• Detail of an historiated initial 'D'(ominus) of the Virgin and Child, with the donor, Thomas Besforde, in a Benedictine habit with a scroll reading 'In te confidit a[n]i[m]a / mea', in the margin.', Commentary on Wisdom

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

• Historiated initial 'D'(ominus) of the Virgin and Child, with the donor, Thomas Besforde, in a Benedictine habit with a scroll reading 'In te confidit a[n]i[m]a / mea', in the margin, with a full border containing a dragon and two shields with arms of the Reading abbey (three escallops) and of the donor (a fesse between six pears)., Commentary on Wisdom

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

• Miniature of a debate between a clerk and a knight in a garden, before the king of France and the personifications of Spiritual Power in a Franciscan habit, and Temporal Power represented as a queen, with the author sleeping, at the beginning of the text., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Partialy repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning of the dedicatory letter to Charles VI of France., L'Arbre des batailles

repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning

• Historiated initial 'O' in colours and gold, of the Coronation of the Virgin with architectural elements, monochrome choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage., Cutting from a Missal

of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. Italian cuttings. The present cuttings are boxed with Add. 60630, ff. 1-10 and 13- 42. To

• Detail of a medallion with Jerome., Cutting from a Missal

choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. On the reverse text: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do /

• Detail of a monochrome angel., Cutting from a Missal

choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. On the reverse text: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do /

• Gothic text on the verso of initial from Ps. 109: 2-4, reading: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do / minare i(n) medio inimi / corum tuorum. / Tecum pri(n)cipium i[n] die / virtutis tue in splen / dorib(u)s s(ancto)rum ex utero / an(te) luciferu(m) genui te. / Iuravit d(omi)n(u)s et non / penitebit eum tu es sa'. Affixed nineteenth-century inscription reading: 'Magnificent sheet from a Missal bought at Palermo in 1803. Painted by Peter Peruginei the book contained two large paintings and eight smaller ones which with much regret cut from the binding in consequence of the fear of losing the book - it having been taken from the convent of St. Jerome. It is to be regretted that we possess but very incomplete accounts of the artists of the 13th and fourteenth centuries to whom we are indebted for the labours and often splendid performances which decorate the choral books and other illuminated manuscripts written in Italy during these periods. Sometimes it is true these illuminations were the work of monks who could do little more than evince their devotion to the saints by their prodigial use of gold and rich colours, still it is certain that the cloisters often produced Artists of great ability, and besides Italy as at all times produced professional illumanists and miniature painters of an Superior Order, this book could it have remained perfect by the Chevalier de Bronti - at 1000 Florins - and he remarked that whatever now remains to us of those performances merit our highest veneration as the monuments of a LOST ART - W.Y.O'., Cutting from a Missal

choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. On the reverse text: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do /

• Detail of an historiated initial 'A'(postate) of a tonsured ex-cleric, armed with a sword and a shield and his black habit on the ground, facing an abbot., Omne Bonum (Absolucio-Circumcisio)

armed with a sword and a shield and his black habit on the ground, facing an abbot. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order.

• Puzzle initial., Martyrologium, etc.

and smaller puzzle initials in red and blue with pen-flourishing in blue and red. Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Martyrologium, etc. ff. 1-2 and 147-148

• null, Penitential Psalms

puzzle initials in red and blue with foliate pen-flourishing in blue and red, and partial decorated extensions in red and blue (ff. 3, 14v, 27v). Small initials in red with blue foliate pen-flourishing or in blue with red foliate pen-flourishing.

• Puzzle initial 'P'(or) in Aldobrandino of Siena Régime du corps., Le Régime du corps, imperfect

corps. 1 large puzzle initial in red and blue with red pen-flourishing (f. 58). Large initials in blue with red pen-flourishing, and in red with blue pen-flourishing. Small simple initials in blue. Paraphs in red. Highlighting of letters in red.

• Puzzle initial 'D'(icco), at the beginning of book 6 of Bartholomaeus Anglicus's De proprietatibus rerum., De proprietatibus rerum, with an index in a later hand (ff. 388-392)

Anglicus's De proprietatibus rerum. Large and smaller puzzle initials in red and blue with pen-flourishing in blue and red. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. De proprietatibus rerum, with an index in a

• Decorated initial 'I'(n) at the beginning of a medical miscellany., Medical miscellany, including a text on prognostication by means of Pythagorean diagrams (f. 7)

Decorated initial 'I'(n) at the beginning of a medical miscellany. Large initials in blue with red pen-flourishing. Small initials in blue. Paraphs in blue. Reburics in red. Highlighting of letters in red. Diagrams in brown and red. Medical miscellany, including

• null, Stimulus divini amoris, and other devotional texts and prayers

a full border of red penwork infilled with green wash, framed in blue. Red initials with purple pen-flourishing, and blue initials with red pen-flourishing. Small simple red or blue initials. Stimulus divini amoris, and other devotional texts and prayers Charles

• null, De proprietatibus rerum

Smaller and small initials in gold on red and blue grounds. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. De proprietatibus rerum Francis Bernard (bap. 1628, d. 1698),

• Decorated initial 'E'(dwardus) at the beginning of a collection of Statuta vetera., Collection of the Statuta vetera and other texts (index Statuta Angliae)

of Statuta vetera. Note that the former covers are stored separately. Large initials in blue with blue and red penwork decoration. Paraphs in red or blue. Highlighting of letters in red. Cadels. Collection of the Statuta vetera and other texts

• Puzzle initial 'A'(lphica), at the beginning of the Catalogus medicam., Catalogus medicam (ff. 1-78), Receipes in English (ff. 79-200)

Catalogus medicam. 1 large puzzle initial in red and blue with pen-flourishing in red (f. 1). Smaller initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Catalogus medicam (ff. 1-78), Receipes in English (ff. 79-200)

• Flourished initials, in the Catalogus medicam., Catalogus medicam (ff. 1-78), Receipes in English (ff. 79-200)

Catalogus medicam. 1 large puzzle initial in red and blue with pen-flourishing in red (f. 1). Smaller initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Catalogus medicam (ff. 1-78), Receipes in English (ff. 79-200)

• Miniature of various surgical implements., Practica medicinalis

surgical implements. 2 large puzzle initials in red and blue with foliate pen-flourishing in blue and red and yellow wash in the bowl (ff. 2, 9). Smaller and small initials in blue with red foliate pen-flourishing and yellow wash in