• Miniature of a debate between a clerk and a knight in a garden, before the king of France and the personifications of Spiritual Power in a Franciscan habit, and Temporal Power represented as a queen, with the author sleeping, at the beginning of the text., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Detail of an historiated initial 'A'(postate) of a tonsured ex-cleric, armed with a sword and a shield and his black habit on the ground, facing an abbot., Omne Bonum (Absolucio-Circumcisio)

armed with a sword and a shield and his black habit on the ground, facing an abbot. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order.

• Detail of a miniature of a dialogue between a clerk and a knight, with a full border and a shield bearing the royal arms of France flanked by a lion., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Miniature of a dialogue between a clerk and a knight, and a foliate initial 'M'(anice) with a full border and a shield bearing the royal arms of France flanked by two lions., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Miniature of the king enthroned with a clerk and a knight debating., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Manuscripts of the West Midlands

begins with a blue initial with the remainder in red. Item 10.2: Four-line blue initial C surrounded by red penwork box around. Rubric in red. Some words underlined in red. Red paraphs. Blue paraphs. Red and blue line fillers. Not

• Manuscripts of the West Midlands

a border in red and blue. Four-line blue initials with red infill and red penwork flourishing into left margin form other divisions in the text. Further two-line blue initials with red penwork flourishing. Red and blue paraphs. Not medieval. Size:

• Manuscripts of the West Midlands

divisions: five-line blue initials with extended red penwork extending into the left margin e.g. ff. 21v; 52v, Dutschke (1989, p. 158) refers to these as 'parted red and blue initials with void leaf infilling and flourished extensions'; two/three-line blue initials

• Manuscripts of the West Midlands

3mm. Two/three-line capitals in blue with red penwork. Rubrics in red throughout and marginalia and Latin in red, particularly in the Prick of Conscience . F. 4v carries a four-line Lombardic capital in gold with a blue background decorated with

• Manuscripts of the West Midlands

Rameseye'. Facsimile in P ä cht and Alexander (1973, p. 59, Plate LXVI). Two/three-line blue initials with red penwork, alternating red and blue paraphs, red and blue initials for stanzas, occasional red initials, some initials tinted red, titles and running