• Illuminated border and historiated initial 'S'(uscepimus) of a bishop blessing the throats of the faithful who are queuing up, holding candles, at the beginning of the feast of Blaise, with a note 'purificaciou(n'), possibly an instruction to the illuminator and a direction to the artist or a note identifying the subject matter in the lower margin., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated partial border and historiated initial 'R'(orate) of the Annunciation to the Virgin, with the Archangel Gabriel bearing a scroll with the words "Ave Maria" beside the Virgin who is in front of an open book, at the feast of the Annunciation,with a note, possibly an instruction to the illuminator, in the lower margin: 'i ymage of oure ladey'., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated border and historiated initial 'D'(e) of John the Baptist in the wilderness, wearing a camel skin garment carrying a book to which is tied a small figure of a lamb, at the beginning of the offertory of feast of the birth of John the Baptist on 24 June. In the lower margin, a note, or possibly an instruction to the artist: 'sent Jon ye baptyst'., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated border and historiated initial 'N'(unc) with Peter and Paul holding their symbols of keys and a sword, respectively, at the beginning of the feast of the Apostles Peter and Paul. In the lower margin, the note "Peter and Paule," is possibly a later identifying note or an instruction to the artist., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated border and historiated initial 'L'(audeamus) of the crowned Virgin surrounded by cherubim at the feast of the Assumption, with a note, possibly an instruction to the illuminator or later note identifying the subject matter in the lower margin: 'assumsion'., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated border and historiated initial 'L'(audeamus) of Anne, lying in a large bed as a midwife presents the infant Mary to her, at the feast of the birth of the Virgin, with a note, possibly an instruction to the illuminator or later note identifying the subject matter in the lower margin: 'the nativitie'., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated border and historiated initial 'B'(enedicite) of a winged Michael holding a sword and a gold shield standing on the devil, at the feast of Michael, with a note, possibly an instruction to the illuminator or later note identifying the subject matter in the lower margin: 'archangele'., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated miniature of the Trinity, with God the Father seated enthroned holding the cross with the crucified Christ and the dove of the Holy Spirit above the head of Christ (a 'Gnadenstuhl Trinity'), and below, a kneeling donor, William Melreth, alderman of London, in prayer, with his arms. Below this in gold letters and in English is the caption 'Blessed be the trinite', and an inscription detailing Melreth's gift of the missal to the church of St Lawrence, London., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Puzzle initial 'V'(estra) with pen-flourishing, at the beginning of Pseudo-Boethius's De disciplina scholarium., De disciplina scholarium, with glosses

Pseudo-Boethius's De disciplina scholarium. 1 large puzzle initial in red and blue with pen-flourishing in blue and red, and decorated extension (f. 1). Small initials in plain red or blue. 1 marginal drawing of a head, 15th century (f. 3v).

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Miniature of the Visitation, at the beginning of Lauds in the Hours of the Virgin., Single leaf of a Book of Hours

gold (f. 114). Smaller initial (2 lines) in gold on a red and blue ground. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. The leaf belongs to Stowe 21. Single leaf of a

• Illuminated initials., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated initials., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Historiated initial 'D'(omine) of the Annunciation, with floral borders with a peacock, owl, and a bear playing bagpipes, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an historiated initial 'D'(omine) of the Annunciation, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of a peacock, from a floral border, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an owl from a floral border, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of a bear playing bagpipes from a floral border, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours