• Detail of miniature of the Fall, in the lower margin., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Detail of a miniature of the Creation of Eve., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Detail of a miniature of the Expulsion., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Detail of miniatures of Noah's ark in the lower margin., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• null, Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• null, Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• null, Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea, sun and moon., Historia naturalis (index Natural history)

yellow, gold or white on a red, green or blue panel. Initials in gold on a ground combining blue, red and green (from f. 91). Coloured initials in gold or blue (ff. 11-20v). Historia naturalis (index Natural history) Aeneas Silvius

• Detail of a white vine initial 'M'., Historia naturalis (index Natural history)

yellow, gold or white on a red, green or blue panel. Initials in gold on a ground combining blue, red and green (from f. 91). Coloured initials in gold or blue (ff. 11-20v). Historia naturalis (index Natural history) Aeneas Silvius

• Detail of arms from the lower border of the folio., Historia naturalis (index Natural history)

yellow, gold or white on a red, green or blue panel. Initials in gold on a ground combining blue, red and green (from f. 91). Coloured initials in gold or blue (ff. 11-20v). Historia naturalis (index Natural history) Aeneas Silvius

• Puzzle initial and partial border, at the beginning of Bernard of Clairvaux's Sermons., Sermons

6d. (Egerton MSS 710-730). 1 large puzzle initial in red and blue with pen-flourishing in blue and red, developing a three-sided border (f. 3). 7 smaller initials in blue, with reserved designs, with red pen-flourishing (ff. 7, 21, 53, 134,

• Flourished initial, in Bernard of Clairvaux's Sermons., Sermons

6d. (Egerton MSS 710-730). 1 large puzzle initial in red and blue with pen-flourishing in blue and red, developing a three-sided border (f. 3). 7 smaller initials in blue, with reserved designs, with red pen-flourishing (ff. 7, 21, 53, 134,

• Three decorated initials 'M'(are), 'N'(ili) and 'A'(er); in the lower half of the image are the remains of f. 2., De nuptiis Philologiae et Mercurii, Book VIII (De astronomia also known as Hipparchus), imperfect (ff. 1-33v); two smaller texts (ff. 33v-39)

green and blue (ff. 23v, 26v, 28, 28v, 32, 32v). 2 diagrams in brown ink with some red (ff. 18v, 20), perhaps added later. 1 initial in blue and light brown (f. 3). Simple initials in red, blue, green or

• Historiated initial 'Q'(uoniam) with a portrait of Bartholomaeus de S. Concordio and an illuminated initial 'A'(bbas)., Summa Pisana with an index (ff. 222v-226v) (index Summa de casibus conscientiae, Summa Pisanella)

116, 128v, 131v, 143, 162v, 163, 174v, 201, 207). Initials in red with blue penwork decoration or in blue with red penwork decoration. Paraphs in red or blue. Rubrics in red (f. 1). Summa Pisana with an index (ff. 222v-226v)

• Decorated initial O(paca) in blue, magenta, and green with floral sprays and bezants. Marginal hand and text hand by Gunthorpe., Tragoediae (index Tragedies)

22, 40, 51, 91, 111, 147). The two remaining decorated initials in blue, magenta, and green with floral sprays and bezants (ff. 130, 163). Initials in red or blue at the beginning of each scene. Paraphs. Tragoediae (index Tragedies) John

• Decorated initial 'A'(lvredus) with pen-flourishing at the beginning of book 6., Polychronicon (to the 25th year in the reign of Henry VI, i.e. 1445), including 2 extracts from the Latin Brut Chronicle of England (ff. 227-228v) (imperfect)

(f. 37v). 5 initials in blue with blue, red and dark purple pen-flourishing extending into the margins at the beginning of each book (ff. 10, 32, 64, 89, 140v). Coloured initials in red or blue. Polychronicon (to the 25th year