• Detail of an historiated initial 'D'(ominus) of the Virgin and Child, with the donor, Thomas Besforde, in a Benedictine habit with a scroll reading 'In te confidit a[n]i[m]a / mea', in the margin.', Commentary on Wisdom

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

• Historiated initial 'D'(ominus) of the Virgin and Child, with the donor, Thomas Besforde, in a Benedictine habit with a scroll reading 'In te confidit a[n]i[m]a / mea', in the margin, with a full border containing a dragon and two shields with arms of the Reading abbey (three escallops) and of the donor (a fesse between six pears)., Commentary on Wisdom

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

• Partialy repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning of the dedicatory letter to Charles VI of France., L'Arbre des batailles

repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning

• null, Stimulus divini amoris, and other devotional texts and prayers

a full border of red penwork infilled with green wash, framed in blue. Red initials with purple pen-flourishing, and blue initials with red pen-flourishing. Small simple red or blue initials. Stimulus divini amoris, and other devotional texts and prayers Charles

• Detail of puzzle initial., Glossed Digestum Novum, preceeded by an added table of contents (ff. 1-2v)

alternately in red or blue with pen-flourishing in blue or red, and large initials in red or blue with pen-flourishing in blue or red, or 1 puzzle initial in red and blue with pen-flourishing in blue and red (ff. 3,

• Manuscripts of the West Midlands

49). Probably an Augustinian canon at Haughmond Abbey. In red: scribal numbering; titles; colophons; brackets; paraphs. Two-line red initials. Three-line blue initials with red penwork flourishing. Drawing of the Holy Face on the Vernicle. Nine lines deep over one column

• Manuscripts of the West Midlands

appearance. Body height: 2mm. Latin quotations in red. Two-line blue initials with red penwork flourishing begin new paragraphs. F. 12v: five-line gold champ init ial A on a quartered rose and blue ground with white line decoration and sprays of

• Manuscripts of the West Midlands

red preceded by blue paraph marks. Alternately blue on red and red on b lue. Recto folios - oxidised red paraphs suggesting the use of a different base. One-line blue initials with red penwork and red with blue before stanzas.

• Manuscripts of the West Midlands

and blue background. No other decoration excep t for two-line Lombardic capitals in blue with red penwork decoration to indicate the beginning of each section. Initial letters of each line are tinted in yellow. Other Litterae Notabiliores written in blue

• Manuscripts of the West Midlands

each line coloured red. Initial page, ten-line blue initial I with fine red penwork extending along left and top and bottom margin forming a border. Four-line blue initials with red penwork. Two-line blue initials with red penwork extending length of

• MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 38817 British Library, London 97 images.

super Codice, ed. 1493. Initials alternately in red and green, blue being used for the few initials omitted by the original hand. There are two elaborate initials in red, blue and green, with foliage and zoomorphic ornament and a small

• MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 40769 British Library, London 115 images.

columns normally of 35 lines, for the last three gatherings normally of 41 lines; flourished initials, coloured in red and blue. Source Microfilm Collection British Literary Manuscripts from the British Library, London; Series III: Medieval Age: c.1150-1500 Reel# Gale Document

• Beginning of the xvth cent MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 35,286 British Library, London 241 images.

36 to 42 lines to a page. Beginning of the xvth cent. Headings in red, and initials in red and blue; a few initials in gold with slight ornamentation. On the margins are the following names (? of former owners):—Charles

• Early xv cent. MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 39574 British Library, London 97 images.

19-22 (usually 19) lines to a page. Gatherings of 8 leaves, with catchwords. Headings in red, initials in red and blue, the larger ones flourished. Marginal scribbles. 16th cent., on f. 2. Purchased with the help of contributions collected by

• MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 39943 British Library, London 167 images.

30, 31 b, 33 b, 61, 79. Two fine decorative initials, ff. 2 b, 7b; other initials in red and blue, flourished; the initial on f. 87 is black. On f. 2 b is the contemporary note in red "Liber