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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

4035 results from this resource . Displaying 1 to 5

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning

armed with a sword and a shield and his black habit on the ground, facing an abbot. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order.

Manuscripts of the West Midlands icon

Manuscripts of the West Midlands

62 results from this resource . Displaying 1 to 5

(Doyle, 1987, pp. 11-12). One-line coloured (normally blue or red) or gold initials, which normally have contrasted and alternating penwork. Quires 32-36, and 41 have one-line gold initials with brown penwork and blue or orange paraphs. Quires 44-47 have violet

begins with a blue initial with the remainder in red. Item 10.2: Four-line blue initial C surrounded by red penwork box around. Rubric in red. Some words underlined in red. Red paraphs. Blue paraphs. Red and blue line fillers. Not

a border in red and blue. Four-line blue initials with red infill and red penwork flourishing into left margin form other divisions in the text. Further two-line blue initials with red penwork flourishing. Red and blue paraphs. Not medieval. Size:

divisions: five-line blue initials with extended red penwork extending into the left margin e.g. ff. 21v; 52v, Dutschke (1989, p. 158) refers to these as 'parted red and blue initials with void leaf infilling and flourished extensions'; two/three-line blue initials

3mm. Four-sided border on initial page constructed of a blue, thin, inner band and an outer band made up of alternate blue and red humped lines carrying short spikes. A six-line blue initial I surrounded by red penwork, including an

The Norman Blake Editions of The Canterbury Tales icon

The Norman Blake Editions of The Canterbury Tales

10 results from this resource . Displaying 1 to 5

of the Millere Whan that the knyght , had thus his tale I told<note><notetxt><ctp>1</ctp>The blue of the illuminated letter is not the same of the blue of the paraph mark. This is evident on folio 39r. The capital has been

and al hir myght And by hir beddes heed , she made a Muwe And couered it , with veluettes blue In signe of trouthe , that is in wommen sene And al with oute , the Muwe is peynted

fyghte Lest that she wold hem with hir hondes sleen Or with hir meynye putten hem to flighte In kynges habit wenten hir sones two As heyres , of hir fadres regnes alle And hermanno and tymolao Hir names were

fantasyk And shortly turned , was al vp so doun Bothe habit , and eke disposicio&#363; Of hym , this wooful louyer Arcite What shuld I al day , of hys woo endite Whan he endured had , a ȝere

that she wolde , hem wt hir handes slen Or with hir meignee , putten hem to flighte In kynges habit , wente hir sones two As heires , of hir fadres regnes alle And Hermanno , and Thymalao Hir

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 30 April 2024), https://www.manuscriptsonline.org/search/results?ac=f&kw=blue%20habit&sdf=1375&sdt=1405