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- Manuscript Description (20)
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- 1343 – 1351 (2823)
- 1352 – 1360 (1312)
- 1361 – 1371 (1225)
- 1372 – 1381 (1861)
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154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.
52, 68v, 73v, 77v, 91,189, 192v). Large and small initials in plain red. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Canon medicinae Inscribed by 1362, 'Anno domini m^o^ ccc^o^ lxii^o^. 20 die
armed with a sword and a shield and his black habit on the ground, facing an abbot. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order.
sitting on the ground, holding the hem of his habit, with a pair of scissors lying nearby. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to
on the ground, holding the hem of his habit, with a pair of scissors lying nearby. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two
infill of blue penwork. Along the top and left margins are two faint blue lines extending from the capital across the folio and flanked either side by red, and blue penwork motifs forming a two-sided border. A blue trefoil leaf
begins with a blue initial with the remainder in red. Item 10.2: Four-line blue initial C surrounded by red penwork box around. Rubric in red. Some words underlined in red. Red paraphs. Blue paraphs. Red and blue line fillers. Not
with historiated initial D depicting the Virgin with child Christ. Virgin in blue with a red throne on a gold filigree ground. Bar-frame border with burgundy and blue vine and a gold bar. Interlace at the corner with a cluster
a border in red and blue. Four-line blue initials with red infill and red penwork flourishing into left margin form other divisions in the text. Further two-line blue initials with red penwork flourishing. Red and blue paraphs. Not medieval. Size:
Blue initials vary from three to eight lines. Catchwords with a blue paraph mark, one boxed in red. Running titles marked by a blue paraph. Rubrics and Latin quotations boxed in brown but ff. 58r-75v boxed in red, and
churches with crosses, two castles, wall with one gate, white paint, blue roofs, round windows and portcullis in silver leaf, now tarnished, spires in gold leaf Icons decoration decoration decorated roofs gate castles (multiple) churches with cross (mutliple) Description Appearances
mountains, scarcely visible, omitted from the OS 1935 reproduction (Parsons) Early Maps plu(n)loth (Totius Britanniae; circle with wavy lines on blue background) Overwritten no Attested spelling Plimlvmon 1476; earlier forms include the first element in the form Pum-/Pimp-/Pym-; the name