• Closer detail from the lower margin of the folio of a cat playing a rebec., Book of Hours (fragmentary)

(2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with red or purple pen-flourishing or in blue with red pen-flourishing. Line fillers in gold on red and blue grounds. Book of Hours (fragmentary) The

• Detail of a blacksmith at work, from the lower margin of the folio., Book of Hours (fragmentary)

(2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with red or purple pen-flourishing or in blue with red pen-flourishing. Line fillers in gold on red and blue grounds. Book of Hours (fragmentary) The

• Miniature of the Crucifixion, with the Virgin and John the Evangelist, at the beginning of the Te igitur in a Missal., Missal

113, 156v, 170v, 197v, 221, 232, 281). 1 small puzzle initial in red and blue (f. 271v). Large and small initials in plain red or blue. Cadels (e.g. f. 122). F. 10v by another hand than ff. 146v, 147. Missal

• Text in two columns surrounded by a full-page border inset with roundels containing insects., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Text on the vice of treachery, surrounded by scenes of murder in the top, right and bottom margins., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Text in two columns surrounded by a full-page foliate border inset with roundels containing insects in the lower margin., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Initial with foliate decoration on a text page faced by a full-page engraving showing the orb (representing the world) surmounted by the cross, the ocean with caravels and the four winds., Contemplacioun of Synnaris (index Contemplation of Sinners), poem in royal stanzas

with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 11209 (Madrid, 1547). Initials in blue with foliate decoration in red and purple (ff. 2, 17, 30v, 45v). Puzzle or plain initials in purple (ff.

• Puzzle initial and full-page engraving showing Christ in Majesty., Contemplacioun of Synnaris (index Contemplation of Sinners), poem in royal stanzas

with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 11209 (Madrid, 1547). Initials in blue with foliate decoration in red and purple (ff. 2, 17, 30v, 45v). Puzzle or plain initials in purple (ff.

• Miniature of a hunting party, with birds around the margins., 2 leaves from a prose treatise on the Seven Vices (index Cocharelli Treatise)

in the lower borders, in colours and gold (ff. 1, 2v). Large and small initials in gold on red and blue grounds. Line fillers made of insects like caterpillars, etc (f. 2). 2 leaves from a prose treatise on the

• Illuminated initials., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Historiated initial 'B'(eatus) with a Tree of Jesse, and historiated border with nine roundels with scenes from Genesis: Creation of the World; Creation of Adam and Eve; the Tree of Knowledge; Expulsion from the Garden;Toiling the earth; Cain and Abel; Building the Ark; the Great Flood; the Drunkenness of Noah; three busts appear in quatrefoil at the top of the border; animals, birds, laborers, and fantastic creatures inhabit the borders and margins; at the bottom border, a woman and a man in the arms of the St Omer family kneel in reverence, at the beginning of Psalm 1., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Historiated initial 'D'(ixit insipiens) of a seated king David with knights and a disputing fool, and historiated border with eight roundels of scenes from the lives of Moses and Samson, at the beginning of Psalm 52., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Miniature of Jonah and the Whale, including a small initial 'S'(alvum), and a historiated border with eight roundels of scenes from the Old Testament, with cycles of the Battle of the Philistines and the building of Solomon's Temple, at the beginning of Psalm 68., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Miniature of the anointing and crowning of David, and foliate borders painted over the 14th-century pattern, at the beginning of Psalm 26., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Historiated initial 'D'(ixit) of the Last Judgement, and an historiated border with eight roundels narrating the Passion cycle from the Arrest of Christ to the Pentecost, at the beginning of Psalm 109., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Book-plates of Henry Yates Thompson noting the number of the Ashburnham Appendix, and below, Yates Thompson's own., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Detail of an historiated initial 'B'(eatus) with a Tree of Jesse, at the beginning of Psalm 1., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Detail of border illuminations containing scenes from Genesis, at the beginning of Psalm 1., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Illuminated initials and line fillers., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')

• Detail of an historiated initial 'D'(ixit) of a seated king David with knights and a disputing fool, at the beginning of Psalm 52., Psalter, Use of Sarum (the 'St Omer Psalter')

[finished and partly overpainted by the 15th century campaign], ff. 57v, 70v, 120). Small initials in gold on red and blue grounds (f. 7). Decorated line-fillers, in colours and gold (f. 7). Psalter, Use of Sarum (the 'St Omer Psalter')