• Miniature of Alexander, in a cage, being carried aloft by griffins, and a foliate initial 'L'(ore) with a partial border, at the beginning of chapter 63., Historia de proelis in a French translation (Le Livre et le vraye hystoire du bon roy Alixandre)(index Alexandre)

92). Foliate initials in colours and gold with extensions. Small initials in gold on blue and rose grounds with penwork decoration in white, and line-fillers in blue, rose and gold with penwork decoration in white in the list of contents

• Initial 'C'(um) with pen-flourishing, at the beginning of Johannes Halgrinus de Abbatisvilla's Sermones de tempore per annum, and the inscription of the Cistercian monastery of Eberbach in the lower margin., Sermones de tempore per annum

inscription of the Cistercian monastery of Eberbach in the lower margin. Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Sermones de tempore per annum The Cistercian abbey of St Mary, Eberbach (today Erbach

• Historiated initial of Chaucer holding an open book, at the beginning of the prologue to the Canterbury Tales., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated initial 'A'(t) at the beginning of the Reeve's tale, identified by a rubric in the upper margin 'The Reve'., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated initial 'W'(hilom) at the beginning of the Miller's tale, identified by a rubric in the upper margin 'The Meller'., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated initial 'T'(her) and decorated catchword., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated historiated initial, with Moses (identified by his horns) facing a group of Israelites, making a gesture of speaking (or perhaps counting?) at the beginning of Deuteronomy. The blue ground-line on which they all stand is in fact a serpent., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'H' at the beginning of Exodus, with Moses (identified by his horns) parting the Red Sea (depicted a vertical blue and red wavy lines), in the upper margin is a pencil instruction indicating the opening words which had been deliberately omitted by the scribe, to be executed in gold by the artist., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Detail of a miniature of a kneeling fool with an uplifted club biting a dog's tail., Bible historiale complétée (Genesis - Psalms)

in colours and gold with partial borders, at the beginning of the prologue and each book. Initials in red or blue throughout the text. Bible historiale complétée (Genesis - Psalms) The Old Royal Library (the English Royal Library): perhaps included

• Detail of a drawing of the River Jordan., Voyage d'outre mer in Middle English

and gold, in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary

• Detail of a drawing of two kings., Voyage d'outre mer in Middle English

gold, in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from

• Detail of a miniature in four compartments: 1. Virgin enthroned; 2. The Trinity; 3. The Trinity creating angels; 4. The Mouth of Hell, at the beginning of Genesis., Bible historiale complétée (Genesis - Psalms)

in colours and gold with partial borders, at the beginning of the prologue and each book. Initials in red or blue throughout the text. Bible historiale complétée (Genesis - Psalms) The Old Royal Library (the English Royal Library): perhaps included

• Detail of a miniature of the sacrifice of Josiah, at the beginning of 2 Esdras (4 Ezra)., Bible historiale complétée (Genesis - Psalms)

in colours and gold with partial borders, at the beginning of the prologue and each book. Initials in red or blue throughout the text. Bible historiale complétée (Genesis - Psalms) The Old Royal Library (the English Royal Library): perhaps included

• Miniature of the sacrifice of Josiah, with a foliate initial 'I'(osias) and a partial border, at the beginning of 2 Esdras (4 Ezra)., Bible historiale complétée (Genesis - Psalms)

in colours and gold with partial borders, at the beginning of the prologue and each book. Initials in red or blue throughout the text. Bible historiale complétée (Genesis - Psalms) The Old Royal Library (the English Royal Library): perhaps included

• Drawing of the Dry Tree, and a king., Voyage d'outre mer in Middle English

and gold, in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary

• Drawings of two kings., Voyage d'outre mer in Middle English

in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from the

• Drawing of the River Jordan., Voyage d'outre mer in Middle English

in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from the

• null, Voyage d'outre mer in Middle English

lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from the Northern Europe

• Compass of the world., Voyage d'outre mer in Middle English

in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from the

• Detail of a marginal drawing of a man., Voyage d'outre mer in Middle English

and gold, in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary