• Decorated initial 'F' in gold and colours, and a decorated border with floral motifs in gold, silver, and colours., Opuscula varia (index various works)

small decorated initial in gold and colours (f. 71). Initials in red or blue with red penwork decoration. Headings and marginal notes in red. Paraphs in blue. Opuscula varia (index various works) Written in 1398: colophon reads, 'Explicit Deo gratias.

• Detail of a miniature of Augustine and his vision of the Holy Trinity., Book of Hours, Use of Angers

(ff. 18, 24). Large initials (2-3 lines) in gold on red and blue grounds with partial foliate borders. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Angers Unidentified original owner: erased

• Historiated initial 'A'(ngelus) of the Resurrection of Christ, with a partial border., Breviary, use of Sarum, imperfect

f. 106, 144v), with full or partial bar-borders with foliate extensions and interlaces. Initials in blue with red pen-flourishing and line fillers in red and blue. Breviary, use of Sarum, imperfect The calendar (of Sarum use) does not include David

• Historiated initial 'D'(ixit) of Christ and God the Father, with a full border., Breviary, use of Sarum, imperfect

f. 106, 144v), with full or partial bar-borders with foliate extensions and interlaces. Initials in blue with red pen-flourishing and line fillers in red and blue. Breviary, use of Sarum, imperfect The calendar (of Sarum use) does not include David

• Historiated initial 'H'(odie) of the Nativity of Mary, with a partial border., Breviary, use of Sarum, imperfect

f. 106, 144v), with full or partial bar-borders with foliate extensions and interlaces. Initials in blue with red pen-flourishing and line fillers in red and blue. Breviary, use of Sarum, imperfect The calendar (of Sarum use) does not include David

• Historiated initial 'O'(mnes) of the Adoration of the Magi, with a partial border., Breviary, use of Sarum, imperfect

f. 106, 144v), with full or partial bar-borders with foliate extensions and interlaces. Initials in blue with red pen-flourishing and line fillers in red and blue. Breviary, use of Sarum, imperfect The calendar (of Sarum use) does not include David

• Decorated initial 'D'(ilexi), at the beginning of the Office and Mass of the Dead., Office and Mass of the Dead (vol. 1)

13). Large and smaller initials in blue, with reserved designs, with red foliate pen-flourishing and green wash. Smaller initials in brown ink with foliate pen-flourishing in brown ink. Small initials in plain red or blue. Office and Mass of the

• Flourished initial 'M'(isere), in the Office and Mass of the Dead., Office and Mass of the Dead (vol. 1)

13). Large and smaller initials in blue, with reserved designs, with red foliate pen-flourishing and green wash. Smaller initials in brown ink with foliate pen-flourishing in brown ink. Small initials in plain red or blue. Office and Mass of the

• Heraldic arms, at the beginning of the Office and Mass of the Dead., Office and Mass of the Dead (vol. 1)

13). Large and smaller initials in blue, with reserved designs, with red foliate pen-flourishing and green wash. Smaller initials in brown ink with foliate pen-flourishing in brown ink. Small initials in plain red or blue. Office and Mass of the

• Detail of a decorated initial 'B'(eatus) at the beginning of Ecclesiasticus 14:22, in a 13th-century leaf., Leaf from a Missal(?) with part of the mass for one martyr

Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Leaf from a Missal(?) with part of the mass for one martyr f. 2:

• Decorated initials from a 13th-century leaf., Leaf from a Missal(?) with part of the mass for one martyr

Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Leaf from a Missal(?) with part of the mass for one martyr f. 2:

• Decorated border with floral motifs with the arms of the Calori of Modena, and a historiated initial 'P'(aucos) with a portrait of Petrarch seated in a garden, reading a book., Opuscula varia (index various works)

small decorated initial in gold and colours (f. 71). Initials in red or blue with red penwork decoration. Headings and marginal notes in red. Paraphs in blue. Opuscula varia (index various works) Written in 1398: colophon reads, 'Explicit Deo gratias.

• Detail of a historiated initial 'P'(aucos) with a portrait of Petrarch seated in a garden, reading a book., Opuscula varia (index various works)

small decorated initial in gold and colours (f. 71). Initials in red or blue with red penwork decoration. Headings and marginal notes in red. Paraphs in blue. Opuscula varia (index various works) Written in 1398: colophon reads, 'Explicit Deo gratias.

• Illuminated initial 'R'(everendo) and an effaced coat of arms., Tractatus de venenis, Problemata de venenis

foliate decoration (ff. 1, 13v). Effaced coat of arms (f. 1). Smaller plain initials in red or blue. Paraphs in red or blue. Rubrics in red. Tractatus de venenis, Problemata de venenis Written by Antonius Recanetus: colophon, 'Finitus est tractatus

• Historiated initial 'V'(oi) at the beginning of Petrarch's Il Canzoniere, with an image of Petrarch, shown before a lectern with an open book before him in the bowl of the initial, and a miniature on the right-hand side of the page of Petrarch's muse, Laura, beside a laurel tree, framed with a three-sided border made up of foliate scrolls and gold balls., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• Historiated initial 'I'(vo) of Petrarch holding a closed book, and a foliate border with gold balls, at the beginning of Petrarch's 264th canzone., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• A diagram of Old Testament genealogy, including Noah, with diagrams of the world and Noah's ark., Biblical and genealogical chronicle from Adam and Eve to Edward VI (the Longer English genealogical chronicle of the kings of England)

grounds, with brown pen-flourishing extending into the margins (f. 1v). Small initials in blue with red pen-flourishing or in red with brown pen-flourishing. Line-fillers in red and/or blue. Biblical and genealogical chronicle from Adam and Eve to Edward VI (the

• A diagram of the genealogy of the kings of England, including Henry IV, Henry V, Henry VI, Edward IV, Richard III, and Henry VII., Biblical and genealogical chronicle from Adam and Eve to Edward VI (the Longer English genealogical chronicle of the kings of England)

grounds, with brown pen-flourishing extending into the margins (f. 1v). Small initials in blue with red pen-flourishing or in red with brown pen-flourishing. Line-fillers in red and/or blue. Biblical and genealogical chronicle from Adam and Eve to Edward VI (the

• Historiated initial of Chaucer holding an open book, at the beginning of the prologue to the Canterbury Tales., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated initial 'A'(t) at the beginning of the Reeve's tale, identified by a rubric in the upper margin 'The Reve'., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or