• Decorated initial 'G'(od) at the beginning of John Lydgate's Book of Governance of Kings and Princes., Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43)

blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or

• Decorated initial 'I'(ff), at the beginning of the prologue to the life of Anne in Osbern Bokenham's Lives of the Saints., Lives of female Saints in verse

red with green pen-flourishing or in blue with red pen-flourishing. Ff. 27-193: 2 large initials in gold on grounds in red and blue with foliate extensions (ff. 27, 28v). 21 large initials in blue with red pen-flourishing, mostly at the

• Decorated initial 'F'(irst) at the beginning of a description of the order of service for the coronation of kings and queens of England., Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43)

blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or

• Crest of Sir Thomas Wriothesley (d. 1534), herald, with the letters 'Th' Wr'., Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43)

blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or

• null, Sir John Paston's 'Grete Booke', a miscellany, including the challenge of an Auncestre of Therle of Warrewik (ff. 16-17v); the tournament between Lord Scales and the Bastard of Burgundy (ff. 18-22v; 29v-43)

blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or

• Illuminated initial 'C'(um) with floral decoration in gold and colours at the beginning of the prologue, with foliate tendrils extending from the initial into the upper and left margin., Epitome historiarum Pompeii Trogi

wreath encircling erased heraldry (f. 1). Initials in blue with red penwork decoration and pen-flourishing (or red with blue penwork) mark the beginning of each book. Rubrics in red. Paraphs in blue or red ink. Epitome historiarum Pompeii Trogi Inscribed

• Illuminated initial on a text page., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of historiated initial of God creating the world, at the beginning of Genesis., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Detail of Creation miniatures, in the lower margin at the beginning of Genesis., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Detail of miniature of the Fall, in the lower margin., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Detail of a miniature of the Creation of Eve., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Detail of a miniature of the Expulsion., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Detail of miniatures of Noah's ark in the lower margin., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Detail of historiated initial., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Detail of a miniature of the Trinity., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Detail of historiated initial., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Detail of historiated initial., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Detail of historiated initial., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Detail of illuminated initials., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Detail of text at the beginning of Book XVI., Epitome historiarum Pompeii Trogi

wreath encircling erased heraldry (f. 1). Initials in blue with red penwork decoration and pen-flourishing (or red with blue penwork) mark the beginning of each book. Rubrics in red. Paraphs in blue or red ink. Epitome historiarum Pompeii Trogi Inscribed