• Detail of an historiated initial 'D'(ominus) of the Virgin and Child, with the donor, Thomas Besforde, in a Benedictine habit with a scroll reading 'In te confidit a[n]i[m]a / mea', in the margin.', Commentary on Wisdom

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

• Historiated initial 'D'(ominus) of the Virgin and Child, with the donor, Thomas Besforde, in a Benedictine habit with a scroll reading 'In te confidit a[n]i[m]a / mea', in the margin, with a full border containing a dragon and two shields with arms of the Reading abbey (three escallops) and of the donor (a fesse between six pears)., Commentary on Wisdom

full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his

• Partialy repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning of the dedicatory letter to Charles VI of France., L'Arbre des batailles

repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning

• Historiated initial 'O' in colours and gold, of the Coronation of the Virgin with architectural elements, monochrome choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage., Cutting from a Missal

of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. Italian cuttings. The present cuttings are boxed with Add. 60630, ff. 1-10 and 13- 42. To

• Detail of a medallion with Jerome., Cutting from a Missal

choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. On the reverse text: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do /

• Manuscripts of the West Midlands

Two-line red initials. Red and blue paraphs. Blue and red line fillers. One-line blue initials with red penwork forming a box around the initial. Two-line blue initials with red penwork flourishing. Seven, eight, and nine-line blue initial I with red

• Manuscripts of the West Midlands

to Sir William Hylton, f. 108r (see Additions). Initial page: five-line gold (now white with remnants of gold) U with blue infill patterned with white-line foliate decoration (now oxidised). Initial ground of rose with (now oxidised) white line decoration; sprays

• Manuscripts of the West Midlands

script. Ff. 1v, 2r - two-line blue initials with red penwork flourishing. Initial folio of Stanzaic Life - nine-line blue initial I with red penwork flourishing forming a two-sided border. F. 87v - two-line blue initial with red penwork flourishing

• Manuscripts of the West Midlands

5: underlining of names in red, red paraphs, some initials highlighted red, red and black line filler; two/three-line red or blue initials. Item 7: two-line red initials. Item 12: four-line initial A begins text. Outlined in red with red decoration

• Manuscripts of the West Midlands

appearance. Body height: 2mm. Latin quotations in red. Two-line blue initials with red penwork flourishing begin new paragraphs. F. 12v: five-line gold champ init ial A on a quartered rose and blue ground with white line decoration and sprays of

• MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 38817 British Library, London 97 images.

super Codice, ed. 1493. Initials alternately in red and green, blue being used for the few initials omitted by the original hand. There are two elaborate initials in red, blue and green, with foliage and zoomorphic ornament and a small

• MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 40769 British Library, London 115 images.

columns normally of 35 lines, for the last three gatherings normally of 41 lines; flourished initials, coloured in red and blue. Source Microfilm Collection British Literary Manuscripts from the British Library, London; Series III: Medieval Age: c.1150-1500 Reel# Gale Document

• Beginning of the xvth cent MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 35,286 British Library, London 241 images.

36 to 42 lines to a page. Beginning of the xvth cent. Headings in red, and initials in red and blue; a few initials in gold with slight ornamentation. On the margins are the following names (? of former owners):—Charles

• Middle of the xv. cent. MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 37223 British Library, London 217 images.

are: Vellum; ff. ii. + 213. Middle of the xv. cent. Eight illuminated initials cut out; others in red and blue. Owners' names occur as follows; "Liber magistri Roberti Elphisten" and "Liber ... pertinet Roberti Elphinstone rectoris de Kyncarin (?)"

• Early xv cent. MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 39574 British Library, London 97 images.

19-22 (usually 19) lines to a page. Gatherings of 8 leaves, with catchwords. Headings in red, initials in red and blue, the larger ones flourished. Marginal scribbles. 16th cent., on f. 2. Purchased with the help of contributions collected by