• The arms of René d'Anjou, King of Naples., Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• The arms of René d'Anjou, King of Naples, Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• Detail of a miniature of the Wafer of Dijon., Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• Detail of a full-page miniature of the three heroes bringing King David a cup of water from the well of Bethlehem., Book of Hours, Use of Paris ('The Hours of René d'Anjou')

39, 42, 45). Small initials in blue with purple pen-flourishing or in purple with blue pen-flourishing (f. 14r-v), in gold with blue pen-flourishing (f. 23v), and in red with brown pen-flourishing or in blue with red pen-flourishing (ff. 43v-44). Book

• Large white vine initial 'O'(mnes) enclosing a putto, with a butterfly in the margin, at the beginning of the text., Catilina (ff. 1-16), Jugurtha (ff. 16-46), Epitome historiarum Trogi Pompeii (ff. 46-137v), Epitoma de Tito Livio (index Epitome of Livy) (ff. 138-176v)

a butterfly in the margin (f. 1). Numerous large white vine initials in gold and colours. Numerous smaller initials in blue ink. Catilina (ff. 1-16), Jugurtha (ff. 16-46), Epitome historiarum Trogi Pompeii (ff. 46-137v), Epitoma de Tito Livio (index Epitome

• Puzzle initial 'C'(ome) with pen-flourishing forming a three-sided border, at the beginning of the text., Nova Statuta (index Statutes of England, Statuta Angliae, Statute book), for the reign of Edward III (r. 1327-1377) (ff. 1-78v), Richard II (r. 1377-1399) (ff. 79-118v), Henry IV (r. 1399-1413) (ff. 119-145), Henry V (r. 1413-1422) (ff. 145-165), and up to the 20th year in the reign of Henry VI (r. 1422-1470) (ff. 166-223v)

blue and red with pen-flourishing in the same colours extending into the margin to form a three-sided border (ff. 1, 79 and 119 (with purple)). Numerous initials in blue with red pen-flourishing including foliate motifs. Paraphs in red or

• Detail of a miniature of a monk (or a canon) enthroned, with two monks on either side, at the beginning of causa 28., Decretum, with the glossa ordinaria

335, 341, 342). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of major gloss divisions. Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Decretum, with the glossa ordinaria Added lectures:

• Detail of a miniature of a monk or a canon as judge separating a husband and wife holding a baby, at the beginning of causa 30., Decretum, with the glossa ordinaria

335, 341, 342). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of major gloss divisions. Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Decretum, with the glossa ordinaria Added lectures:

• Detail of a miniature of a marriage, at the beginning of causa 31., Decretum, with the glossa ordinaria

335, 341, 342). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of major gloss divisions. Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Decretum, with the glossa ordinaria Added lectures:

• Detail of a miniature of a marriage with a couple kneeling and a priest celebrating a mass, at the beginning of causa 32., Decretum, with the glossa ordinaria

335, 341, 342). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of major gloss divisions. Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Decretum, with the glossa ordinaria Added lectures:

• Detail of a miniature of a judge with a man and a woman before him, at the beginning of causa 33., Decretum, with the glossa ordinaria

335, 341, 342). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of major gloss divisions. Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Decretum, with the glossa ordinaria Added lectures:

• Detail of a miniature of judge with a pilgrim and a man and a woman before him, at the beginning of causa 34., Decretum, with the glossa ordinaria

335, 341, 342). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of major gloss divisions. Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Decretum, with the glossa ordinaria Added lectures:

• Detail of a miniature of a bishop as judge with a man and a couple with two children before him, at the beginning of causa 35., Decretum, with the glossa ordinaria

335, 341, 342). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of major gloss divisions. Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Decretum, with the glossa ordinaria Added lectures:

• Detail of a miniature of a man and a woman at a feast, at the beginning of causa 36., Decretum, with the glossa ordinaria

335, 341, 342). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of major gloss divisions. Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Decretum, with the glossa ordinaria Added lectures:

• Detail of a miniature of two priests celebrating masses, at the beginning of part III, 'De consecratione'., Decretum, with the glossa ordinaria

335, 341, 342). Puzzle initials in red and blue with red and blue pen-flourishing, at the beginning of major gloss divisions. Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Decretum, with the glossa ordinaria Added lectures:

• Text panel with entwined roses at the beginning of Misopenes., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text page with initials in gold on coloured panels, bearing the names of the protagonists of the dialogue., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text panel with entwined roses at the beginning of Alithia., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Putto holding aloft a text panel., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Text panel with entwined roses at the beginning of Bombarda., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,