• Illuminated historiated initial 'T' at the beginning of Tobit, with Tobit on the left (his closed eyes signifying his blindness) sending out his son Tobias with the angel Raphael, instead of the more usual scene of the blinding of Tobit which is more typically is illustrated., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'E' at the beginning of I Maccabees of a man being executed for refusing to worship idols (I Macc. 1:52), and one of the many battles which occurred during the Maccabees' reign. In the extreme lower right-hand corner is the word 'emendatus', indicating that the text of this quire has been corrected., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'F' at the beginning of II Maccabees of a uncertain scene, but perhaps of Antiochus and his men in the temple of Nanea, and beheading the leader of the priests (II Macc. 1:13-16), with a soldier wearing a thirteenth-century style helmet., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'S' at the beginning of II Peter, of Peter addressing a group of men and a youth, identified by his usual attribute, the large key in his hand; his audience may be the 'false teachers' and 'false prophets' mentioned at the beginning of chapter 2., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'S's of Peter and John at the beginnings of II and III John. In the left-hand one John hands a book to Peter, below which are the children who are referred to several times in the short Epistle. In the right-hand initial Peter sits writing (his keys hanging from his wrist), instructed by John., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'L' of the nine orders of angels; in the seven large roundels are the Fall of the Rebel Angels and the Creation, and the Trinity enthroned; and in the six smaller roundels are scenes of Adam and Eve, Noah's Ark, the Tower of Babel, and the Sacrifice of Isaac at the beginning of Genesis., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' at the beginning of Judges, perhaps representing Judah as a seated tonsured judge with crossed legs, one hand pointing, the other at his neck holding the cords of his cloak., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'U' at the beginning of Job, of a naked Job holding a pot-shard, sitting on the dung-heap, visited by his three friends, as described in Job 2:8, 11, with the right hand of God emerging from heaven above Job's head., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'C' probably of Jerome giving this letter prologue to the bishops Chromatius and Heliodorus, its recipients, and historiated initial 'P' of Solomon (depicted with a tonsure), holding a switch and teaching his son, Rehoboam, who reads from an open book, at the beginning of the prologue to and book of Proverbs., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'A' of an apocryphal story added to the end of Daniel, in which Daniel is challenged by the king of Babylon to prove that a dragon, worshipped by many Babylonians as a god, is not a god. Daniel feeds a poison to the dragon, killing it, proving that it was mortal., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'I' at the beginning of Zechariah, probably of a vision of two angels carrying an amphora containing a woman (Zechariah 5:9), with the woman interpreted as Christ (as indicated by his crossed halo)., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'I'(n) at the beginning of John, of four separate scenes: John with the head of his evangelist symbol, the Eagle; John resting against Christ at the Last Supper; John presenting a woman (the woman taken in adultery, or the woman of Samaria?) to Christ; and the Marriage Feast at Cana., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Decorated initial 'I'(nitium) at the beginning of the Gospel of Mark., Gospels, with the Epistle to Damasus, canon tables, and prefaces

in small Roman numerals. Canon tables in decorated architectural frames in green, red, blue, and yellow (ff. 9v-13v). 6 large initials in brown, with painted decoration in colours, at the beginning of Gospels or prologues (ff. 14, 51, 73, 77v,

• Decorated initial 'H'(unc) with the John Beaver's initials, 'IB', in gold, at the start of the inscription, stating that Lord John Beaver, monk of St. Albans, had the manuscript made, and that with the permission of John Whethamstede, the abbot (1420-1440), he has given it to God, the Virgin Mary, and the church of St. Alban. This is followed by an anathema and a list of the contents., Liber de exemplis sacre scripture; Commentary on Wisdom; Commentary on Proverbs; Commentary on Ecclesiasticus

the beginning of the colophon and major text divisions (ff. 1v, 2, 79, 231). Initials in blue with red pen-flourishing. Paraphs in red or blue. Liber de exemplis sacre scripture; Commentary on Wisdom; Commentary on Proverbs; Commentary on Ecclesiasticus Lord

• Decorated initial 'M'(ulta)., Commentary on Malachi and Homilies

vivo vivus adhesi / Martiris interitum gladiis describere cesi'.Catchwords and quire signatures 14 large initials in blue or red with penwork decoration in blue and red, at the beginning of books and prologues (ff. 2, 2v, 7, 13, 19, 25v,

• Coloured drawing with the death of Tristan's mother, Tristan is held in the arms of a maid as two knights approach., Roman de Tristan in prose (index Tristram) (imperfect)

5 large puzzle initials in red and blue with pen-flourishing in the same colours (ff. 35v, 46v, 51, 58v, 61v). Display initials with penwork decoration (f. 2). Coloured initials in alternating red or blue. Roman de Tristan in prose (index

• Coloured drawing with the ship of 'Lamorat dirlande' approaching the palace of king Marc., Roman de Tristan in prose (index Tristram) (imperfect)

5 large puzzle initials in red and blue with pen-flourishing in the same colours (ff. 35v, 46v, 51, 58v, 61v). Display initials with penwork decoration (f. 2). Coloured initials in alternating red or blue. Roman de Tristan in prose (index

• Coloured drawing with Tristan standing between king '?miliades' holding a vase, and his wife, Roman de Tristan in prose (index Tristram) (imperfect)

5 large puzzle initials in red and blue with pen-flourishing in the same colours (ff. 35v, 46v, 51, 58v, 61v). Display initials with penwork decoration (f. 2). Coloured initials in alternating red or blue. Roman de Tristan in prose (index

• Coloured drawing with the ships of Cornwall and Ireland reaching a castle on the shores of Ireland., Roman de Tristan in prose (index Tristram) (imperfect)

5 large puzzle initials in red and blue with pen-flourishing in the same colours (ff. 35v, 46v, 51, 58v, 61v). Display initials with penwork decoration (f. 2). Coloured initials in alternating red or blue. Roman de Tristan in prose (index

• Coloured drawing of men and a ship., Roman de Tristan in prose (index Tristram) (imperfect)

5 large puzzle initials in red and blue with pen-flourishing in the same colours (ff. 35v, 46v, 51, 58v, 61v). Display initials with penwork decoration (f. 2). Coloured initials in alternating red or blue. Roman de Tristan in prose (index