• Illuminated border and historiated initial 'N'(unc) with Peter and Paul holding their symbols of keys and a sword, respectively, at the beginning of the feast of the Apostles Peter and Paul. In the lower margin, the note "Peter and Paule," is possibly a later identifying note or an instruction to the artist., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated border and historiated initial 'L'(audeamus) of the crowned Virgin surrounded by cherubim at the feast of the Assumption, with a note, possibly an instruction to the illuminator or later note identifying the subject matter in the lower margin: 'assumsion'., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated border and historiated initial 'L'(audeamus) of Anne, lying in a large bed as a midwife presents the infant Mary to her, at the feast of the birth of the Virgin, with a note, possibly an instruction to the illuminator or later note identifying the subject matter in the lower margin: 'the nativitie'., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated border and historiated initial 'B'(enedicite) of a winged Michael holding a sword and a gold shield standing on the devil, at the feast of Michael, with a note, possibly an instruction to the illuminator or later note identifying the subject matter in the lower margin: 'archangele'., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated miniature of the Trinity, with God the Father seated enthroned holding the cross with the crucified Christ and the dove of the Holy Spirit above the head of Christ (a 'Gnadenstuhl Trinity'), and below, a kneeling donor, William Melreth, alderman of London, in prayer, with his arms. Below this in gold letters and in English is the caption 'Blessed be the trinite', and an inscription detailing Melreth's gift of the missal to the church of St Lawrence, London., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Puzzle initial 'V'(estra) with pen-flourishing, at the beginning of Pseudo-Boethius's De disciplina scholarium., De disciplina scholarium, with glosses

Pseudo-Boethius's De disciplina scholarium. 1 large puzzle initial in red and blue with pen-flourishing in blue and red, and decorated extension (f. 1). Small initials in plain red or blue. 1 marginal drawing of a head, 15th century (f. 3v).

• Illuminated initials., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated initials., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Miniature of David in prayer at the beginning of the Penitential Psalms., Book of Hours, Use of Rennes, imperfect

in blue and gold with red and blue penwork decoration, at the Obsecro te (f. 196). Initials in colours and gold. Initials in blue with red pen-flourishing or in gold with blue pen-flourishing. Flower-shaped line-fillers, in red or blue ink,

• Bar border and initial 'W'(han) with foliate and spray decoration at the beginning of the Prologue of the Canterbury Tales., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'A'(t) with foliate and spray decoration at the beginning of the Reeve's Tale., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'T'(he) with foliate and spray decoration at the beginning of the Prologue of the Cook's Tale, with space left blank for a miniature., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'O' (hatefull) with foliate and spray decoration at the beginning of the Man of Law's Tale., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'A'(t) with foliate and spray decoration at the beginning of the Squire's Tale., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'W'(hilom) with foliate and spray decoration at the beginning of the Merchant's Tale., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'I'(n) with foliate and spray decoration at the beginning of the Wife of Bath's Tale., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'T'(his) with foliate and spray decoration at the beginning of the Prologue of the Friar's Tale, with space left blank for a miniature., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'L'(ordyngis) with foliate and spray decoration at the beginning of the Summoner's Tale., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Bar border and initial 'T'(her) with foliate and spray decoration at the beginning of the Clerk's Tale., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in

• Decorated initial 'T'(his) at the beginning of the Prologue of the Franklin's Tale, and records of the births of Edward Foxe's children in the space originally left blank for a miniature., The Canterbury Tales, including the spurious Tale of Gamelyn (ff. 46-55), imperfect

in colours and gold. Initials in gold against grounds of blue and red with white tracery and spray decoration. Initials in blue or red with penwork decoration in red or blue. Running titles in black. Rubrics and marginal notes in