• Detail of white vine initial 'Q' with the tail of the letter in the form of a bird., Tusculanae Quaestiones (ff. 1-78); Paradoxa stoicorum (ff. 78-85)

46). Large initials in silver, gold, green, blue or red (ff. 2, 23v, 33, 47v, 80, 80v, 81v, 82v, 83v). Smaller initials in blue or red (ff. 4, 78v). Capitals in red or blue identify the speakers in the dialogues.

• Flourished initial 'I'(uri), in Bartolus de Saxoferrato's In primam partem digesti veteris., In primam partem digesti veteris

pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Decorated catch-words. A large space precedes the text, perhaps intended for a miniature (f. 3). Ff. 243v-265v: Large and small initials in plain red or blue, some with penwork

• Flourished initials, decorated catchword, and scribal colophon., In primam partem digesti veteris

pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Decorated catch-words. A large space precedes the text, perhaps intended for a miniature (f. 3). Ff. 243v-265v: Large and small initials in plain red or blue, some with penwork

• Decorated initial 'y'(e) at the beginning of the Prick of Conscience, and, on the left, the ownership inscription of Sir Henry Spelman, historian and antiquary and of 'Jhon boyce'., Prick of Conscience

Lewis and MacIntosh 1982 p. 69. 1 three-sided border of red pen-flourishing with foliate forms (f. 2). Large initials in blue with red penwork decoration and pen-flourishing. Highlighting of letters in red. Prick of Conscience 16th-century inscriptions 'Jhon boyce' (f.

• Detail of a miniature of Durandus de Campania presenting the book to Jeanne de Navarre, with a foliate initial 'S'(elon) and a full border, at the beginning of the text., Speculum dominarum (Le Miroir des Dames)

the text (f. 2). 1 puzzle initial in blue and red with black and red pen-flourishing, at the beginning of book 2 (f. 98v). Initials in red with black pen-flourishing, or in blue with red pen-flourishing. Speculum dominarum (Le Miroir

• Miniature of Durandus de Campania presenting the book to Jeanne de Navarre, with a foliate initial 'S'(elon) and a full border, at the beginning of the text., Speculum dominarum (Le Miroir des Dames)

the text (f. 2). 1 puzzle initial in blue and red with black and red pen-flourishing, at the beginning of book 2 (f. 98v). Initials in red with black pen-flourishing, or in blue with red pen-flourishing. Speculum dominarum (Le Miroir

• Puzzle initial ‘A’(u), at the beginning of part II., Speculum dominarum (Le Miroir des Dames)

the text (f. 2). 1 puzzle initial in blue and red with black and red pen-flourishing, at the beginning of book 2 (f. 98v). Initials in red with black pen-flourishing, or in blue with red pen-flourishing. Speculum dominarum (Le Miroir

• Colophon reading 'Ce livre est accompli et achive / le vendredi ixe jour de juil/let lan mil iiiic. xxviii. / deo gracias'., Speculum dominarum (Le Miroir des Dames)

the text (f. 2). 1 puzzle initial in blue and red with black and red pen-flourishing, at the beginning of book 2 (f. 98v). Initials in red with black pen-flourishing, or in blue with red pen-flourishing. Speculum dominarum (Le Miroir

• Pen-flourished initial 'P'(rincipio)., De officiis, with a brief treatise on moral philosophy (ff. 1-4)

interlinear annotations.f. 40 has been trimmed at the top and right margins. Initials in blue with red penwork decoration or pen-flourishing and in red with blue penwork decoration or pen-flourishing. Rubrics in red. Some initials excised. De officiis, with a

• Decorated initial 'I'(nitium) at the beginning of the Gospel of Mark., Gospels, with the Epistle to Damasus, canon tables, and prefaces

in small Roman numerals. Canon tables in decorated architectural frames in green, red, blue, and yellow (ff. 9v-13v). 6 large initials in brown, with painted decoration in colours, at the beginning of Gospels or prologues (ff. 14, 51, 73, 77v,

• Initial with foliate extensions., Canzoni, Ballate, Rime, Trionfi (index Triumphs), and other poems

initial in gold and colours with foliate decoration (f. 1). 3 large blue initials with red penwork decoration (f. 26, 104v, 137). Numerous alternating initials in red or blue at the beginning of poems. Rubrics and headings in red. Canzoni,

• Detail of a miniature of the prophet Jeremiah being stoned and bitten by a dog., Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts (ff. 130v-143v)

extensions into the margins, in colours and gold (ff. 1, 114). Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts

• Detail of a drawing of the constellation Aquarius., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Text page., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Drawing of the Swan, or Bird (Cygnus)., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Drawing of Orion and his dog., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• null, Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• null, Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Drawing of Ara, the Altar., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Text page., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,