• Decorated initial 'C' with a fox in a monk's habit., Canon medicinae

52, 68v, 73v, 77v, 91,189, 192v). Large and small initials in plain red. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Canon medicinae Inscribed by 1362, 'Anno domini m^o^ ccc^o^ lxii^o^. 20 die

• Illuminated initial 'Q'(uare) and a bas-de-page scene of Francis sitting on the ground, holding the hem of his habit, with a pair of scissors lying nearby., Book of Hours, Use of Sarum ('The Taymouth Hours')

sitting on the ground, holding the hem of his habit, with a pair of scissors lying nearby. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to

• Detail of a bas-de-page scene of Francis sitting on the ground, holding the hem of his habit, with a pair of scissors lying nearby., Book of Hours, Use of Sarum ('The Taymouth Hours')

on the ground, holding the hem of his habit, with a pair of scissors lying nearby. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two

• Drawing of Appas, in a monkish habit, gives poison to King Ambrosius., Roman de Brut, a verse epitome (begins imperfectly) with continuation to Edward III; Destruction de Rome; Fierabras

in a monkish habit, gives poison to King Ambrosius. The first quire misbound; the right order being ff. 2, 8, 3-7, 1, 9.French verse translation, in octosyllabic couplets, of Geoffrey of Monmouth's Historia Regum Britanniae.One of the first images of

• Miniature of two banners, of Anjou (fleur-de-lys on blue ground) and another in yellow and red, kept by a young man., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

incorporated in them (ff. 1v, 2v, 4v-5, 6-9, 10v-13, 15, 19v-25, 27, 28v-30v). Initials in blue with red pen-flourishing or in red with purple or blue pen-flourishing. Address in verse to Robert of Anjou, King of Naples, from the town

• Manuscripts of the West Midlands

red and placed within a ruled column by scribes 1, 3 and 5 but not by scribes 2 and 4. Blue initials with red penwork flourishing, all by the same artist, eg. ff. 140 vb, 324r-v. Not medieval. A second

• Manuscripts of the West Midlands

Formata, ff. 52v. In red: paraphs, two-line red initials, letters frequently tinted, extended ascenders on top line. One five-line initial, blue and red, f. 1r. Spaces for five-line initials: ff. 23r, 33v, 39v, 43v, 47v. Spaces for two-line initials: ff.

• Manuscripts of the West Midlands

angels either side. Christ's halo in bright orange and blue. Angels with blue wings and rose collars. Bar-frame of miniature in rose with pairs of blue and rose single leaves and blue balls. Monks in white habits. Text: 'O veronicle

• Manuscripts of the West Midlands

with historiated initial D depicting the Virgin with child Christ. Virgin in blue with a red throne on a gold filigree ground. Bar-frame border with burgundy and blue vine and a gold bar. Interlace at the corner with a cluster

• Manuscripts of the West Midlands

Blue initials vary from three to eight lines. Catchwords with a blue paraph mark, one boxed in red. Running titles marked by a blue paraph. Rubrics and Latin quotations boxed in brown but ff. 58r-75v boxed in red, and