• Miniature of a debate between a clerk and a knight in a garden, before the king of France and the personifications of Spiritual Power in a Franciscan habit, and Temporal Power represented as a queen, with the author sleeping, at the beginning of the text., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Detail of an historiated initial 'A'(postate) of a tonsured ex-cleric, armed with a sword and a shield and his black habit on the ground, facing an abbot., Omne Bonum (Absolucio-Circumcisio)

armed with a sword and a shield and his black habit on the ground, facing an abbot. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order.

• Decorated initial and border., Prayer book

in red and blue with pen-flourishing in red and green wash (f. 132). Smaller initials in red or blue, many with reserved designs, with red foliate pen-flourishing, many with green wash. Small initials in plain red or blue. Prayer book

• Flourished initial., Divina Commedia (Inferno, Purgatorio, Paradiso)(index Divine Comedy)

Flourished initial. 3 large puzzle initials in red and blue with pen-flourishing in blue and red (ff. 2, 56, 104). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Divina Commedia (Inferno, Purgatorio, Paradiso)(index Divine Comedy)

• null, Historiae ecclesiasticae

8. Three-sided border of pen-flourishing in red and blue (f. 1). Large puzzle initials in blue and red with penwork foliate or geometric decoration in blue, red, or purple. Large and small blue initials with red penwork decoration. Historiae ecclesiasticae

• Manuscripts of the West Midlands

begins with a blue initial with the remainder in red. Item 10.2: Four-line blue initial C surrounded by red penwork box around. Rubric in red. Some words underlined in red. Red paraphs. Blue paraphs. Red and blue line fillers. Not

• Manuscripts of the West Midlands

infill of blue penwork. Along the top and left margins are two faint blue lines extending from the capital across the folio and flanked either side by red, and blue penwork motifs forming a two-sided border. A blue trefoil leaf

• Manuscripts of the West Midlands

a border in red and blue. Four-line blue initials with red infill and red penwork flourishing into left margin form other divisions in the text. Further two-line blue initials with red penwork flourishing. Red and blue paraphs. Not medieval. Size:

• Manuscripts of the West Midlands

divisions: five-line blue initials with extended red penwork extending into the left margin e.g. ff. 21v; 52v, Dutschke (1989, p. 158) refers to these as 'parted red and blue initials with void leaf infilling and flourished extensions'; two/three-line blue initials

• Manuscripts of the West Midlands

3mm. Two/three-line capitals in blue with red penwork. Rubrics in red throughout and marginalia and Latin in red, particularly in the Prick of Conscience . F. 4v carries a four-line Lombardic capital in gold with a blue background decorated with