• Detail of an historiated initial 'D'(ominus) of the Virgin and Child, with the donor, Thomas Besforde, in a Benedictine habit with a scroll reading 'In te confidit a[n]i[m]a / mea', in the margin.', Commentary on Wisdom

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

• Historiated initial 'D'(ominus) of the Virgin and Child, with the donor, Thomas Besforde, in a Benedictine habit with a scroll reading 'In te confidit a[n]i[m]a / mea', in the margin, with a full border containing a dragon and two shields with arms of the Reading abbey (three escallops) and of the donor (a fesse between six pears)., Commentary on Wisdom

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

• Miniature of Simon de Hesdin writing his book, in the upper register, and Simon de Hesdin in a hospitaller's habit giving his book to Charles V of France, in the lower register, with a full border containing the royal arms of England, and a foliate initial 'L'(a brevite), at the beginning of book 1., Facta et Dicta Memorabilia (Le livre de Valerius Maximus)

181, 211, 232, 261, 297). Initials in gold on rose and blue grounds with penwork decoration in white, those at the beginning of chapters with foliate extensions. Line-fillers in blue and rose with penwork decoration in white. Facta et Dicta

• Partialy repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning of the dedicatory letter to Charles VI of France., L'Arbre des batailles

repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning

• Historiated initial 'O' in colours and gold, of the Coronation of the Virgin with architectural elements, monochrome choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage., Cutting from a Missal

of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. Italian cuttings. The present cuttings are boxed with Add. 60630, ff. 1-10 and 13- 42. To

• Manuscripts of the West Midlands

red preceded by blue paraph marks. Alternately blue on red and red on b lue. Recto folios - oxidised red paraphs suggesting the use of a different base. One-line blue initials with red penwork and red with blue before stanzas.

• Manuscripts of the West Midlands

Two-line red initials. Red and blue paraphs. Blue and red line fillers. One-line blue initials with red penwork forming a box around the initial. Two-line blue initials with red penwork flourishing. Seven, eight, and nine-line blue initial I with red

• Manuscripts of the West Midlands

Initial G of Festial in red and blue; initials of first words of homilies or new subjects decorated throughout - two-line blue initials with fine red penwork spreading in margin; red and blue paraphs; following text decorated in the same

• Manuscripts of the West Midlands

six-line capital I in initial position. Brackets in red. Red paraphs throughout. Item 7: c. ten-line blue initial I with red penwork flourishing and blue penwork extending along length of left margin, half way along bottom margin and whole of

• Manuscripts of the West Midlands

to Sir William Hylton, f. 108r (see Additions). Initial page: five-line gold (now white with remnants of gold) U with blue infill patterned with white-line foliate decoration (now oxidised). Initial ground of rose with (now oxidised) white line decoration; sprays

• Middle of the xv. cent. MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 37223 British Library, London 217 images.

are: Vellum; ff. ii. + 213. Middle of the xv. cent. Eight illuminated initials cut out; others in red and blue. Owners' names occur as follows; "Liber magistri Roberti Elphisten" and "Liber ... pertinet Roberti Elphinstone rectoris de Kyncarin (?)"

• Middle of xv. cent MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 37790 British Library, London 241 images.

of xv. cent. On ff. 96 b, 226 is possibly a scribe's monogram I.S. Sec. fol. "sais Oculi." Initials in blue (thickly laid on) flourished in red. On f. 1 is a 16th cent. owner's name "Vincit Winge his Booke."

• MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 38817 British Library, London 97 images.

super Codice, ed. 1493. Initials alternately in red and green, blue being used for the few initials omitted by the original hand. There are two elaborate initials in red, blue and green, with foliage and zoomorphic ornament and a small

• MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 40769 British Library, London 115 images.

columns normally of 35 lines, for the last three gatherings normally of 41 lines; flourished initials, coloured in red and blue. Source Microfilm Collection British Literary Manuscripts from the British Library, London; Series III: Medieval Age: c.1150-1500 Reel# Gale Document

• First half of the xv. cent MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 37786 British Library, London 48 images.

9¾ in. X 7 in. First half of the xv. cent. A few coarso illuminated initials, others in red and blue. See, sol. " in þo bely." Belonged (f. 44) to "honricns Savyll," probably ilenry Savilo of Banko (v. Bibloigraphical