• Historiated initial 'B'(eatus) with David playing a harp and foliate borders, at the beginning of the Psalms., Breviary, Use of Sarum, including a Psalter with a litany (ff. 181-243v)

the litany (f. 240). Large initials in gold on red and blue grounds. Small initials (2 lines) in blue with red foliate pen-flourishing. Small initials in plain red or blue. Decorated catchwords. Breviary, Use of Sarum, including a Psalter with

• Illuminated initial 'K'(yrie) and marginal drawing of a fox and an ape, at the beginning of the litany., Breviary, Use of Sarum, including a Psalter with a litany (ff. 181-243v)

the litany (f. 240). Large initials in gold on red and blue grounds. Small initials (2 lines) in blue with red foliate pen-flourishing. Small initials in plain red or blue. Decorated catchwords. Breviary, Use of Sarum, including a Psalter with

• Detail of historiated initial 'B'(eatus)with David harping at the beginning of the Psalms., Breviary, Use of Sarum, including a Psalter with a litany (ff. 181-243v)

the litany (f. 240). Large initials in gold on red and blue grounds. Small initials (2 lines) in blue with red foliate pen-flourishing. Small initials in plain red or blue. Decorated catchwords. Breviary, Use of Sarum, including a Psalter with

• Initial with foliate designs, initials with penwork flourishing, and full border., Breviary, Use of Sarum, including a Psalter with a litany (ff. 181-243v)

the litany (f. 240). Large initials in gold on red and blue grounds. Small initials (2 lines) in blue with red foliate pen-flourishing. Small initials in plain red or blue. Decorated catchwords. Breviary, Use of Sarum, including a Psalter with

• Decorated border with foliate decoration, flowers, winged busts, 2 cameo medallions, and one with a tree and the motto 'Quid bene acta iuvant', title 'SONETTI' in a cartouche, initial in gold on a blue panel at the beginning of the text., Opera

gold on a blue panel and full border with foliate decoration, flowers, winged busts, 2 cameo medallions and one with a tree and the motto 'Quid bene acta iuvant' (f. 2). Initial in gold on a blue and red panel

• Table and decorated initial., Miscellaneous scientific treatises

some with animal or human heads and partial bar borders. Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue. 5 volvelles, all now broken (ff. 3, 3v, 4v, 5, 6v). Numerous

• Table., Miscellaneous scientific treatises

some with animal or human heads and partial bar borders. Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue. 5 volvelles, all now broken (ff. 3, 3v, 4v, 5, 6v). Numerous

• Detail of table., Miscellaneous scientific treatises

some with animal or human heads and partial bar borders. Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue. 5 volvelles, all now broken (ff. 3, 3v, 4v, 5, 6v). Numerous

• Table., Miscellaneous scientific treatises

some with animal or human heads and partial bar borders. Small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red or blue. 5 volvelles, all now broken (ff. 3, 3v, 4v, 5, 6v). Numerous

• Puzzle initial 'C'(ome) with pen-flourishing forming a three-sided border, at the beginning of the text., Nova Statuta (index Statutes of England, Statuta Angliae, Statute book), for the reign of Edward III (r. 1327-1377) (ff. 1-78v), Richard II (r. 1377-1399) (ff. 79-118v), Henry IV (r. 1399-1413) (ff. 119-145), Henry V (r. 1413-1422) (ff. 145-165), and up to the 20th year in the reign of Henry VI (r. 1422-1470) (ff. 166-223v)

blue and red with pen-flourishing in the same colours extending into the margin to form a three-sided border (ff. 1, 79 and 119 (with purple)). Numerous initials in blue with red pen-flourishing including foliate motifs. Paraphs in red or

• Detail of a decorated initial 'B'(eatus) at the beginning of Ecclesiasticus 14:22, in a 13th-century leaf., Leaf from a Missal(?) with part of the mass for one martyr

Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Leaf from a Missal(?) with part of the mass for one martyr f. 2:

• Decorated initials from a 13th-century leaf., Leaf from a Missal(?) with part of the mass for one martyr

Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Leaf from a Missal(?) with part of the mass for one martyr f. 2:

• Historiated initial 'P'(ost) of a man holding a book, with acanthus leaves extending into the margins., De Consolatione Philosophiae (index The consolation of Philosophy)

with books, and one with a sceptre (ff. 1, 9v, 22v, 40v, 56v). Initials in red with blue or purple pen-flourishing, or in blue with red pen-flourishing. De Consolatione Philosophiae (index The consolation of Philosophy) Inscribed 'Questo lib[r]o è [end

• Miniature of the Annunciation, with a decorated initial 'D'(omine) and a full foliate border, at the beginning of matins in the Hours of the Virgin., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Miniature of the Pentecost, with a decorated initial 'D'(omine) and a full foliate border, at the beginning of the Hours of the Holy Spirit., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of a group of saints, including a bearded pope, two bishops, a king with a book, Peter and Benedict, at the beginning of the reading for All Saints, in the Hours of the Virgin., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of the Virgin of Humility with the patron kneeling in front of her, at the beginning of the Hours of the Virgin for Saturday., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of God the Father, at the beginning of the Penitential Psalms., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of the Pentecost, at the beginning of the Hours of the Holy Spirit., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of the Entry into Jerusalem, at the beginning of the Passion of Christ., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a