• null, Voyage d'outre mer in English translation; Sir Gowghter; Saint Patrick's Purgatory; Vision of Tondal (imperfect)

116). 2 initials in colours (f. 132). Initials in green with brown and green pen-flourishing, in blue or in brown with brown and blue pen-flourishing (ff. 4-115v). Initials in red (ff. 150-184v). Voyage d'outre mer in English translation; Sir Gowghter;

• Coloured drawings, of Lot's wife, the Ark, and Egyptian soldiers being drowned in the Red Sea., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi

• Drawing of a dragon, with seven heads in its tail. In Joachim's thought, the seven heads correspond to Herod, Nero, Constantinus, Mohometh, Melsemothus, Saladin, the Antichrist, with Gog, the last Antichrist., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi

• Drawing of Adam and of sacrifices., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi

• Full knotwork border with a decorated initial 'F'(acturus), and arms in the shape of a bisected axe head, with a black eagle poised on a sword on a gold ground in the upper half, two crossed swords on a blue ground in the lower half, and the initials 'V' and 'B' on either side., Ab urbe condita (index De gestis romanorum; Historia romana)

a black eagle poised on a sword on a gold ground in the upper half, two crossed swords on a blue ground in the lower half, and the initials 'V' and 'B' on either side. f. 152 is a ruled

• Drawings, including of king Saul, the priest Eli, who falls dead after being told that his two sons had been killed and the ark of God taken by the Philistines (1 Samuel 4:17-18); and the destruction of the city of Jerusalem., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

68, 70v-73v, 75-92). 3 large puzzle initials in red and blue with pen-flourishing in purple and red (ff. 2, 4, 9). Smaller initials in red with purple pen-flourishing or in blue with red pen-flourishing. Summary of the Liber Concordiae Novi

• Text pages with marginal commentary and illuminated initial 'S'(ic), at the beginning of Book VI: 'Sic factur lacrimans, classique immittit habenas'., Aeneis (index Aeneid) , with a verse preface (ff. 1-201); Extract from Servius on Aeneis 6 (f. 202)

I is a paper flyleaf.Marginal commentary (ff. 87v to 97). 18 large initials in gold on red and blue grounds with red, blue, and brown penwork decoration (ff. 1, 1v, 2, 16, 16v, 32v, 47, 47v, 61v, 79, 79v, 97v,

• Decorated initial 'C'(um), and, in the lower margin, the initials 'R. R.' and arms of Roger Rotherham, azure, on a mount, three pointed, vert, a stag in full course or., Strategemata (index Strategematica, De re militari)

to f. 62v.Vertical catchwords. 1 large initial 'C'(um) in blue and purple on a gold ground, and arms in colours and gold in the lower margin (f. 1). Plain initials in blue or red. Rubrics in red. Strategemata (index Strategematica,

• Detail of the lower margin, with initials 'R. R.' and arms of Roger Rotherham, azure, on a mount, three pointed, vert, a stag in full course or., Strategemata (index Strategematica, De re militari)

to f. 62v.Vertical catchwords. 1 large initial 'C'(um) in blue and purple on a gold ground, and arms in colours and gold in the lower margin (f. 1). Plain initials in blue or red. Rubrics in red. Strategemata (index Strategematica,

• null, Chronica pontificum et imperatorum, ending imperfectly

i recto. Large initials in blue with red flourishing and foliate infill, or red with brown flourishing and infill, at the start of texts and major divisions. Small initials similar but simpler. Chronica pontificum et imperatorum, ending imperfectly Medieval ownership(?)

• null, Chronica pontificum et imperatorum, ending imperfectly

i recto. Large initials in blue with red flourishing and foliate infill, or red with brown flourishing and infill, at the start of texts and major divisions. Small initials similar but simpler. Chronica pontificum et imperatorum, ending imperfectly Medieval ownership(?)

• Pen-flourished initials, Meditations on the Life of Christ

catchwords. Alternating initials in blue with red pen-flourishing or in red with violet pen-flourishing. Rubrics in red (now faded). Meditations on the Life of Christ Written in 1454 by Jacobus de Parma in Bologna for Frater Gabriel, provincial vicar: colophon,

• Illuminated initial 'P'(hilopolus)., Poems (index Poemata); Laphra (a comedy)

initial in gold on a pink and green ground, 'P'(hilopolus) (f. 36v). Initials alternating in red or blue. Rubrics and protagonists names in red. Poems (index Poemata); Laphra (a comedy) Written by the author, Giovanni Mario Filelfo (b. 1426, d.

• Detail of historiated initial., Miscellany, including Liber Hermetis de alchimia (ff. 155-157); Liber triginta verborum (ff. 164-166); De duodecim aquis (ff. 166v-167v); and De naturis colorum iuxta Aristotelem 70 preceptorum (ff. 185v-186).

1457 to Würzburg). 1 large red initial with a human face (f. 84). Large and small initials in red, green, blue, or brown, two decorated with patterns. Paraphs in red. Marginalia. 1 table (f. 121). Blank spaces left (for illustrations?).

• Historiated initial 'P'(etrus) of Peter and Paul, in semi-grisaille, with partial foliate borders., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Detail of an illuminated initial with knotwork motifs 'A'(nnus)., Ab urbe condita (index De gestis romanorum; Historia romana)

a black eagle poised on a sword on a gold ground in the upper half, two crossed swords on a blue ground in the lower half, and the initials 'V' and 'B' on either side (f. 1).Nathaniel Noel (fl. 1681,

• Detail of an illuminated initial with knotwork motifs 'S'(equitur)., Ab urbe condita (index De gestis romanorum; Historia romana)

a black eagle poised on a sword on a gold ground in the upper half, two crossed swords on a blue ground in the lower half, and the initials 'V' and 'B' on either side (f. 1).Nathaniel Noel (fl. 1681,

• Two coloured initials 'S'(ervo) and 'T'(am) at the beginning of Hugh of Saint-Victor's 'De laude caritatis'., Meditationes vitae Christi (ff. 2-156); De laude caritatis (ff. 156v-160v)

crayon of a face (f. 1*v) and an ?initial (f. 1v).Erased inscription (f. 2, upper margin). Numerous large initials in blue. Text initials with some penwork decoration (ff. 2-109). Descenders and ascenders of letters alongside the writing frame often with

• Decorated initial 'C'(UM) with interlace accompanied by a partial decorated border with flowers and arms of Schioppo of Verona., Epitome historiarum Pompeii Trogi

and colours with interlace combined with a partial decorated border with flowers and heraldry (f. 1). A smaller initial in blue marks the beginning of each book. Marginal notes in green, purple, and red ink, sometimes accompanied by a small

• Miniature of the Crucifixion, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Cross., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of