• Historiated initial 'O' in colours and gold, of the Coronation of the Virgin with architectural elements, monochrome choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage., Cutting from a Missal

of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. Italian cuttings. The present cuttings are boxed with Add. 60630, ff. 1-10 and 13- 42. To

• Detail of a medallion with Jerome., Cutting from a Missal

choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. On the reverse text: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do /

• Detail of a monochrome angel., Cutting from a Missal

choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. On the reverse text: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do /

• null, Stimulus divini amoris, and other devotional texts and prayers

a full border of red penwork infilled with green wash, framed in blue. Red initials with purple pen-flourishing, and blue initials with red pen-flourishing. Small simple red or blue initials. Stimulus divini amoris, and other devotional texts and prayers Charles

• Puzzle initial 'A', at the beginning of the Repertorium juris civilis., Repertorium juris civilis

large puzzle initial in red and blue (f. 1). 1 smaller puzzle initial in red and blue (f. 110v). 5 smaller initials in red or blue, some with reserved designs, with penwork decoration in blue or red (ff. 206, 218,

• Manuscripts of the West Midlands

eleven-line blue initial I with red penwork flourishing in left margin and along top creating a two-sided border. Three-line blue initials with red pen work flourishing for other textual divisions (see Benson and Blanchfield 1997, p. 68, pl. 8). Blue

• Manuscripts of the West Midlands

49). Probably an Augustinian canon at Haughmond Abbey. In red: scribal numbering; titles; colophons; brackets; paraphs. Two-line red initials. Three-line blue initials with red penwork flourishing. Drawing of the Holy Face on the Vernicle. Nine lines deep over one column