• Illuminated initial 'Q'(uare) and a bas-de-page scene of Francis sitting on the ground, holding the hem of his habit, with a pair of scissors lying nearby., Book of Hours, Use of Sarum ('The Taymouth Hours')

sitting on the ground, holding the hem of his habit, with a pair of scissors lying nearby. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to

• Detail of a bas-de-page scene of Francis sitting on the ground, holding the hem of his habit, with a pair of scissors lying nearby., Book of Hours, Use of Sarum ('The Taymouth Hours')

on the ground, holding the hem of his habit, with a pair of scissors lying nearby. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two

• Drawing of Appas, in a monkish habit, gives poison to King Ambrosius., Roman de Brut, a verse epitome (begins imperfectly) with continuation to Edward III; Destruction de Rome; Fierabras

in a monkish habit, gives poison to King Ambrosius. The first quire misbound; the right order being ff. 2, 8, 3-7, 1, 9.French verse translation, in octosyllabic couplets, of Geoffrey of Monmouth's Historia Regum Britanniae.One of the first images of

• Miniature of two banners, of Anjou (fleur-de-lys on blue ground) and another in yellow and red, kept by a young man., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

incorporated in them (ff. 1v, 2v, 4v-5, 6-9, 10v-13, 15, 19v-25, 27, 28v-30v). Initials in blue with red pen-flourishing or in red with purple or blue pen-flourishing. Address in verse to Robert of Anjou, King of Naples, from the town

• Detail of decorated initial 'U'., Mainly scientific and grammatic miscellany, including the Summa Chiromantiae (ff. 100-108v; 109-34), the Mirror of Light (ff. 155-168); Cistercian statuta and ordinationes (ff. 200-220); De sphaera (ff. 59-75); algorismus with commentary (ff. 26-43)

169, 198). 1 large initial in red with blue and red penwork decoration (f. 3). Large initials in blue with red pen-flourishing. Small initials in red or green. Paraphs in red, blue, or green. Highlighing of letters in red. Marginal

• Drawing of the Mocking of Christ., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the Betrayal., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of Saul holding a spear towards David, who holds a harp., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the Flagellation., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of Christ being crowned with thorns., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of Christ carrying his cross on the road to Calvary, being harried by escorts with elongated noses., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of Tubal-Cain with the anvil and Jubal inventing music holding a harp., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the Crucifixion, with the thieves, Mary pierced by a sword, and John., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of Nebuchadnezzar's dream of the tree., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of Evilmerodach with an axe, with birds carrying pieces of Nebuchadnezzar's body in their beaks., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the Deposition., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of Joseph being lowered into a pit., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of Jonah falling into the mouth of the whale, shown as a large fish., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the Virgin, with the instruments of the Passion, crusing Satan., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the Resurrection, with Christ stepping on sleeping soldiers., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,