• Puzzle initial 'N'(umquid) with pen-flourished decoration at the beginning of 'Ordinarium sive Alphabetum vitae religiosae'., Opera (index Works), imperfect at the end

initials in blue and red with pen-flourished decoration in blue and red. Initial in red with pen-work decoration in green (f. 168). Initials in blue or red with pen-flourished decoration in red or ink. Paraphs in red, blue and green.

• Ownership inscription identifying the manuscript as belonging to the Brigittine monastery at Syon, "near Shene" (Sheen), located near Twickenham., Ladder of Perfection (Scala perfectionis), imperfect, the first two parts only

border in blue, red, white and gold at the beginning of parts, the second with an animal head (ff. 1, 54). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue. Rubrics

• Detail of miniature and illuminated initial., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

with penwork decoration in brown and/or red (ff. 3v, 6v). Small paraphs in gold with brown penwork decoration or in blue with red penwork decoration. The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment ? made in

• Detail of decorated and illuminated initials., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

with penwork decoration in brown and/or red (ff. 3v, 6v). Small paraphs in gold with brown penwork decoration or in blue with red penwork decoration. The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment ? made in

• On the left, large calligraphic initial 'L'(envoye) and illuminated initial 'T(his), and on the right, a miniature of the story of Cadmus, possibly retouched, and the illuminated initial 'B'., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

with penwork decoration in brown and/or red (ff. 3v, 6v). Small paraphs in gold with brown penwork decoration or in blue with red penwork decoration. The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment ? made in

• Detail of a miniature of the story of Cadmus, possibly retouched, and the illuminated initial 'B'., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

with penwork decoration in brown and/or red (ff. 3v, 6v). Small paraphs in gold with brown penwork decoration or in blue with red penwork decoration. The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment ? made in

• Detail of a large calligraphic initial 'L'(envoye) and illuminated initial 'T(his)., The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment

with penwork decoration in brown and/or red (ff. 3v, 6v). Small paraphs in gold with brown penwork decoration or in blue with red penwork decoration. The Fall of Princes (index De casibus virorum et feminarum illustrium), fragment ? made in

• Illuminated initials., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Miniature of the death of Sweyn, the king of the Danes., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Detail of a miniature of the death of Sweyn, the king of the Danes., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Miniature of a woman being pulled from the shrine of Edmund., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Detail of a miniature of a woman being pulled from the shrine of Edmund., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Detail of a miniature of the presentation of the text to the king, or alternatively, the admission of the king and leading courtiers into the confraternity of St Edmund, an event described in the poem, and illuminated initial., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Miniature of Edmund appearing to Ailwyn, and Ailwyn sending a message to king Sweyn., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Miniature of Edmund impaling Sweyn., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Miniature of penitential knights at Edmund's shrine., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Miniature of a priest's house burning and Ailwyn's entry at Cripplegate., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Miniature of a woman being pulled from Edmund's shrine., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

decoration extending into the margins (ff. 2, 4, 4v, 5, 6, 118v, 119v). Large initials in gold on red and blue patterned grounds, with foliate sprays in colours and/or gold extending into the margins. Large initial in green, pink, and

• Decorated initial 'O'(mnipotens) with pen-flourishing, and 15th-century ownership inscription added in the margin stating that the manuscript once belonged to the chapel of St Giles near Brompton-on-Swale, but now belongs to the chantry of St Giles in the chapel of St John the Evangelist at Ravensworth castle., Liturgical texts including Offices, masses, etc., with a York calendar (index Breviary)

border (ff. 117v, 126v). Initials in blue with red pen-flourishing including foliate motifs. Initials in brown ink with penwork including faces and foliate motifs (only in the musical sections). Coloured initials in red or blue. Capitals marked in red. Liturgical

• The upper pastedown, with a typical Bury press-mark, '.J. 7.' ('J' is for Jerome). To the right of this is an inscription headed 'A book of St. Edmund, in which are contained', followed by a note on the contents., Commentaries on Isaiah and Ezechiel

by a bird (f. 3). Large initial in red with blue and red penwork decoration at the beginning of the prologue to Ezechiel (f. 90). Words in red, green, or blue. 6 large initials in red at the beginning of