• Detail of an historiated initial 'D'(ominus) of the Virgin and Child, with the donor, Thomas Besforde, in a Benedictine habit with a scroll reading 'In te confidit a[n]i[m]a / mea', in the margin.', Commentary on Wisdom

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

• Historiated initial 'D'(ominus) of the Virgin and Child, with the donor, Thomas Besforde, in a Benedictine habit with a scroll reading 'In te confidit a[n]i[m]a / mea', in the margin, with a full border containing a dragon and two shields with arms of the Reading abbey (three escallops) and of the donor (a fesse between six pears)., Commentary on Wisdom

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

• Partialy repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning of the dedicatory letter to Charles VI of France., L'Arbre des batailles

repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning

• Historiated initial 'O' in colours and gold, of the Coronation of the Virgin with architectural elements, monochrome choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage., Cutting from a Missal

of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. Italian cuttings. The present cuttings are boxed with Add. 60630, ff. 1-10 and 13- 42. To

• Detail of a medallion with Jerome., Cutting from a Missal

choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. On the reverse text: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do /

• Detail of a monochrome angel., Cutting from a Missal

choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. On the reverse text: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do /

• Illuminated border and initial 'F'(or)., Medical miscellany, including a lunary (ff. 6v-7); anonymous text on humours, elements, and urines, a calendar (ff. 11-21v); Guy of Chauliac's Anatomy; a treatise on complexions

'champ' initials in gold on blue and pink grounds with sprays of green leaves with gold. Small initials in gold with brown or blue penwork decoration, or in blue with red penwork decoration. Line-fillers in blue and gold. Drawings in

• Drawing of a Zodiac man., Medical miscellany, including a lunary (ff. 6v-7); anonymous text on humours, elements, and urines, a calendar (ff. 11-21v); Guy of Chauliac's Anatomy; a treatise on complexions

'champ' initials in gold on blue and pink grounds with sprays of green leaves with gold. Small initials in gold with brown or blue penwork decoration, or in blue with red penwork decoration. Line-fillers in blue and gold. Drawings in

• Tables for determining the dominical letter and the golden number for the year 1425, and on the right, an illuminated initial 'M'(agna) at the beginning of the Speculum Christiani., Theological miscellany, entitled 'Speculum Christiani', including prayers and poetry in English, with dominical tables

on a blue and pink ground, with foliage sprouting from the corners (ff. 14, 20). Large initials in blue with red penwork decoration and pen-flourishing, often forming a partial border. Diagrams (f. 2v). Paraphs in blue. Line-fillers in blue. Highlighting

• In the upper left, an ownership inscription of All Souls college, Oxford: 'Liber collegium animarum omnium', and in the lower right corner, an ownership incription of William Romesey: 'liber Willelmus Romesey quae fecit scribi' ('William Romesay for whom it was written'")., Medical miscellany, including John of Gaddesden's Rosa Anglica (ff. 9-262), and four tracts on urine

puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue with red pen-flourishing, many with foliate forms. Large simple initials in red or blue. Paraphs in red or blue. Cadels. Medical miscellany,

• Illuminated initial 'M'(agna) at the beginning of the Speculum Christiani., Theological miscellany, entitled 'Speculum Christiani', including prayers and poetry in English, with dominical tables

on a blue and pink ground, with foliage sprouting from the corners (ff. 14, 20). Large initials in blue with red penwork decoration and pen-flourishing, often forming a partial border. Diagrams (f. 2v). Paraphs in blue. Line-fillers in blue. Highlighting

• Tables for determining the dominical letter and the golden number for the year 1425., Theological miscellany, entitled 'Speculum Christiani', including prayers and poetry in English, with dominical tables

on a blue and pink ground, with foliage sprouting from the corners (ff. 14, 20). Large initials in blue with red penwork decoration and pen-flourishing, often forming a partial border. Diagrams (f. 2v). Paraphs in blue. Line-fillers in blue. Highlighting

• null, Histoire Ancienne jusqu'a César, Le Fet des Romains

and red dots for details, followed by smaller puzzle initials in gold and blue with pen-flourishing in blue and red, and decorated extensions with fleur-de-lys in gold, blue, and red (ff. 11v, 14, 17, 22, 29, 30v, 35v, 38v, 46,

• null, Histoire Ancienne jusqu'a César, Le Fet des Romains

and red dots for details, followed by smaller puzzle initials in gold and blue with pen-flourishing in blue and red, and decorated extensions with fleur-de-lys in gold, blue, and red (ff. 11v, 14, 17, 22, 29, 30v, 35v, 38v, 46,

• null, Histoire Ancienne jusqu'a César, Le Fet des Romains

and red dots for details, followed by smaller puzzle initials in gold and blue with pen-flourishing in blue and red, and decorated extensions with fleur-de-lys in gold, blue, and red (ff. 11v, 14, 17, 22, 29, 30v, 35v, 38v, 46,

• null, Histoire Ancienne jusqu'a César, Le Fet des Romains

and red dots for details, followed by smaller puzzle initials in gold and blue with pen-flourishing in blue and red, and decorated extensions with fleur-de-lys in gold, blue, and red (ff. 11v, 14, 17, 22, 29, 30v, 35v, 38v, 46,

• Miniature of the Creation, at the beginning of Paulus Orosius's Histoire Ancienne., Histoire Ancienne jusqu'a César, Le Fet des Romains

and red dots for details, followed by smaller puzzle initials in gold and blue with pen-flourishing in blue and red, and decorated extensions with fleur-de-lys in gold, blue, and red (ff. 11v, 14, 17, 22, 29, 30v, 35v, 38v, 46,

• null, Histoire Ancienne jusqu'a César, Le Fet des Romains

and red dots for details, followed by smaller puzzle initials in gold and blue with pen-flourishing in blue and red, and decorated extensions with fleur-de-lys in gold, blue, and red (ff. 11v, 14, 17, 22, 29, 30v, 35v, 38v, 46,

• null, Histoire Ancienne jusqu'a César, Le Fet des Romains

and red dots for details, followed by smaller puzzle initials in gold and blue with pen-flourishing in blue and red, and decorated extensions with fleur-de-lys in gold, blue, and red (ff. 11v, 14, 17, 22, 29, 30v, 35v, 38v, 46,

• null, Histoire Ancienne jusqu'a César, Le Fet des Romains

and red dots for details, followed by smaller puzzle initials in gold and blue with pen-flourishing in blue and red, and decorated extensions with fleur-de-lys in gold, blue, and red (ff. 11v, 14, 17, 22, 29, 30v, 35v, 38v, 46,