• Miniature of a debate between a clerk and a knight in a garden, before the king of France and the personifications of Spiritual Power in a Franciscan habit, and Temporal Power represented as a queen, with the author sleeping, at the beginning of the text., Le Songe du Vergier

154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.

• Detail of an historiated initial 'D'(ominus) of the Virgin and Child, with the donor, Thomas Besforde, in a Benedictine habit with a scroll reading 'In te confidit a[n]i[m]a / mea', in the margin.', Commentary on Wisdom

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

• Historiated initial 'D'(ominus) of the Virgin and Child, with the donor, Thomas Besforde, in a Benedictine habit with a scroll reading 'In te confidit a[n]i[m]a / mea', in the margin, with a full border containing a dragon and two shields with arms of the Reading abbey (three escallops) and of the donor (a fesse between six pears)., Commentary on Wisdom

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

• Partialy repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning of the dedicatory letter to Charles VI of France., L'Arbre des batailles

repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning

• Detail of an historiated initial 'A'(postate) of a tonsured ex-cleric, armed with a sword and a shield and his black habit on the ground, facing an abbot., Omne Bonum (Absolucio-Circumcisio)

armed with a sword and a shield and his black habit on the ground, facing an abbot. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order.

• Manuscripts of the West Midlands

(Doyle, 1987, pp. 11-12). One-line coloured (normally blue or red) or gold initials, which normally have contrasted and alternating penwork. Quires 32-36, and 41 have one-line gold initials with brown penwork and blue or orange paraphs. Quires 44-47 have violet

• Manuscripts of the West Midlands

begins with a blue initial with the remainder in red. Item 10.2: Four-line blue initial C surrounded by red penwork box around. Rubric in red. Some words underlined in red. Red paraphs. Blue paraphs. Red and blue line fillers. Not

• Manuscripts of the West Midlands

a border in red and blue. Four-line blue initials with red infill and red penwork flourishing into left margin form other divisions in the text. Further two-line blue initials with red penwork flourishing. Red and blue paraphs. Not medieval. Size:

• Manuscripts of the West Midlands

divisions: five-line blue initials with extended red penwork extending into the left margin e.g. ff. 21v; 52v, Dutschke (1989, p. 158) refers to these as 'parted red and blue initials with void leaf infilling and flourished extensions'; two/three-line blue initials

• Manuscripts of the West Midlands

3mm. Four-sided border on initial page constructed of a blue, thin, inner band and an outer band made up of alternate blue and red humped lines carrying short spikes. A six-line blue initial I surrounded by red penwork, including an

• The Norman Blake Editions of The Canterbury Tales

of the Millere Whan that the knyght , had thus his tale I told<note><notetxt><ctp>1</ctp>The blue of the illuminated letter is not the same of the blue of the paraph mark. This is evident on folio 39r. The capital has been

• The Norman Blake Editions of The Canterbury Tales

and al hir myght And by hir beddes heed , she made a Muwe And couered it , with veluettes blue In signe of trouthe , that is in wommen sene And al with oute , the Muwe is peynted

• The Norman Blake Editions of The Canterbury Tales

fyghte Lest that she wold hem with hir hondes sleen Or with hir meynye putten hem to flighte In kynges habit wenten hir sones two As heyres , of hir fadres regnes alle And hermanno and tymolao Hir names were

• The Norman Blake Editions of The Canterbury Tales

fantasyk And shortly turned , was al vp so doun Bothe habit , and eke disposicio&#363; Of hym , this wooful louyer Arcite What shuld I al day , of hys woo endite Whan he endured had , a ȝere

• The Norman Blake Editions of The Canterbury Tales

that she wolde , hem wt hir handes slen Or with hir meignee , putten hem to flighte In kynges habit , wente hir sones two As heires , of hir fadres regnes alle And Hermanno , and Thymalao Hir

• MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 38817 British Library, London 97 images.

super Codice, ed. 1493. Initials alternately in red and green, blue being used for the few initials omitted by the original hand. There are two elaborate initials in red, blue and green, with foliage and zoomorphic ornament and a small

• MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 40769 British Library, London 115 images.

columns normally of 35 lines, for the last three gatherings normally of 41 lines; flourished initials, coloured in red and blue. Source Microfilm Collection British Literary Manuscripts from the British Library, London; Series III: Medieval Age: c.1150-1500 Reel# Gale Document

• First half of the xv. cent MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 37786 British Library, London 48 images.

9¾ in. X 7 in. First half of the xv. cent. A few coarso illuminated initials, others in red and blue. See, sol. " in þo bely." Belonged (f. 44) to "honricns Savyll," probably ilenry Savilo of Banko (v. Bibloigraphical

• Beginning of the xvth cent MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 35,286 British Library, London 241 images.

36 to 42 lines to a page. Beginning of the xvth cent. Headings in red, and initials in red and blue; a few initials in gold with slight ornamentation. On the margins are the following names (? of former owners):—Charles

• xv. cent. MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 37788 British Library, London 91 images.

ii.Vellum; ff. iv. + 89. 6 in. X 4¼ in. Middle of the xv. cent. Initials flourished in red and blue (one in gold). See. fol. "silf immediatli." Scribbled names (ff. 88, 88 b) of "Wyllam Barton" and "Paulus." A.