• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• Detail of a miniature of, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• Decorated foliate initial 'G'(losa), at the beginning of Bartolus de Saxoferrato's In secundam partem digesti veteris., In secundam partem digesti veteris (ff. 6-160), and others

pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Ff. 161-202v: Small initials in red with red pen-flourishing or in blue with red pen-flourishing. Ff. 203-253v: 1 large initial in plain blue (f. 203). Throughout

• Decorated initials, in Bartolus de Saxoferrato's In secundam partem digesti veteris., In secundam partem digesti veteris (ff. 6-160), and others

pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Ff. 161-202v: Small initials in red with red pen-flourishing or in blue with red pen-flourishing. Ff. 203-253v: 1 large initial in plain blue (f. 203). Throughout

• Detail of decorated initial., In secundam partem digesti veteris (ff. 6-160), and others

pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Ff. 161-202v: Small initials in red with red pen-flourishing or in blue with red pen-flourishing. Ff. 203-253v: 1 large initial in plain blue (f. 203). Throughout

• Penwork initial 'H'(ec) with the head of a black man wearing a mitre, at the beginning of the table of contents., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Circular design, inscribed 'Liber sancte marie virginis in monasterio Eberbacensi'., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Puzzle initial 'F'(undamentum) and three-sided border with an Agnus dei and heraldic arms, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning