• Detail of an historiated initial 'D'(ominus) of the Virgin and Child, with the donor, Thomas Besforde, in a Benedictine habit with a scroll reading 'In te confidit a[n]i[m]a / mea', in the margin.', Commentary on Wisdom

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

• Historiated initial 'D'(ominus) of the Virgin and Child, with the donor, Thomas Besforde, in a Benedictine habit with a scroll reading 'In te confidit a[n]i[m]a / mea', in the margin, with a full border containing a dragon and two shields with arms of the Reading abbey (three escallops) and of the donor (a fesse between six pears)., Commentary on Wisdom

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

• Partialy repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning of the dedicatory letter to Charles VI of France., L'Arbre des batailles

repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning

• White vine initial 'C'(um)., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• White vine initial 'A'(anima)., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• Manuscripts of the West Midlands

white dots along middle, coloured in blue, green and brown/orange, and pairs of gold trefoil leaves. Initial P which gives rise to this border is in blue and burgundy with an infill of blue and burgundy/pink acanthus leaves decorated with

• Manuscripts of the West Midlands

red and blue with infill of leaves and vine and red and blue penwork flourishing extending into the margin begins the text. Initials with red and blue penwork. Latin quotations boxed in red. Item 2: Twelve-line red and blue initial

• Manuscripts of the West Midlands

'Anno domini MCCCCxx' (1420). Twenty full bar borders in blue and violet, some with floral clusters (for a detailed description see Hanna 2002, p. 128-129). Three to five-line champ initials. Two-line blue initials with red penwork flourishing. Rubrics and marginalia

• Manuscripts of the West Midlands

49). Probably an Augustinian canon at Haughmond Abbey. In red: scribal numbering; titles; colophons; brackets; paraphs. Two-line red initials. Three-line blue initials with red penwork flourishing. Drawing of the Holy Face on the Vernicle. Nine lines deep over one column