bar borders with hybrid creatures, animals and human figures. Puzzle initials with pen-flourished decoration in red, blue and gold. Line-fillers in colours with gold. Joseph d'Arimathie (ff. 1-18), Le Livre de Merlin (ff. 18v-74), Suite de

• Detail of a section of the scatter border with gems, flowers, strawberries, blue tit, bullfinch, and a roundel containing John the Baptist, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

scatter border with gems, flowers, strawberries, blue tit, bullfinch, and a roundel containing John the Baptist, at the beginning of the Hours of the Virgin. Alexander 1985 notes that Matteo Contugi of Volterra wrote several manuscripts for Federico da Montefeltro

• Detail of a decorated rubric, held by putti, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Detail of an historiated initial 'D'(omine) of the Annunciation, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Detail of the lower section of the scatter border with heraldry, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Detail of illuminated initials 'KL', at the beginning of September in the Calendar., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Detail of an historiated initial 'D'(ilexi) with a woman (Duchess Dionora?) with a skull for a face admiring herself in a hand mirror, and a partial scatter border with gems and flowers, at the beginning of the Office of the Dead., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Detail of an historiated initial 'D'(omine) with David, and partial scatter border with gems, fruit, and flowers, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major

• Detail of an historiated initial 'D'(eus) with Jerome blessing, and a portion of the scatter border including a cameo gem containing the Crucifixion of Christ, at the beginning of Sext in the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

171, 172, 172v, 173), accompanied by partial foliate borders, in colours and gold. Small initials in gold on red or blue grounds. Originally with three-sided borders with white vine ornament, foliate decoration, and all'antica elements, including putti, etc. for major