• Miniature of the king enthroned with a clerk and a knight debating., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Detail of a miniature of Charles V of France receiving the book from the author, at the beginning of book 1., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Detail of a miniature of a dialogue between a clerk and a knight, with a full border and a shield bearing the royal arms of France flanked by a lion., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Text page., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Text page., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Detail of a dragon from the top of the folio., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Detail of a miniature of the king enthroned with a clerk and a knight debating., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Miniature of Charles V of France receiving the book from the author, and a foliate initial 'A'(udite) with a full border and a shield bearing the royal arms of France flanked by two lions, at the beginning of book 1., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Miniature of the debarkation from the ark, and the rainbow., Egerton Genesis Picture Book

in four compartments, in ink, and either with colour washes or unfinished, with short captions in French. Small initials in blue with red penwork decoration. Egerton Genesis Picture Book Sold by Lowenstein Brothers of Frankfurt-am-Main on behalf of the Schönfeld

• Decorated initial 'N'(ecesse) and border, at the beginning of Richard Rotheram's De pluralitate beneficiorum; heraldic arms., De pluralitate beneficiorum (ends imperfectly)

decorated initial including heraldic arms, with a full foliate border, in colours and gold (f. 1). Smaller initials in blue with red pen-flourishing. De pluralitate beneficiorum (ends imperfectly) Unidentified owner, middle of the 15th century: arms of the see of

• Detail of a miniature of Jean de Meun writing the opening words of his poem (which begins on f. 28), in the Roman de la Rose., Roman de la Rose

red and blue (ff. 3, 3v, 4 (x3), 4v, 5 (x2), 5v, 6, 6v, 8v (x2), 9v, 10v, 11, 26v, 68v, 69v, 108, 127, 136, 137v, 138, 138v). Small initials in red with blue pen-flourishing or in blue with red

• Three miniatures of Felony and Villainy, Coveriousness and Avarice, in the Roman de la Rose., Roman de la Rose

red and blue (ff. 3, 3v, 4 (x3), 4v, 5 (x2), 5v, 6, 6v, 8v (x2), 9v, 10v, 11, 26v, 68v, 69v, 108, 127, 136, 137v, 138, 138v). Small initials in red with blue pen-flourishing or in blue with red

• Miniature depicting God in heaven telling Moses (with horns), Aaron (a bishop with crozier and mitre), and an attendant, all standing before an altar, to instruct the Children of Israel in proper forms of sacrifice. Illuminated initial 'A'(pres) begins Leviticus Chapter One. Decoration extends into a partial border. Instructions to the artist are found at the lower part of the folio., Old Testament (index Bible)

Decorated initials and partial borders, in red, blue and gold, for minor text divisions. 1 diagram, in brown ink (f. 73v). Smaller and small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Old Testament (index Bible)

• null, Egerton Genesis Picture Book

in four compartments, in ink, and either with colour washes or unfinished, with short captions in French. Small initials in blue with red penwork decoration. Egerton Genesis Picture Book Sold by Lowenstein Brothers of Frankfurt-am-Main on behalf of the Schönfeld

• Historiated initial 'V'(enerabilibus) of Guido de Baysio presenting his book to the pope Boniface VIII, with a partial border, at the beginning of Guido de Baysio's Apparatus ad Sextum., Apparatus ad Sextum; De regulis iuris; Liber sextus Decretalium with the glossa ordinaria; Apparatus ad Sextum

Foliate initials in colours and gold, or initials in gold on blue and rose grounds with penwork decoration in white and foliate extensions, some with partial borders. Paraphs in blue or red. Calligraphic initials and cadels highlighted in yellow. Apparatus

• Miniature of the pope Boniface VIII giving the book to two clerics, at the beginning of Liber sextus., Apparatus ad Sextum; De regulis iuris; Liber sextus Decretalium with the glossa ordinaria; Apparatus ad Sextum

Foliate initials in colours and gold, or initials in gold on blue and rose grounds with penwork decoration in white and foliate extensions, some with partial borders. Paraphs in blue or red. Calligraphic initials and cadels highlighted in yellow. Apparatus

• Inhabited illuminated initial 'P'(rimum) with human figures and animals, at the beginning of book 1., De universo seu De rerum naturis

(f. 6). Decorated initials with arabesque foliate ornament in blue, red, and green, larger at the beginning of books, and smaller at the beginning of chapters. Small initials in red, blue, or green throughout the text. De universo seu De

• Coloured initials with pen-flourished decoration and music staves., Fragments of a leaf from an early 14th century English Missal containing the Mass for the 5th and 6th Sunday after Pentecost

Museum in the 1814 and 1891 (see notes on f. 1).Musical notation Initials in blue with pen-flourishing in red. Initials and rubrics in red. Paraphs in blue. Musical notation: square notation on four-lines red staves. Fragments of a leaf from

• Historiated initial with the Visitation; heraldic arms and the letters 'Z' and 'G'., Missal, Use of Utrecht?

102, 113, 117, 118v, 129, 134, 138). Smaller initials in red or blue with red pen-flourishing and green (and yellow) wash. Small initials in plain red or blue. Missal, Use of Utrecht? Gervasius de Someren of Utrecht, for the Church

• Flourished initials, in the lower border quire signatures 'V' and 'VI', in Thomas of Cobham's De penitencia., De penitencia

of a 11th century noted Gradual(?). Large and small initials in red, a few with reserved designs, with blue pen-flourishing or in blue with red pen-flourishing. Capital letters highlighted in red. De penitencia The Carthusian abbey of Mainz, 15th century: