• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• Detail of a page: threefold miniature of a rabbinical court in the middle, a transaction involving money on the left, and an act of crime on the right. The miniature is flanked by the two initial words of the book, ~Rabban~ and ~Shimeon~. The three scenes of the miniature are connected to the content of the book which focuses on civil law discussing among others the institution of the rabbinical court, testimonies, loans, purchases, and different sorts of crimes. The scene in the middle depicts the smallest possible rabbinical court of three judges illustrating the first chapter on the rabbinical courts (~Hilkhot Sanhedrin~). The scene on the left depicts two men having a financial transaction: one of them is holding a purse and counting money into the hand of his fellow. The transaction is watched by three witnesses one of which has the contract in his hand. The scene on the right depicts a crime with a man hitting another man (with a stone?) illustrating the chapter on injuries (~Hilkhot hovel~). The text is surrounded by a full foliate border inhabited by a naked musician and an animal and a hybrid in its upper part, and with a blank coat of arms in its lower part., Fourth Book of ~Arba'ah Turim~: ~Hoshen ha-Mishpat~ ('The Breastplate of Judgment') on Civil Law and personal relations

third leaf of quire xxiv^8^. 1 miniature and full foliate border (f. 14). Numerous decorated initial words with red and blue pen-flourishing. Numerous pen-flourishing around initial words spreading into the margins creating a partial border in colours and gold (from

• Embroidered chemise binding of crimson velvet with seed pearls and silver thread with Prince Henry's badge and motto., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Upper cover of the binding, of gold-tooled red leather., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Decorated initials 'KL' with pen-flourishing for the month of May in the calendar., Register of St Mary's of Crich

names including John Waleys and William de Wakebrug. For a more detailed list of contents, see ~Catalogue~ 1808. Initials in blue with red pen-flourishing (ff. 6-11v). Register of St Mary's of Crich ?Made at and for the use of St

• Partial border with decorated initials 'Y' and 'T'., New Testament: Romans to Jude

a paper one.Quire signatures in Latin letters. Partial gold foliate borders with 56 initials in gold on blue and red grounds (ff. 4 (x 2), 7, 41v, 74, 95v, 105v, 118, 119, 126 (x 2), 127, 134, 135 (x 2),

• Threefold miniature of a rabbinical court in the middle, a transaction involving money on the left, and an act of crime on the right. The miniature is flanked by the two initial words of the book, ~Rabban~ and ~Shimeon~. The three scenes of the miniature are connected to the content of the book which focuses on civil law discussing among others the institution of the rabbinical court, testimonies, loans, purchases, and different sorts of crimes. The scene in the middle depicts the smallest possible rabbinical court of three judges illustrating the first chapter on the rabbinical courts (~Hilkhot Sanhedrin~). The scene on the left depicts two men having a financial transaction: one of them is holding a purse and counting money into the hand of his fellow. The transaction is watched by three witnesses one of which has the contract in his hand. The scene on the right depicts a crime with a man hitting another man (with a stone?) illustrating the chapter on injuries (~Hilkhot hovel~). The text is surrounded by a full foliate border inhabited by a naked musician and an animal and a hybrid in its upper part, and with a blank coat of arms in its lower part., Fourth Book of ~Arba'ah Turim~: ~Hoshen ha-Mishpat~ ('The Breastplate of Judgment') on Civil Law and personal relations

third leaf of quire xxiv^8^. 1 miniature and full foliate border (f. 14). Numerous decorated initial words with red and blue pen-flourishing. Numerous pen-flourishing around initial words spreading into the margins creating a partial border in colours and gold (from

• Detail: threefold miniature of a rabbinical court in the middle, a transaction involving money on the left, and an act of crime on the right. The miniature is flanked by the two initial words of the book, ~Rabban~ and ~Shimeon~. The three scenes of the miniature are connected to the content of the book which focuses on civil law discussing among others the institution of the rabbinical court, testimonies, loans, purchases, and different sorts of crimes. The scene in the middle depicts the smallest possible rabbinical court of three judges illustrating the first chapter on the rabbinical courts (~Hilkhot Sanhedrin~). The scene on the left depicts two men having a financial transaction: one of them is holding a purse and counting money into the hand of his fellow. The transaction is watched by three witnesses one of which has the contract in his hand. The scene on the right depicts a crime with a man hitting another man (with a stone?) illustrating the chapter on injuries (~Hilkhot hovel~)., Fourth Book of ~Arba'ah Turim~: ~Hoshen ha-Mishpat~ ('The Breastplate of Judgment') on Civil Law and personal relations

third leaf of quire xxiv^8^. 1 miniature and full foliate border (f. 14). Numerous decorated initial words with red and blue pen-flourishing. Numerous pen-flourishing around initial words spreading into the margins creating a partial border in colours and gold (from

• Two-page bas-de-page scene of jousting with lades watching., Guiron le Courtois (index Palamedes, Meliadus)

f. 112v) and 6 decorated initials (e.g., f. 6v) with partial borders or pen-flourishing in colours with gold. Initials in blue with pen-flourishing in red at minor textural divisions. Spaces left for bas-de-page miniatures (e.g., ff. 169-170). Guiron le Courtois

• Detail of a miniature of kings playing a board game., Guiron le Courtois (index Palamedes, Meliadus)

f. 112v) and 6 decorated initials (e.g., f. 6v) with partial borders or pen-flourishing in colours with gold. Initials in blue with pen-flourishing in red at minor textural divisions. Spaces left for bas-de-page miniatures (e.g., ff. 169-170). Guiron le Courtois

• Text page with the continuation of the text of the indenture., Quadripartite Indenture for Henry VII's Chapel

at a ceremony, and full bar borders of red roses on a gold ground, with a gold portcullis on a blue ground with gold, and England's arms on a gold ground (ff. 1, 59, 76, 98). 'Champ' initials in colours

• Historiated initial 'T'(his) of Henry VII, enthroned with crowned sceptre, giving the manuscript to the monks of Westminster and John Islip, Abbot of Westminster, with a full bar border with the arms of England., Quadripartite Indenture for Henry VII's Chapel

at a ceremony, and full bar borders of red roses on a gold ground, with a gold portcullis on a blue ground with gold, and England's arms on a gold ground (ff. 1, 59, 76, 98). 'Champ' initials in colours