Category
- Literary Manuscripts (89)
- Non-literary Manuscripts (89)
- Official Documents (government, civic, legal, religious) (0)
- Literary Printed Books (0)
- Non-literary Printed Books (0)
- Maps and Works of Art (0)
Format
- Full-text transcription (0)
- Summary or Calendar (0)
- Manuscript Description (89)
Date
- 1375 – 1405 (62)
- 1406 – 1436 (45)
- 1437 – 1468 (34)
- 1469 – 1500 (14)
Access Type
- Free / No Subscription (89)
- Subscription (0)
Manuscripts of the West Midlands
each line coloured red. Initial page, ten-line blue initial I with fine red penwork extending along left and top and bottom margin forming a border. Four-line blue initials with red penwork. Two-line blue initials with red penwork extending length of
height: 2 mm. Initial page: five-line blue Lombardic initial with red penwork flourishing along top and left margin extending to another three-line blue Lombardic initial with red penwork forming a two-sided border. Four/five-line blue Lombardic initials with red penwork flourishing
white dots along middle, coloured in blue, green and brown/orange, and pairs of gold trefoil leaves. Initial P which gives rise to this border is in blue and burgundy with an infill of blue and burgundy/pink acanthus leaves decorated with
in red apart from two-line initials in blue. Initial page of text - f. 1v: eight-line þ of 'þe' and two-line B of 'Bifore' in red. Titles in red with first letter a blue Lombard. Some passages in red. Eight/ten-line
compartment g ; ȝ; Body height: 2mm. In red: paraphs; brackets; red box around 'headings'. Three-line blue initial T on initial page; two-line blue initials; six-line initial I . Not medieval. 235 x 160 mm. Covered in grey/green leather mitred
Body height 2 mm. Two-line blue initials with elongated red penwork flourishing, c. 25 lines on ff. 1v, 2r, 8v, 21v, 23v, and 31v. Not medieval. Twentieth century? Size: 270 x 185 mm with blue leather on pasteboard. 'Legenda Sanctorum
of each line tinted red. Red paraphs. Three-line red or blue lombards for divisions in text. Some words/lines in red. F. 116v - 'AMEN' on a separate line in blue lombards with red infill and surrounded by a pattern of
Two-line red initials. Red and blue paraphs. Blue and red line fillers. One-line blue initials with red penwork forming a box around the initial. Two-line blue initials with red penwork flourishing. Seven, eight, and nine-line blue initial I with red
Initial G of Festial in red and blue; initials of first words of homilies or new subjects decorated throughout - two-line blue initials with fine red penwork spreading in margin; red and blue paraphs; following text decorated in the same
six-line capital I in initial position. Brackets in red. Red paraphs throughout. Item 7: c. ten-line blue initial I with red penwork flourishing and blue penwork extending along length of left margin, half way along bottom margin and whole of
Each part is marked in this way. Two-line blue lombardic capitals with red penwork flourishing. Red running titles. Occasional red or blue one-line initials. Occasional red paraphs. Text 2 - four-line blue initial with red serrated pattern on left side
red; two-line blue initials at beginning of text; some letters coloured red within text. First letter of each line of verse tinted red with red brackets; two-line blue Lombardic initials with red penwork; six-line initial, eg. f. 8r, blue with
Body height: 2mm. F. 1r: three-line blue initial with red penwork flourishing. Other folios: three-line blue initials with red penwork extending into margins. One-line blue or red Lombardic initials. Latin underlining in red. Blue and red paraphs. Heraldic shields: f.
compartment a ; þ ; 8-shaped g in initial position; 2-shaped r in medial position; Body height: 3mm. Red, and blue paraphs with underlining in red. Latin in red. Only a fragment remains. Unknown Unknown Catalogued and encoded: Rebecca Farnham,
red and blue with infill of leaves and vine and red and blue penwork flourishing extending into the margin begins the text. Initials with red and blue penwork. Latin quotations boxed in red. Item 2: Twelve-line red and blue initial
to Sir William Hylton, f. 108r (see Additions). Initial page: five-line gold (now white with remnants of gold) U with blue infill patterned with white-line foliate decoration (now oxidised). Initial ground of rose with (now oxidised) white line decoration; sprays
through in red with red curls at the end; first letter of each line. Two-line blue initials with red penwork flourishing extending into border. Four-line blue initials with red penwork flourishing into left margin. Nota bene/index signs: ff. 38v, 82v,
Secretary script with Anglicana looped d . Two-line gold initials with violet flourishing. Two-line blue initials with red penwork flourishing. Red rubrics begin each section. Blue and red paraphs. Latin underlined in ff. 171v-201r. This section also has a different
Bunt notes that the hand is a 'bold textura of the late r 14th century' (1985, p. 3). Two-line blue or blue and green initials with red penwork mark new sections of the poem. Not contemporary. Rebound in 1969. Letter
writing in an Anglicana hand. Scribe ?4, ff. 176r-178v. Two-line Lombardic capitals in blue with red penwork decoration to indicate the beginning of texts. Red and blue paraphs and red boxed rubrics (e.g., f. 18). Catchwords are often boxed and