• Large puzzle initial 'Q'(ue)., De legibus et consuetudinibus Angliæ

4 large puzzle initials in blue and gold with red penwork decoration, some with figures or faces (ff. 8 (x 2), 68, 92v). Puzzle initials in red and blue with red penwork decoration. Initials in blue with red pen-flourishing, some

• Decorated initials: 'I'(tem), 'D'(ialectica), 'G'(ustus), 'I'(tem), 'I'(tem), and 'O'(lfactus)., Tracts on various subjects, including rhetoric and mathematics, and Alan of Lille's De planctu naturae (ff. 17-32v)

very large initials in blue with reserved designs and red pen-flourishing (ff. 17, 42v). 1 puzzle initial in red and blue with red pen-flourishing (f. 1). Blue initials with red pen-flourishing. Paraphs in red or blue. Tracts on various subjects,

• Puzzle initial 'K'(arissime)., Prayer beginning, 'Omnipotens deus qui unigenitum suum hodierna die', recapitulations of the Old and New Testaments (ff. 2-11), ordination rites for monks of various orders

initials in red and blue with pen-flourishing in the same collours (ff. 12, 20v, 24v, 42v, 46v). Initials in blue or red with blue and/or red pen-flourishing. Rubrics in red. Small plain initials in red or blue. Capitals marked in

• Three-sided foliate border with a large decorated initial 'F'(ratres scientes quia hora est)., Psalter and Breviary, with a calendar, use of Rome

extensions (ff. 329, 499). Large initials in blue with red penwork decoration. Large plain initials in red or blue, generally alternating. Smaller plain initials in red or blue. Rubrics in red. Paraphs in blue. Initials and paraphs in green; some

• Puzzle initial 'Q'(uoniam ut ait sapiens) with a dragon motif and pen-flourished initial 'P'(rimo de superbia)., Various religious texts, including the Summa de vitiis

23). Puzzle initial 'Q'(uoniam) in blue and red, with a dragon motif (f. 50). Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some large, some small. Paraphs in red or blue. Various religious texts, including the

• Puzzle initial 'S'(uperfities), pen-flourished initials, and geometric diagrams., Elements (index Liber geometriae, Elementa geometriae)

intials in red and blue (ff. 1, 18v, 22, 32, 36v, 49v, 57, 68, 72v, 80, 104, 124). Numerous smaller initials in red with blue pen-flourishing and in blue with red pen-flourishing. Paraphs in red or blue. Rubrics in red.

• Bar border with decorated initial 'S'(acerdotes) and coloured intial 'P'(ater)., A manual for parish priests (ff. 1-63), and various religious treatises, including Liber ad monachum pro reformatione vitae suae, De utilitate tribulationis, Indulgentiae a papis concessae, Quomodo Bannae matrimoniales sunt publicandae, Instructio pie vivendi

is a former parchment pastedown. Full bar border in blue and red with a large initial in blue with red penwork decoration, and a smaller plain initial in red (f. 1). Blue initials with red pen-flourishing. Plain initials in red,

• Decorated initial 'U'(niversum)., Legends of the Saints with a table of contents (ff. 1-2), imperfect (index Legenda sanctorum)

foliate motifs (ff. 1, 2 ). Red initials with blue pen-flourishing and blue initials with red pen-flourishing. Plain initals in blue or red. Rubrics, roman numerals, and paraphs in red or blue. Headings with capitals in brown ink with brown

• Puzzle initial., De viris illustribus, extract; Chronographia, with prologue; Jerome's preface to the translation of Eusebius

partial borders with initials in blue and pink with coloured foliated decoration and/or hybrid creatures on a gold ground (ff. 9, 54, 58). 2 large puzzle initials in red and blue with red and blue penword decoration of leaves and

• Decorated initial 'A'(biciamus), at the beginning of Guilelmus de Malliaco OP's Sermones de tempore; in the lower margin ex-libris 'Liber virginis gloriose. In Ebirbach hic e(st) Ma(r)ie. Ad Usus Abbatis Ebirbacen(sis)', written by Martin Rifflinck von Boppard, abbot of the monastery of Eberbach., Sermones de tempore (ff. 1-204), table of contents (ff. 204-205v)

the margin, in gold on a red and blue ground (f. 1). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Sermones de tempore (ff. 1-204), table of contents

• Marginal figures of constellations personified as human figures and Auriga in a chariot with animals., Miscellany, including De institutione arithmetica (ff. 1v-31), Astronomica (ff. 71v-89v). Guido d’Arezzo: Micrologus (ff. 98-104), Regulae rhythmicae (ff. 104-106), Prologus in Antiphonarium (ff. 106-107), Epistola ad Michaelem (ff. 107-109v). Anonymous: ‘Mensura Fistularum’ [Inc. “Fistularum mensuram ut a quibusdam…”] (ff. 109v-110), ‘Mensura Organistri’ [Inc. “Organicam quicumque liram…”] (f. 110), Commentary (ff. 121-151).

faces, and some with a blue or green wash. Diagrams in red and black, some with a blue and green wash. Marginal images of the constellations, men, animals, and objects, in red ink with green, blue and/or pink washes (ff.

• Decorated initial 'I'(nter) and diagrams., Miscellany, including De institutione arithmetica (ff. 1v-31), Astronomica (ff. 71v-89v). Guido d’Arezzo: Micrologus (ff. 98-104), Regulae rhythmicae (ff. 104-106), Prologus in Antiphonarium (ff. 106-107), Epistola ad Michaelem (ff. 107-109v). Anonymous: ‘Mensura Fistularum’ [Inc. “Fistularum mensuram ut a quibusdam…”] (ff. 109v-110), ‘Mensura Organistri’ [Inc. “Organicam quicumque liram…”] (f. 110), Commentary (ff. 121-151).

faces, and some with a blue or green wash. Diagrams in red and black, some with a blue and green wash. Marginal images of the constellations, men, animals, and objects, in red ink with green, blue and/or pink washes (ff.

• Marginal drawings of Cancer, Leo, Virgo, Scorpio, and Sagitarius., Miscellany, including De institutione arithmetica (ff. 1v-31), Astronomica (ff. 71v-89v). Guido d’Arezzo: Micrologus (ff. 98-104), Regulae rhythmicae (ff. 104-106), Prologus in Antiphonarium (ff. 106-107), Epistola ad Michaelem (ff. 107-109v). Anonymous: ‘Mensura Fistularum’ [Inc. “Fistularum mensuram ut a quibusdam…”] (ff. 109v-110), ‘Mensura Organistri’ [Inc. “Organicam quicumque liram…”] (f. 110), Commentary (ff. 121-151).

faces, and some with a blue or green wash. Diagrams in red and black, some with a blue and green wash. Marginal images of the constellations, men, animals, and objects, in red ink with green, blue and/or pink washes (ff.

• Historiated illuminated initial 'T'(hedosius) of the Virgin holding the Child blessing a kneeling monk with a three-sided border, at the beginning of Sigibert's Chronographia., De viris illustribus, extract; Chronographia, with prologue; Jerome's preface to the translation of Eusebius

partial borders with initials in blue and pink with coloured foliated decoration and/or hybrid creatures on a gold ground (ff. 9, 54, 58). 2 large puzzle initials in red and blue with red and blue penword decoration of leaves and

• Puzzle initial 'P'(ost), at the beginning of Johannes Andrea's Glosses on the Decretals., Novella in Sextum (book 4)

Decretals. 1 large puzzle initial in red and blue (f. 1). Small initials alternately in red with blue pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Novella in Sextum (book 4) Unidentified owner: inscribed

• Decorated initial 'A'(biciamus), at the beginning of Guilelmus de Malliaco OP's Sermones de tempore., Sermones de tempore (ff. 1-204), table of contents (ff. 204-205v)

the margin, in gold on a red and blue ground (f. 1). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Sermones de tempore (ff. 1-204), table of contents

• Ex-libris 'Liber virginis gloriose. In Ebirbach hic e(st) Ma(r)ie. Ad Usus Abbatis Ebirbacen(sis)', written by Martin Rifflinck von Boppard, abbot of the monastery of Eberbach, in the lower margin., Sermones de tempore (ff. 1-204), table of contents (ff. 204-205v)

the margin, in gold on a red and blue ground (f. 1). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Sermones de tempore (ff. 1-204), table of contents

• Full-page miniature of the dream of Pope Innocent III with Dominic and another friar (possibly Francis) supporting the collapsing basilica of Saint John Lateran., Psalter Hours with a calendar, litany, and prayers

7). Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Smaller initials in red with blue penwork decoration or in blue with red penwork decoration. Line fillers in red and blue. Rubrics in red. Psalter Hours

• Decorated initial 'B'(eatus), with arms and two lions, and a partial bar border in colours and gold with grotesque hybrid creatures blowing trumpets in the bas-de-page., Psalter Hours with a calendar, litany, and prayers

7). Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Smaller initials in red with blue penwork decoration or in blue with red penwork decoration. Line fillers in red and blue. Rubrics in red. Psalter Hours

• Detail of a decorated initial 'B'(eatus), with arms and two lions., Psalter Hours with a calendar, litany, and prayers

7). Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Smaller initials in red with blue penwork decoration or in blue with red penwork decoration. Line fillers in red and blue. Rubrics in red. Psalter Hours